This essay examines how the factors that inspire Tambudzai and Nyasha to counter the patriarchy are portrayed and how these factors contribute to the formation of hybrid identities among the younger generation of women in Nervous Conditions (1988) by Tsitsi Dangarembga. Both characters are faced with different predicaments which makes it necessary to divide the factors in regard to each character. The factors that are connected to Tambudzai are the following: the death of Nhamo, the patriarchal male figures, and the will to obtain an education. Meanwhile, the factors that are connected to Nyasha are the relationship with her patriarchal father, the desire for liberation and gender equality. Postcolonial and feminist criticism are applied. The main focus of the essay is hybridity, or double identity, where the specific term cultural hybridity is used in order to analyze the effect that the struggle against the patriarchy has had on Tambudzai's and Nyasha's emerging hybrid identities. The feminist-psychoanalytic approach is used to analyze the factors that inspire Tambudzai and Nyasha to counter the patriarchy.  The results show that the factors that inspire Tambudzai and Nyasha to counter the patriarchy have been visible and crucial to the formation of their hybrid identities. The struggle that Tambudzai and Nyasha have to face when going against the patriarchal system brings certain predicaments in their lives that affect them and their identity tremendously. One of these predicaments is the realization that patriarchy is universan and, hence, something you cannot escape.

Through a close reading of Tsitsi Dangarembga’s Nervous Conditions, this essay shows the key links between the novel and Frantz Fanon’s major works. In addition to providing a deeper understanding of Dangarembga’s narrative as a whole, it takes into particular consideration the em­bedded criticism of colonialism in the text. The psychological conditions implied by the title play a central role: the essay shows how these conditions relate to the colonial situation and how refusing to consent to subjugation can be understood as radical criticism of colonial, Christian, as well as patriarchal superstructures as well as forming clear opposition to the colonial institution. The analysis is primarily based on Fanon and his comprehension of other theorists. It also draws on the ideas of Homi K. Bhabha, which will provide an additional level of understanding regarding questions about colonial identities in general, and Dangarembga’s characters Tambu, Nyasha, and Babamukuru in particular.

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Text in English / This thesis investigates the relationship between humans and the nonhuman world or natural environment in selected literary works by black female writers in colonial and post-colonial Namibia and Zimbabwe. Some Anglo-American scholars have argued that many African writers have resisted the paradigms that inform much of global ecocriticism and have responded to it weakly. They contend that African literary feminist studies have not attracted much mainstream attention yet mainly to raise some issues concerning ecologically oriented literary criticism and writing. Given this unjust criticism, the study posits that there has been a growing interest in ecocriticism and ecofeminism in literary works by African writers, male and female, and they have represented the social, political (colonial and anti-colonial) and economic discourse in their works. The works critiqued are Tsitsi Dangarembga’s Nervous Conditions (1988) and The Book of Not (2006), Neshani Andreas’ The Purple Violet of Oshaantu (2001) and No Violet Bulawayo’s We Need New Names (2013). The thrust of this thesis is to draw interconnections between man’s domination of nature and the subjugation and dominance of black women as depicted in different creative works. The texts in this study reveal that the existing Anglo-American framework used by some scholars to define ecocriticism and ecofeminism should open up and develop debates and positions that would allow different ways of reading African literature. The study underscored the possibility of black female creative works to transform the definition of nature writing to allow an expansion and all encompassing interpretation of nature writing. Contrary to the claims by Western scholars that African literature draws its vision of nature writing from the one produced by colonial discourse, this thesis argues that African writers and scholars have always engaged nature and the environment in multiple discourses. This study breaks new ground by showing that the feminist aspects of ecrocriticism are essential to cover the hermeneutic gap created by their exclusion. On closer scrutiny, the study reveals that African women writers have also addressed and highlighted issues that show the link between African women’s roles and their environment. / English Studies / D. Litt. et Phil. (English)