A hipótese aqui construída é que a partir da noção de gambiarra, pode-se entender a gambiarração como um modo do corpo operar dispositivos para a composição em dança. Deste modo, se faz relevante pensar acerca das práticas cotidianas, vistas em Michel de Certeau como produções poéticas que desencadeiam formulações acerca das relações imanentes à produção de gambiarras, assim como possibilitam perceber uma potência para a criação de procedimentos e ações voltados à composição artística. No âmbito das composições coreográficas, o método de Composição em Tempo Real, em desenvolvimento pelo coreógrafo português João Fiadeiro desde o início da década de 1990, e o Modo Operativo AND, estruturado pela antropóloga Fernanda Eugénio, foram os responsáveis por partilharem sentidos que compõem com o tema gambiarra, contribuindo para a pesquisa em seu desdobramento teórico-prático. Assim, a noção de gambiarração surge como um estado-ação do e no corpo, percepções que são também modos de fazer ou de ser que operam à semelhança das gambiarras, a partir do improviso, da capacidade de agenciar ações em tempo real, de lidar com acidentes, com a instabilidade e precariedade e com a suficiência daquilo que há em determinada circunstância compositiva. Identificamos no pensamento de Baruch Spinoza e Gilles Deleuze (e Félix Guattari) modos de perceber afetos, corpo, experiência e composição, que fortalecem essa proposição artística. / The hypothesis here constructed is that from the notion of gambiarra, gambiarração can be understood as a way for the body to operate devices for dance composition. In this way, it becomes relevant to think about the daily practices, seen in Michel de Certeau as poetic productions that trigger formulations about the immanent relations to the production of gambiarras, as well as make possible to perceive a power for the creation of procedures and actions directed to the artistic composition. Within the framework of choreographic compositions, the Real Time Composition method, developed by the portuguese choreographer João Fiadeiro since the beginning of the 1990s, and the AND Operational Mode, structured by the anthropologist Fernanda Eugénio, were responsible for sharing senses that compose with The subject gambiarra, contributing to the research in its theoretical-practical unfolding. Thus, the notion of gambiarração appears as a state of action of and in the body, perceptions that are also ways of doing or of being that operate in the likeness of gambiarras, from the improvisation, the ability to act actions in real time, to deal With accidents, with instability and precariousness and with the sufficiency of what there is in a certain compositional circumstance. We have identified in the thinking of Baruch Spinoza and Gilles Deleuze (and Félix Guattari) ways of perceiving affection, body, experience and composition, which strengthen this artistic proposition.

A hipótese aqui construída é que a partir da noção de gambiarra, pode-se entender a gambiarração como um modo do corpo operar dispositivos para a composição em dança. Deste modo, se faz relevante pensar acerca das práticas cotidianas, vistas em Michel de Certeau como produções poéticas que desencadeiam formulações acerca das relações imanentes à produção de gambiarras, assim como possibilitam perceber uma potência para a criação de procedimentos e ações voltados à composição artística. No âmbito das composições coreográficas, o método de Composição em Tempo Real, em desenvolvimento pelo coreógrafo português João Fiadeiro desde o início da década de 1990, e o Modo Operativo AND, estruturado pela antropóloga Fernanda Eugénio, foram os responsáveis por partilharem sentidos que compõem com o tema gambiarra, contribuindo para a pesquisa em seu desdobramento teórico-prático. Assim, a noção de gambiarração surge como um estado-ação do e no corpo, percepções que são também modos de fazer ou de ser que operam à semelhança das gambiarras, a partir do improviso, da capacidade de agenciar ações em tempo real, de lidar com acidentes, com a instabilidade e precariedade e com a suficiência daquilo que há em determinada circunstância compositiva. Identificamos no pensamento de Baruch Spinoza e Gilles Deleuze (e Félix Guattari) modos de perceber afetos, corpo, experiência e composição, que fortalecem essa proposição artística. / The hypothesis here constructed is that from the notion of gambiarra, gambiarração can be understood as a way for the body to operate devices for dance composition. In this way, it becomes relevant to think about the daily practices, seen in Michel de Certeau as poetic productions that trigger formulations about the immanent relations to the production of gambiarras, as well as make possible to perceive a power for the creation of procedures and actions directed to the artistic composition. Within the framework of choreographic compositions, the Real Time Composition method, developed by the portuguese choreographer João Fiadeiro since the beginning of the 1990s, and the AND Operational Mode, structured by the anthropologist Fernanda Eugénio, were responsible for sharing senses that compose with The subject gambiarra, contributing to the research in its theoretical-practical unfolding. Thus, the notion of gambiarração appears as a state of action of and in the body, perceptions that are also ways of doing or of being that operate in the likeness of gambiarras, from the improvisation, the ability to act actions in real time, to deal With accidents, with instability and precariousness and with the sufficiency of what there is in a certain compositional circumstance. We have identified in the thinking of Baruch Spinoza and Gilles Deleuze (and Félix Guattari) ways of perceiving affection, body, experience and composition, which strengthen this artistic proposition.

