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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Control, cultural production and consumption : theoretical perspectives, empirical dilemmas, and Swedish music industry practices /

Portnoff, Linda. January 2007 (has links)
Zugl.: Stockholm, Handelshögskolan, Diss., 2007.
2

Kollektives Gedächtnis und Widerstandskultur musiksoziologische Reflexionen über die altgriechische Musik /

Tsapakidis, Konstantinos. Unknown Date (has links)
Universiẗat, Diss., 2002--Frankfurt (Main).
3

Mehrdimensionale Musikurteile in der soziologischen Forschung

Niemann, Konrad 27 February 2020 (has links)
No description available.
4

Die Vermischung musikalischer Gattungen als soziologisches Problem

von Dadelsen, Georg 27 March 2020 (has links)
No description available.
5

“Show me your playlist and I tell you who you are” : An investigation of the social psychological foundation of musical playlists

Rochow, Kathrin January 2010 (has links)
In the age of social networking and music streaming, playlists are a common tool for organizing,sharing or exchanging music in the digital realm. Most research, however, emphasizes mainlypolitical, legal, and ethical constraints of music sharing practices yet, neglects their social impact.Thus, this paper investigates the social-psychological foundation of the playlist and analyses itsfunctionality in establishing social relations and communication. Following the theories of Cooley,Mead, Simmel and Solomon, I conducted and analysed interviews with young Swedish men andwomen, in which they talked about their experiences and attitudes towards playlists. Moreover, allparticipants compiled their own personal playlist, based on certain personality traits, which wereaimed to be recognized by the others during the focus group discussion. The analysis of the datayields the following conclusions: The playlist is a social object, facilitating new forms ofcommunication. The social nature of the playlist is based on the transformation from objective- intosubjective culture. By internalizing new technologies, such as the playlist, objects gain social value,thus mere musical content becomes a social form. It is through sharing and exchanging musicalcompilations that the playlist, as a social form, serves as a vehicle or medium, facilitating newforms of sociation and communication. The communicative function of the playlist is due to itsconstruction through emotions as uniquely subjective judgements, based on the “I” as an emotionalself-feeling. Thus, musical compilations take part in the self-construction process, and can serve asa tool for the symbolic expression of the self.Moreover, the analysis points out that there are differences in how well certain parts of the self canbe communicated by a playlist. Emotional expressions of the self are translated into particularuniversal music patterns most successfully. Furthermore, the analysis shows that some people liketo browse through the playlists of others and judge them thereupon, which results in some type ofmusical voyeurism, termed “playlistism.” In conclusion, I argue that the musical playlist is both,socially implicated and socially implicating, and facilitates communication not only betweenSwedish youth but across cultural boarders.
6

Hauptreferat I: Die musikalischen Gattungen und ihr sozialer Hintergrund

Engel, Hans 27 March 2020 (has links)
No description available.
7

Hauptreferat II: Die musikalischen Gattungen und ihr sozialer Hintergrund

Wiora, Walter 27 March 2020 (has links)
No description available.
8

The Isorhythmic Motet and its Social Background

Reaney, Gilbert 27 March 2020 (has links)
No description available.
9

Social Backgrounds of the Restoration Anthem

Zimmerman, Franklin B. 27 March 2020 (has links)
No description available.
10

Zur Sozialgeschichte des klassischen Streichquartetts

Finscher, Ludwig 27 March 2020 (has links)
No description available.

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