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The status and practices of class piano programs in selected colleges and universities of the state of Ohio /Sonntag, Werner January 1980 (has links)
No description available.
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The development and evaluation of a test to assess selected characteristics of prospective music educators /Doane, Christopher Philip, January 1981 (has links)
No description available.
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The status of music teacher education in Ghana with recommendations for improvement /Manford, Robert January 1983 (has links)
No description available.
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Selection and retention criteria in undergraduate music teacher education programs : survey, analysis and implications /Shellahamer, Bentley Raymond January 1984 (has links)
No description available.
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Supply and demand for music teachers in Ohio : an analysis of 1959-1971 with projections for 1976 /Shoup, Earl Richard January 1972 (has links)
No description available.
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The development and evaluation of a teaching performance test for elementary classroom music /Wood, Stanley Dean January 1978 (has links)
No description available.
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Music specialists' beliefs and practices in teaching music listening /Cusano, Janice M. January 2004 (has links)
Thesis (Ph. D.)--Indiana University, 2004. / Computer printout. Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0878. Adviser: Mary Goetze. Includes bibliographical references (leaves 205-223), abstract, and vita.
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The Image in the MIrror: How Four Elementary Music Teachers Understand Their Professional IdentityEyre, Alberta 01 March 2010 (has links)
Ongoing development of professional identity is critical for pre-service and in-service elementary music teachers to grow and evolve as music educators over the course of their careers. This study was designed to gain insight into the factors surrounding the formation and ongoing development of professional identity of 4 elementary music teachers in southwestern Ontario, Canada. Narrative in both design and approach, the stories of 4 individual elementary music educators, each at different points along their careers paths, were told using their own words. My personal narrative was also added to the discussion. The participants were known to me in advance of the study and invited to be part of the study because they are all reflective practitioners who were comfortable sharing their stories of teaching music with me. All participants were women, which parallels the reality of the profile of elementary music teachers in Ontario.
Over a period of 4 months, I met with each participant for semi-structured interviews and in-school observations. Interviews were recorded using an audio recorder and later transcribed and verified by participants. Field notes were kept during classroom observations and supplemented by journal writings. Informal conversations, via telephone, email, or face-to-face further supplemented the data collected. The data was analyzed by reading and rereading, looking for themes, commonalities and differences of the participants. The results of the study are not meant to be generalized to a larger population, but to provide rich illustrations which may lead to common understanding.
The identities of these participants, and my identity, were first influenced through early experiences with music and teaching in the home, at school and in the community. As the participants began university undergraduate programs, both positive and negative experiences informed their developing identity as did experiences in pre-service and in-service teaching. The research findings and recommendations of this study have implications in several areas, including: issues of teacher identity, ongoing professional development and, pre-service and in-service education.
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The Image in the MIrror: How Four Elementary Music Teachers Understand Their Professional IdentityEyre, Alberta 01 March 2010 (has links)
Ongoing development of professional identity is critical for pre-service and in-service elementary music teachers to grow and evolve as music educators over the course of their careers. This study was designed to gain insight into the factors surrounding the formation and ongoing development of professional identity of 4 elementary music teachers in southwestern Ontario, Canada. Narrative in both design and approach, the stories of 4 individual elementary music educators, each at different points along their careers paths, were told using their own words. My personal narrative was also added to the discussion. The participants were known to me in advance of the study and invited to be part of the study because they are all reflective practitioners who were comfortable sharing their stories of teaching music with me. All participants were women, which parallels the reality of the profile of elementary music teachers in Ontario.
Over a period of 4 months, I met with each participant for semi-structured interviews and in-school observations. Interviews were recorded using an audio recorder and later transcribed and verified by participants. Field notes were kept during classroom observations and supplemented by journal writings. Informal conversations, via telephone, email, or face-to-face further supplemented the data collected. The data was analyzed by reading and rereading, looking for themes, commonalities and differences of the participants. The results of the study are not meant to be generalized to a larger population, but to provide rich illustrations which may lead to common understanding.
The identities of these participants, and my identity, were first influenced through early experiences with music and teaching in the home, at school and in the community. As the participants began university undergraduate programs, both positive and negative experiences informed their developing identity as did experiences in pre-service and in-service teaching. The research findings and recommendations of this study have implications in several areas, including: issues of teacher identity, ongoing professional development and, pre-service and in-service education.
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The development of a model inservice teacher education program in music sight reading methodology /Junda, Mary Ellen. January 1990 (has links)
Thesis (Ed.D)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Robert Stephens. Bibliography: leaves 144-155.
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