The goal of the thesis is to examine possibilities of dynamic reconfiguration in real-time component systems, especially to formally describe support of operating modes. The thesis introduces a reconfiguration mechanism based on properties and relations between them. The mechanism is designed to facilitate a straight forward modeling of operating modes and reconfiguration rules and preserves re-usability of assembled components. The thesis also presents a realization of the mechanism suitable for the domain of embedded real-time systems.

Les évolutions récentes des systèmes électriques comme conséquence de la dérégulation du marché et des traités internationaux comme le protocole de Kyoto ont des répercussions importantes sur les réseaux, en particulier, ceux de distribution. En effet, une large part de la production décentralisée est prévue d'être raccordée sur ces derniers. La production décentralisée utilise des sources d'énergie renouvelables hautement imprévisibles et reparties dans la nature. Ce fait ajoute une contrainte forte sur la planification et l'exploitation des réseaux de distribution qui n'ont pas été conçus, à l'origine, pour accueillir de la production d'énergie à large échelle. Ce travail de thèse étudie l'impact de l'incertitude sur les études classiques de planification des réseaux électriques. Les études statiques et dynamiques du réseau ont été réalisées prenant en compte plusieurs sources d'incertitude dans plusieurs réseaux de distribution. Les incertitudes sont modélisées dans les études statiques par les méthodes probabilistes et possibilistes. La méthode possibilistes offre des avantages sur la méthode probabiliste. Il est déterminé le taux de pénétration éolien maximum d'un petit réseau maillé en utilisant la méthode probabiliste, ainsi que les simulations de stabilité dynamique et statique du réseau / The recent developments in power systems, as consequence of the market deregulation and the international treaties, as the ones originated by the Kyoto Protocol, have serious repercussions in power networks. Particularly on distribution networks, given that a large amount of distributed generation units are connected in the grid. For instance, renewable energy sources, that are used as distributed generation, are well-known for being distributed in nature and highly unpredictable. This fact adds a strong constraint on planning and operating the distribution networks that were not originally designed to accommodate distributed generation on a large scale. To this aim, this thesis examines the impact of uncertainties on classical power system planning studies, where classical static and dynamic planning studies are carried out in several power networks taking into account some sources of uncertainty. These uncertainties are modeled in the static studies using a probabilistic and a possibilistic approach. The possibilistic approach offers good advantages over the probabilistic method in terms of time consumption and precision. The maximum wind power penetration is determined for a small mesh network by the probabilistic method using dynamic and static stability simulations of the power system.

The subject of the work is an introduction to the functions of the current mirrors and differential pairs. Consequently, understanding and simulated simple circuits composed of these circuits. The simulation results are in Chapter 5, which are also included diagrams of simulated circuits..

The subject of the work is an introduction to the functions of the current mirrors and differential pairs. Consequently, understanding and simulated simple circuits composed of these circuits. The simulation results are in Chapter 5, which are also included diagrams of simulated circuits..

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