Spelling suggestions: "subject:"multionational endowment for then arts"" "subject:"multionational endowment for then rts""
1 |
A multigoal policy analysis of the Arts in Education program of the National Endowment for the Arts and five selected state arts agenciesOhlsson, Valerie M. Dorn, Charles M. January 2003 (has links)
Thesis (Ph. D.)--Florida State University, 2003. / Advisor: Dr. Charles M. Dorn, Florida State University, School of Visual Arts and Dance, Dept. of Art Education. Title and description from dissertation home page (viewed Sept. 08, 2004). Includes bibliographical references.
|
2 |
The NEA and the dance field an analysis of grant recipients from 1991 to 2000 /Sciantarelli, Jennifer Ann, January 2008 (has links)
Thesis (M.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 124-128).
|
3 |
The National Endowments for the Arts and Humanities : an experiment in cultural democracy /Galligan, Ann Mary. January 1989 (has links)
Thesis (Ed.D.) -- Teachers College, Columbia University, 1989. / Typescript; issued also on microfilm. Sponsor: Robert O. McClintock. Dissertation Committee: Ellen Condliffe Lagemann. Bibliography: leaves 197-210.
|
4 |
The 1986 National Endowment for the Arts commission an introspective analysis of two marimba works, Reflections on the nature of water by Jacob Druckman and Velocities by Joseph Schwantner, together with three recitals of selected works by Keiko Abe, Christopher Deane, Peter Klatzon, Wayne Siegel, Gitta Steiner, and others /Fang, I-Jen. January 2005 (has links)
Thesis (D.M.A.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 14, 2003, Sept. 15, 2003, Apr. 19, 2004, and Apr. 18, 2005 (missing). Includes bibliographical references (p. 62-66).
|
5 |
The NEA and the Dance Field: An Analysis of Grant Recipients from 1991 to 2000Sciantarelli, Jennifer Ann 12 January 2009 (has links)
No description available.
|
6 |
Covered wagons of culture : the roots and early history of the National Endowment for the Arts /Smith, David A. January 2000 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references (leaves 484-407). Also available on the Internet.
|
7 |
Covered wagons of culture the roots and early history of the National Endowment for the Arts /Smith, David A. January 2000 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references (leaves 484-407). Also available on the Internet.
|
8 |
The National Endowment for the Arts: An Advocacy for Federally Funding the ArtsScanlan, Kalie Breanne January 2017 (has links)
No description available.
|
9 |
Public Funding for the Arts: Welfare for the Wealthy?Soffer, Leah B. 01 January 2014 (has links)
This thesis studies the determinants of grants from the National Endowment for the Arts and identifies the key factors that can account for their variation across communities. The analysis examines the target audience for NEA grants, how the NEA chooses to distribute its funds, and whether the grants aimed at low-income communities are effective in targeting communities that do not otherwise have access to the arts. This study concludes that grants from the National Endowment for the Arts tend to be allocated to communities with higher college graduation rates, but not necessarily higher income levels.
|
10 |
The Instrumentalization of the Arts: Congressional Aesthetics and the National Endowment for the Arts in the 1990sJanuary 2015 (has links)
abstract: This thesis is an art-historical inquiry into the National Endowment for the Arts (NEA) and its controversies in the 1990s. A socio-economic model of instrumentalization of the arts based on Pierre Bourdieu's and David Throsby's conceptualizations of cultural capital is first developed. The model is then used to explore the notion of "congressional aesthetics," or a particular brand of arts-instrumentalization adopted by the U.S. Congress for post-WWII federal projects involving art, and two cases of its implementation. The first case is the successful implementation of congressional aesthetics in the instrumentalization of the arts in Sino-American cultural diplomacy during the Cold War. The kind of American art in the 1950s enabled the successful implementation of congressional aesthetics. The opposite case is then investigated: the failed implementation of congressional aesthetics in the operation of the NEA in the 1980s. Specifically, the NEA controversies of the 1990s can be traced to the agency's failure to conform to congressional aesthetics. Failed congressional aesthetics also results largely from the type of American art being produced in the 1980s. / Dissertation/Thesis / Masters Thesis Art 2015
|
Page generated in 0.1068 seconds