Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-23T00:13:57Z No. of bitstreams: 1 ArthurViniciusDantasDaSilva_DISSERT.pdf: 840223 bytes, checksum: a197958ada04d856e2f0807b2a40aca3 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-23T00:26:08Z (GMT) No. of bitstreams: 1 ArthurViniciusDantasDaSilva_DISSERT.pdf: 840223 bytes, checksum: a197958ada04d856e2f0807b2a40aca3 (MD5) / Made available in DSpace on 2016-04-23T00:26:08Z (GMT). No. of bitstreams: 1 ArthurViniciusDantasDaSilva_DISSERT.pdf: 840223 bytes, checksum: a197958ada04d856e2f0807b2a40aca3 (MD5) Previous issue date: 2014-10-06 / A uma leitura mais atenta, o texto de Caio Fernando Abreu se apresenta m?ltiplo. Seja por uma indistin??o gen?rica que problematiza a categoriza??o de sua obra em uma inst?ncia de g?nero apenas, seja por opera??es que suspendem alguns outros sentidos temporariamente. Dessa forma, este trabalho se prop?e a encontrar esses espa?os de suspens?o, em conson?ncia com o curso ministrado no Coll?ge de France pelo escritor franc?s Roland Barthes em 1977-1978, intitulado O Neutro. Al?m disso, a an?lise comparativa teorizada por Ute Heidmann ajudar? a entender como a suspens?o da configura??o do g?nero textual propicia as zonas neutras que Barthes identificou. A an?lise se prop?e a entender a estrutura??o do texto em uma perspectiva intrincada que leve em considera??o tanto aspectos tem?ticos, quanto discursivos e estruturais. / The work of Caio Fernando Abreu has a very vast and impressive thematic horizon , which is usually the core of the papers on the work of this author . This paper proposes to understand this characteristic of a more intricate point of view : perceive and analyze how the work of the author builds itself thematically , but mainly textually . I n other words , as the text enacts his own writing . From this it is noticeable how the text of Abreu plays with some senses through textual constructions that do not impose directly sense to the reader . Thus, the research sees in the chosen corpus , the collection Os drag?es n?o conhecem o para?so ( 2014 ), the neutral as proposed by the French essayist Roland Barthes (2003 a ). This neutral is understood by Barthes as a possibility to suspend the paradigms that constitute the sense, what exactly justifies the noticeable game in the work of Abreu . This game , to Roland Barthes , is precisely the literature. If the paradigm involves transforming the language , and all language expressions, in a way to propagate ideologies , the literature does not escape this fate . In order to escape this fate , you must fight the language internally ; we must play wit h the language . The neutral is the possibility of the game. Thus , the study sought neutral in Caio Fernando Abreu short stories , presenting it and analyzing it through " figures" which, for Barthes , is a way of perceiving the neut ral through texts , but not in a prescriptive manner. It was proposed , in the analysis , then understand the " Subjectivities ", the " Default ", the " Body " and " Disease " , for example, as possibilities of the game . Finally , in many Abreu?s work instances , the neutral is achieved by textual operations that are not in themselves neutral , but which achieve a " neutral effect ", which explains the game , the literature, in the texts of Caio Fernando Abreu .