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41	Die öffentliche Förderung des Musiktheaters in Deutschland / Tillner, Wolf-Dietrich. January 1999 (has links) Texte remanié de: Diss.--Jura--Tübingen--Eberhard-Karls-Univ., 1998. / Bibliogr. p. 352-375. Index. Théâtre musical
42	Attentive listening the concept of Aufmerksamkeit and its significance in German musical thought, 1770-1790 / Riley, Matthew. January 2000 (has links) Thesis (doctoral)--University of London, 2000. / BLDSC reference no.: DX211156. Musical criticism
43	Variation in pitch discrimination within the tonal range Vance, Thomas Franklin. January 1900 (has links) Thesis (Ph. D.)--University of Iowa, 1913. / "Reprinted from Psychological review monograph. no. 69." Bibliography: p. 148-149. Musical pitch.
44	Alternative instrumentation : a study of selected instruments Geraci, Paul A. January 2003 (has links) This study includes information on nonstandard instruments. The purpose of this document is to benefit composers who may wish to write for instruments not found in the standard orchestra. Since composers are constantly seeking new sounds, they often turn to exotic or less frequently used instruments. These nonstandard instruments can provide fresh timbres in addition to those of standard Western instrumentation, or aid the composer in alluding to the characteristic sounds of a particular culture. A study such as this is needed because most nonstandard instruments do not appear regularly in orchestration texts.The instruments included in this study are: accordion, carillon, didgeridoo, erhu, glass harmonica, hammered dulcimer, cimbalom, hardanger fiddle, harmonica, highland bagpipes, Irish flute, tin whistle, koto, shakuhachi, sitar, thermin, and uillean pipes. Entries contain information about each instrument’s timbre, dynamics, physical description, history and origins and limitations. Photographs and musical examples from well-known composers are included with each entry. A significant portion of information was collected from personal interviews with expert performers and composers. / School of Music Musical instruments.
45	A critical analysis of actions taken upon historic musical instruments through the period of the early music revival from the beginning of the 20th century to the 1990s. Barclay, Robert Leslie. January 1999 (has links) Thesis (Ph. D.)--Open University. BLDSC no. DX210667. Musical instruments
46	Notational practices in selected piano works of the twentieth century / McKay, John, January 1977 (has links) Thesis (D.M.A.)--University of Rochester. / Reproduced from typescript. Vita. Includes bibliographical references (leaves 198-200). Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/5997 Musical notation.
47	Musical aptitude and achievement of selected fourth and fifth grade students Forrest, Renee Elizabeth, January 1972 (has links) Thesis (M.S.)--University of Wisconsin--Madison, 1972. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references. Musical ability.
48	A psychological and a physiological approach to musical education Ream, Martha E. January 1937 (has links) Thesis (M.S.)--University of Wisconsin--Madison, 1937. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [84-86]) Musical education.
49	The efficacy of pre-1965 and post-1965 musical aptitude and achievement tests for use with diverse groups / DeGraffenreid, George M. January 1995 (has links) Thesis (Ph. D.)--University of Washington, 1995. / Vita. Includes bibliographical references (leaves [209]-217). Musical ability
50	A graphic method of recording musical information and illustrations of its use in analysis. Loucks, Richard, January 1948 (has links) Thesis (M.A.)--University of Rochester, 1948. / Typewritten. Contains analysis of Bach, J.S.: English Suite in A minor; Brandenburg Concerto No. 2. Beethoven, L.v.: Sonata op. 13. Wagner, R.: Prelude to Parsifal, Prelude to Tristan and Isolde. Bibliography: l. 476. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/2542 Musical analysis.

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