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31	Weihreliefs an Herakles aus klassischer Zeit Tagalidou, Efpraxia. January 1993 (has links) Originally presented as the author's Thesis (doctoral-- Universität Heidelberg, 1989). / Includes bibliographical references and index.
32	Weihreliefs an Herakles aus klassischer Zeit Tagalidou, Efpraxia. January 1993 (has links) Originally presented as the author's thesis (doctoral-- Universität Heidelberg, 1989) / Includes index. Includes bibliographical references.
33	A statistical study of the contributions of certain Greek and Roman mythological terms to the modern English language Richards, Chrysta 01 January 1949 (has links) Many teachers of English are challenged with the question, "Why do we study these ancient myths?" The most obvious justification is the great contribution of mythology to music, literature, and other arts. However, the modern, questioning student is not entirely satisfied with this answer. A more practical appeal is made in this study of the contributions of mythology to modern language. Mythology Classical Arts and Humanities English Language and Literature
34	Zeitgeschichte in Ovids "Metamorphosen" Mythologische Dichtung unter politischem Anspruch / Schmitzer, Ulrich. January 1990 (has links) Texte remanié de : Dissertation : Sprach- und Literaturwissenschaften : Universität Erlangen-Nürnberg : 1989. / Index.
35	Rôle des mythèmes dans la lecture de trois nouveaux romans Mineau, Marie-Elaine. January 2000 (has links) Alain Robbe-Grillet's Les Gommes, Michel Butor's L'Emploi du temps as well as Claude Simon's La Bataille de Pharsale are all New Novels in which Greek and Latin "mythemes" play various roles in the reception of the text by its reader. These roles represent our object of study. As a result of the possibilities and, more specifically, the many difficulties involved in reconstructing the original mythological plot, the reader realizes that the mythemes form a sort of "secondary plot" which both reflects the "first plot" (the novel's narrative) and determines its complexity. In this way, the mythemes guarantee a certain balance in the reader's level of understanding. However, they still bring out important problems: for example, they contribute to the redefining of certain familiar classical concepts and to the production of manifold interpretative choices. It follows that the mythemes are instrumental in making the reader the privileged spectator of the reconstruction of the horizon of expectations. Robbe-Grillet, Alain, 1922-2008. Gommes. Butor, Michel. Emploi du temps. Simon, Claude. Bataille de Pharsale. Mythology, Classical, in literature.
36	Unity in diversity a study of Apuleius' Metamorphoses : with particular reference to the narrator's art of transformation and the metamorphosis motif in the Tale of Cupid and Psyche / James, Paula. January 1987 (has links) Thesis (doctoral)--University of Southampton. / Includes bibliographical references (p. 249-272).
37	Unity in diversity a study of Apuleius' Metamorphoses : with particular reference to the narrator's art of transformation and the metamorphosis motif in the Tale of Cupid and Psyche / James, Paula. January 1987 (has links) Thesis (doctoral)--University of Southampton. / Includes bibliographical references (p. 249-272).
38	Rôle des mythèmes dans la lecture de trois nouveaux romans Mineau, Marie-Elaine. January 2000 (has links) No description available. Robbe-Grillet, Alain, 1922-2008. Gommes. Mythology, Classical, in literature. Butor, Michel. Emploi du temps. Simon, Claude. Bataille de Pharsale.
39	Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion Steyn, Herco Jacobus 10 1900 (has links) This dissertation concurs with the Jungian postulation that certain psychological archetypes are inclined to be reproduced by the collective unconscious. In turn, these psychological archetypes are revealed to emerge in literature as literary archetypes. It is consequently argued that science fiction has come to form a new mythology because the archetypal images are displaced in a modern, scientific guise. This signifies a shift in the collective world view of humanity, or a shift in its collective consciousness. It is consequently argued that humanity’s collective consciousness has evolved from mythic thought to scientific thought, courtesy of the numerous groundbreaking scientific discoveries of the past few centuries. This dissertation posits as a premise that Pierre Teilhard de Chardin’s supposition of humanity’s collective consciousness evolving towards what he calls the Omega Point to hold true. The scientific displacement of the literary archetypes reveals humankind’s evolution towards the Omega Point and a cosmic consciousness. / English Studies / M.A. (English) Collective unconscious Archetype Myth Displacement Allusion Intertextuality Epic Science fiction Collective consciousness Weltanschauung Ideology Romanticism Omega Point Hegelian dialectic 821.7 Keats, John, 1795-1821 Simmons, Dan Poets, English -- 19th century Mythology, Classical, in literature
40	Allusion et fiction épistolaire dans les Héroïdes recherches sur l'intertextualité ovidienne / Jolivet, Jean-Christophe. January 2001 (has links) Thesis (Revise). / Includes bibliographical references (p. [339]-349) and index.

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