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Methode und Inhalt : Momente von künstlerischer Selbstreferenz im Werk von Nicolas Poussin /Joch, Peter, January 2003 (has links)
Texte remanié de: Dissertation--Aachen--Technische Hochschule, 1998. / Bibliogr. p. 322-339.
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Nicolas Poussin die Pest von Asdod /Hipp, Elisabeth. January 2005 (has links)
Texte remanié de : Dissertation : Kunstgeschichte : Universität Tübingen : 1999. / Bibliogr. p. [421]-466. Notes bibliogr. Index.
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"Et in Arcadia ego" : En konstvetenskaplig studie av Arkadien i bildmotiv / "Et in Arcadia ego" : An art science study of Arcadia in pictorial motifsKronberg, Tove January 2024 (has links)
This thesis aims to examine how the philosophy of Arcadia is portrayed compared to three paintings from Nationalmuseums exhibition Arkadien: ett förlorat paradis? Firstly, the essay creates a frame for what Arcadia should look like and communicate by analyzing three established Arcadia-motifs with the same title, Et in Arcadia ego by Nicolas Poussin from 1638 and 1627, and Guercino from ca 1620. The framework shows that Arcadia contains three dominating themes, which are the presence of antiquity, the pastoral ideal and the presence of Death. The framework also shows that Arcadia aims to have a clear communication with the viewer by using direct symbols and double linguistic messages. Secondly, the essay compares Poussins and Guercino's Arcadia with Nationalmuseums Claude Lorrains Landskap med Argus som vaktar Io (ca 1644–1645), Francois Només (1593-ca 1645) Trojas brand med Aeneas och Anchises flykt (u.å) and Thomas Blanchets Kleobis och Biton (1650). The results are that Nationalmuseum has a different view of Arcadia compared to Poussin and Guercino, and uses it as an elastic concept, which can categorize paintings that don't fully communicate Arcadia's original thoughts and ideas as truthfully Arcadia-motifs.
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