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41	Allusion et fiction épistolaire dans les Héroïdes recherches sur l'intertextualité ovidienne / Jolivet, Jean-Christophe. January 2001 (has links) Thesis (Revise). / Includes bibliographical references (p. [339]-349) and index.
42	Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion Steyn, Herco Jacobus 10 1900 (has links) This dissertation concurs with the Jungian postulation that certain psychological archetypes are inclined to be reproduced by the collective unconscious. In turn, these psychological archetypes are revealed to emerge in literature as literary archetypes. It is consequently argued that science fiction has come to form a new mythology because the archetypal images are displaced in a modern, scientific guise. This signifies a shift in the collective world view of humanity, or a shift in its collective consciousness. It is consequently argued that humanity’s collective consciousness has evolved from mythic thought to scientific thought, courtesy of the numerous groundbreaking scientific discoveries of the past few centuries. This dissertation posits as a premise that Pierre Teilhard de Chardin’s supposition of humanity’s collective consciousness evolving towards what he calls the Omega Point to hold true. The scientific displacement of the literary archetypes reveals humankind’s evolution towards the Omega Point and a cosmic consciousness. / English Studies / M.A. (English) Collective unconscious Archetype Myth Displacement Allusion Intertextuality Epic Science fiction Collective consciousness Weltanschauung Ideology Romanticism Omega Point Hegelian dialectic 821.7 Keats, John, 1795-1821 Simmons, Dan Poets, English -- 19th century Mythology, Classical, in literature

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Allusion et fiction épistolaire dans les Héroïdes recherches sur l'intertextualité ovidienne /

Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion