Inaug.-Diss.--Kiel. / Lebenslauf. "Literaturverzeichnis": p. 5.

Th. 3e cycle--Litt. fr.--Toulouse 2, 1985.

Texte remanié de: Thèse 3# cycle--Histoire--Strasbourg, 1979. / Bibliogr. p. 262-267. Thèse soutenue sous le titre : "Les Fabriques St-Georges et St-Nicolas de Haguenau, 1810-1870"

The theme of the diploma thesis is the work of French animator and director Sylvain Chomet. Chomet is introduced as the most significant figure in contemporary French animation. By analysis of three of his films is examined Chomet's contribution in the field of feature animation. The focus is placed on the film The Triplets of Belleville, which is considered the most impressive Chomet's film. The goal is a comprehensive view of his past film work in the context of the epoch. Marginally, this work also deals with Chomet's participation in the field of feature film and not least with his comics work. Part of the text is also aimed at Chomet's collaboration with artists Nicolas De Crécy and Evgeni Tomov with aim on the illustrator De Crécy, who is currently one of the leading French artists.

Le feuilleton romanesque en six volumes de Patrick Rambaud, publié aux éditions Grasset sous le titre Chronique du règne de Nicolas Ier, a recueilli un grand succès auprès des lecteurs durant sa parution de 2008 à 2013. En utilisant uneapproche à la fois satirique, intertextuelle et intermédiatique, l’auteur a voulu restituer le mandat politique du président Nicolas Sarkozy. Ce dernier apparaît sous les traits d’un souverain inculte et ridicule à la tête d’un empire factice, entouré d’une Cour apeurée. Pastiche et parodie, chronique et roman, mémoire et fantaisie, cette série d’ouvrages, construite à partir d’une revue de presse, recourt aussi à la fiction, à l’imitation et à la carnavalisation. Elle fait de la chronique l’instrument d’une mise en perspective de l’actualité, et réfléchit sur les enjeux du roman dans le nouveau système médiatique où l’information et ses supports connaissent une révolution par le numérique. L’œuvre de Rambaud expose également les scénographies mises en œuvre par l’auteur, ainsi que son propre positionnement dans le champ médiatique, selon une posture vintage particulièrement originale. Se dessine ainsi le portrait d’un romancier indépendant opposé à un système politique, mais aussi d’un intellectuel dont la chronique oppositionnelle est l’arme privilégiée. / The fictional feuilleton in six volumes by Patrick Rambaud, published at theGrasset editions, under the title of the Chronicle of Nicholas I’s reign, met with a great success nearby the readers, during its publication from 2003 to 2013. By using a satiric, intertextual and intermediatic approach, the author wanted to rebuild the political mandate of President Nicolas Sarkozy. That latter appears under the traits of a stupid and ignorant sovereign standing at the head of a fictive empire, surrounded by a terrified court. Pastiche and parody, chronicle and fiction, memoire and fancy, this series of works, built up from a press review, uses fiction too, imitation, and carnivalization. It makes of the chronicle the instrument of daily news focus, and ponders on the issues of fiction in the new mediatic system in which information and its mediums meet with a revolution via the numeric device. Rambaud’s work also shows the scenographies used by the author, as well as his own posture in the mediatic field, following a vintage position particularly original. Thus, one can draw the portrait of an independent novelist opposed to a political system, and also of an intellectual whose oppositional chronicle is the favourite weapon.

European legal history, as a field of scientific enquiry, is a relatively young discipline that can trace its roots back to the German jurist Savigny, whose work on the jurists of the medieval ius commune is commonly seen as the first of its kind. As one of the foremost German scholars of the nineteenth century and a fierce opponent of German codification, Savigny laid the foundation for generations of subsequent historians, not only in terms of the scope, but also in terms of the method of enquiry. Thus, in the generations after Savigny, European legal history tended to be approached in terms of general narratives charting the development of the European legal order through successive historical epochs. Within these narratives, jurists played a prominent role. Thus, the creation of the legal order of Europe was based upon a translatio studii from the Roman jurists via the medieval ius commune to civil codes of the nineteenth century. By grouping jurists into “schools” or “movements”, modern commentators, so it was argued, were able to assess the impact of these on the narrative of European legal history. Although, since the end of the Second World War, this narrative has become more nuanced, the jurists remain central to it. This has had a number of consequences. The main consequence of this focus on jurists (mostly academic figures teaching at universities) has been the marginalisation of legal practice and legal practitioners in the narrative of European legal history. And yet, as recent research on the rise of central courts in Europe has shown, legal practice clearly had an impact on the development of the European legal order. In light of these insights, this thesis seeks to contribute to the narrative of European legal history by focusing not on the works of academic jurists, but on the activities of legal practitioners. This statement requires delimitation. Rather than focusing on a number of legal practitioners over a long period of time, this thesis will focus on a single legal practitioner who flourished during a specific period in European history using the principles of a microhistory. The individual in question is the French lawyer Nicolas Bohier (1469-1539). The reasons for this specific focus are twofold. First, a focus on a specific individual and his works allows for greater scrutiny in depth, thus providing a counterbalance to (and also a means of testing and verifying) the broad sweep accounts found in most works on European legal history. In second place, Nicolas Bohier and his oeuvre cry out for a critical analysis and, until now, remain largely unstudied. As a practising lawyer and eventually president of the regional court of Bordeaux, Bohier was at the coalface of French legal practice in the sixteenth century. As a prolific writer and editor, Bohier left a rich corpus of work consisting of records of decisions of the court in Bordeaux, legal opinions as well as customs of the region. Furthermore, sixteenth-century France is a particularly exciting topic of investigation. This period not only saw the rise and solidification of Royal authority, but also saw the beginning of the homologation of customary law in France. On an intellectual level, the sixteenth century saw the rise of “legal humanism”, a particularly controversial intellectual movement in the context of European legal history as shown by recent research. This then brings us to the central point of this thesis. If, during the sixteenth century, the medieval ius commune was being replaced by “national” legal orders across Europe, as the general surveys of European legal history state, the works of a legal practitioner would show it much more clearly than the works of academic jurists. This thesis will therefore examine Bohier’s use of the term ius commune across his works to assess not only his understanding of the term, but also to assess how this concept operated in relation to other “sources of law”, for example statute and custom. Although the results of a microhistory study should not be generalised too far, it will permit us to interrogate the general narratives of European legal history of the early modern period.

