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1	Aukštaičių ir žemaičių tautiniai rūbai: ištakos ir kūrimo tendencijos / Origins and creation tendencies of national clothes of aukstaiciai and zemaiciai Urniežiūtė, Ieva 24 September 2008 (has links) Darbe nagrinėjami Aukštaitijos ir Žemaitijos tradiciniai išeiginiai valstiečių moterų ir vyrų drabužiai dėvėti XIX a. - XX a. pr., bei jų pagrindu kuriami tautiniai kostiumai, t.y. siekiama išsiaiškinti kiek tradiciškumas atsispindi šiuolaikiniuose tautiniuose kostiumuose dėvimuose kultūros ir švietimo įstaigose šiandien. Tuo tikslu buvo pasirinkta po vieną šiuose regionuose esantį rajoną, bei juose esančios įstaigos turinčios tautinių kostiumų. Aukštaitijoje atsitiktiniu būdu buvo pasirinktas Kėdainių rajonas ir jame esančios 5 įstaigos, Žemaitijoje - Tauragės rajonas ir jame esančios 9 įstaigos. / The purpose of the study “Origins and creation tendencies of national clothes of aukstaiciai and zemaiciai” is to find out if the models of traditional costumes of zemaiciai and aukstaiciai were the foundation creating the costumes that we know now in the regions mentioned above. Several cultural and educational establishments that are still using national costumes occasionally were chosen in Aukstaitija and Zemaitija in order to uncover this problem. In Aukštaitija were chosen Kedainiu rajonas and 5 cultural and educational establishments here, which has national clothes, in Taurages rajonas was chosen 9 establishments. History Tautinis kostiumas Aukštaitijos tradiciniai drabužiai Žemaitijos tradiciniai drabužiai Tautiniai kostiumai National costume Tradicional clothes of aukstaiciai Tradicional clothes of zemaiciai National costumes
2	‘One Dress – One Nation!’ : The societal implications of King Gustav III’s National Costume in late eighteenth-century Swedish Court Society Carlos, Raoul Christian January 2021 (has links) This thesis explores the societal implications of Gustav III’s national costume in the context of Swedish court society during the late eighteenth century. With the aims of uncovering King Gustav III’s view of the National Costume and its role in Swedish court society, as well as how we can understand the National Costume’s meaning for the aristocracy in late eighteenth-century Sweden, this thesis presents a post-structural textual analysis of Gustav III’s (1806) REFLEXIONER, angående en ny nationel klädedrägt (Reflections concerning a new national costume) in order to uncover King Gustav III’s perception of and ideology behind the national costume. This is then juxtaposed with a similar analysis of a chapter from Hedvig Elisabeth Charlotta’s (1902) journal, representing an aristocratic counter-perspective. This thesis presents a previously unexplored sociological perspective in studying Gustav III’s National Costume. Departing from Norbert Elias’ work around the court society, arguments are made for the interpretation of the National Costume as an instrument in court ceremonial, at the king’s disposal, holding the potential to create a distance in power between the Swedish court nobility and the monarchy. Furthermore, it is argued that the National Costume represents an oppressive force to the Swedish court nobility as a social class. Gustav III King Gustav III of Sweden National Costume Hedvig Elisabeth Charlotta Hedvig Elisabeth Charlotta's Diary Court Society Gustavian Court Early Modernity Early Modern Period Dress History Fashion Studies Nationella Dräkten Reflexioner Kung Gustav III av Sverige Gustav III Hedvig Elisabeth Charlottas Dagbok Svenska Adel Kungahuset Dräkthistoria Other Humanities not elsewhere specified Övrig annan humaniora

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Aukštaičių ir žemaičių tautiniai rūbai: ištakos ir kūrimo tendencijos / Origins and creation tendencies of national clothes of aukstaiciai and zemaiciai

‘One Dress – One Nation!’ : The societal implications of King Gustav III’s National Costume in late eighteenth-century Swedish Court Society