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1	Faces of Janus : the revival of classicism in modernist Paris / Junyk, Ihor. January 2001 (has links) Thesis (Ph. D.)--University of Chicago, Dept. of History, March 2001. / Includes bibliographical references. Also available on the Internet.
2	A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S WANG, SHA 19 July 2006 (has links) No description available. Neoclassicism Piano solo in the 1920s
3	Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex / Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex Durham, Hannah Lee 23 April 2013 (has links) Igor Stravinsky’s 1927 opera-oratorio Oedipus Rex (with libretto by Jean Cocteau) contains quintessential Neoclassical qualities: it is a reduced, mechanical, and austere version of the Sophocles play, using older operatic devices within static harmonic momentum and ambiguous functionality. A closer look into the conception and intrinsic fabric of the work, however, betrays certain ideological bonds with the Russian neonationalist movement of the late 19th century. This movement had its origins in the visual arts but soon its principles carried over to music. The neonationalists valued the intrinsic properties of the folk subject (ornamentation in art, geometrical aspects of line, folk song) rather than the folk subject itself. In other words, the abstraction of the folk subject’s innate qualities, rather than mere quotation, served as the means to a wholly modern artwork. Neonationalist ideals would serve as the catalyst for Stravinsky’s modernist revolt in Le Sacre du Printemps (as explored by Richard Taruskin.) Although the movement itself is distanced from Stravinsky’s Neoclassical period and Oedipus Rex, its ideals can be traced from Le Sacre to Oedipus and beyond. In addition, the social and cultural milieu of Jean Cocteau in interwar France serves to position this work as distinctly modernist mainly through its abbreviation of the original source. In this study, I will explore the perpetuation of these ideals in Oedipus through its musical language and abstraction from sources to place it as an entirely new musical concept. / text Stravinsky Oedipus Rex Neoclassicism Neonationalism
4	An analysis of Stravinsky's Symphony of psalms focusing on tonality and harmony Kang, Jin Myung, January 2007 (has links) Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 56-57).
5	Architectural historicism in the nineteenth century a study of British and French texts / McAuliffe, Mary Patricia. January 1986 (has links) Thesis (Masters)--Rice University, 1986. / Includes bibliographical references (p. 141-151). Also issued in print.
6	Architectural historicism in the nineteenth century a study of British and French texts / McAuliffe, Mary Patricia. January 1986 (has links) Thesis (Masters)--Rice University, 1986. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 141-151).
7	The manifestation of character as a design goal in the work of Sir John Soane Morris, Bruce E. 08 1900 (has links) No description available. Soane, John, Sir, 1753-1837 Neoclassicism (Architecture)
8	The reception of Tang poetry in the Ming neo-classical criticism Chan, Kwok-kou, Leonard, 陳國球 January 1988 (has links) published_or_final_version / Chinese / Doctoral / Doctor of Philosophy Neoclassicism (Literature)
9	Three periods of architectural devices : illusion and aggrandizement from Soane and Lutyens to the present Mamalakis, Dean Ernest 08 1900 (has links) No description available. Architecture History Neoclassicism (Architecture) Vernacular architecture
10	Klassizismus und Utopia Interpretationen zu Werken von David, Canova, Carstens, Thorvaldsen, Koch. Zeitler, Rudolf Walter, January 1900 (has links) Thesis--Uppsala. / Bibliography: p. 285-293.

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