This article sheds light on the indirect influence exercised by the Inquisition on the process of beatification of the «servant of God» Nicolas de Ayllon. Through the analysis of his hagiography, written by the Jesuit Bernardo Sartolo, this article will highlight the importance that this literary genre had in the process of establishing his reputation for sanctity. Furthermore, this article examines how the intervention of the Holy Office, which questioned the hagiography and the main witness of the process, Maria Jacinta de Montoya, cast many doubt son the image of the sanctity of Nicolas. The examination led to the discrediting of his reputation as a candidate for sainthood and the suspension of the process. / Este artículo explica la influencia indirecta que la Inquisición ejerció en el proceso de beatificación de Nicolás de Ayllón, el «siervo de Dios». Por medio del análisis de su hagiografía, escrita por el jesuita Bernardo Sartolo, se conocerá la importancia que dicho género tuvo dentro del proceso de consolidación de la fama de santidad de Ayllón. Asimismo, se estudiará cómo la intervención que el Santo Oficio ejerció sobre la hagiografía y la principal testigo del proceso, María Jacinta de Montoya, generó una serie de cuestionamientos en la imagen de santidad de Nicolás, lo cual derivó en un desprestigio a su reputación como candidato a santo y la suspensión del proceso que buscaba exaltarlo a los altares.

Orientador: Roberto Romano da Silva / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-25T16:41:52Z (GMT). No. of bitstreams: 1 Silva_SidneyReinaldoda_D.pdf: 11342299 bytes, checksum: 112ec0e6960b965888218577fd5dc2dd (MD5) Previous issue date: 1999 / Resumo: Em Condorcet, a constituição da coletividade é agregado aberto: totalidade inacabada. O jogo é experimento modelar para a análise da relação todo-parte. A idéia de médja, correlata da esperança matemática, apresenta-se como a base do jogo ou sistema de equivalência. Contudo, os critérios escolhidos são susceptíveis de mudanças conforme as suas conseqüências ou informações. O modelo deve refletir o inacabamento, pois o jogo muda de natureza. Assim, para manter um jogo eqüitativo, condição fundamental da aposta, seus princípios necessitam de reajustes. A perfectibilidade é basilar no pensamento político condorcetiano. Um pacto somente seria admissível se seus termos propiciassem uma democraçia progressiva e um progresso democrático / Abstract: Not informed. / Doutorado / Doutor em Filosofia

Orientador: Roberto Romano da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-19T12:19:45Z (GMT). No. of bitstreams: 1 Silva_SidneyReinaldoda_M.pdf: 4986683 bytes, checksum: cd7de914c5affe435f9cf3a8c49cd968 (MD5) Previous issue date: 1994 / Resumo: Nesta dissertação analiso o conceito de arte social no pensamento de Condorcet (1743-1794). Partindo da sua concepção de poder público, procuro mostrar a sua proposta de conciliar "tecnocracia" e "democracia". Condorcet pressupõe que o individuo age de acordo com uma certa "crença" de que "o futuro será como o passado" e de que a natureza segue leis invariáveis, reveladas pela observação dos fatos. Os julgamentos que dirigem a conduta individual são fundamentados numa probabilidade que pode ser mais ou menos forte, mas sempre avaliada segundo um sentimento vago e maquinal. Condorcet propõe o cálculo como instrumento capaz de dar "mais precisão" às deliberações. Sendo assim. todas aquelas decisões arriscadas, que colocariam em perigo a vida ou bens do agente e/ou de seus semelhantes, deveriam ser pautadas no cálculo das probabilidades, única garantia de ação racional. Tal modelo deliberativo foi retomado por Condorcet no âmbito das decisões públicas. Na esfera em que a ação envolve o interesse de todos os cidadãos, o cálculo das probabilidades torna-se indispensável, As deliberaçõe públicas devem pautar-se no que for mais provável ao maior número. O agenciamento social do conhecimento torna-se imprescindível na perspectiva condorcetiana. O ordenamento jurídico-institucional do Estado deve permitir que as decisões publicas sejam tomadas com o máximo de eficácia técnica possível. Por outro lado, tais decisões devem estar de acordo com a "vontade geral". Sendo fundamental o consentimento do cidadão para garantir a legitimidade das decisões comuns, a instrução pública torna-se um dos direitos fundamentais do homem / Abstract: Not informed. / Mestrado / Mestre em Filosofia

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