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Some Elizabethan opinions of the poetry and character of OvidCooper, Clyde Barnes. January 1970 (has links)
Thesis (Ph. D.)--University of Chicago, 1914.
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Heinrich von Morungen und Ovid ...Drygalski, Erich von, January 1928 (has links)
Inaug.-Diss.--Göttingen. / Lebenslauf. "Verzeichnis der benutzten Literatur," p. 50-52.
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Studies in apo koinou in Ovid ...Eller, Henry Matrau, January 1938 (has links)
Thesis (Ph. D.)--University of Chicago, 1938. / Lithoprinted. "Private edition, distributed by the University of Chicago libraries, Chicago, Illinois."
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Ovid und die antike KunstBartholomé, Heinrich, January 1935 (has links)
Thesis--Münster.
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Das Rührende in den Metamorphosen interpretative Untersuchung eines Phänomens und seine Bedeutung für die Beurteilung Ovids.Freundt, Mechthild, January 1973 (has links)
Inaug.-Diss.--Westfälische Wilhelms-Universität zu Münster. / Bibliography: p. 278-280.
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Ovids Metamorphosen in der englischen RenaissanceRick, Leo, January 1915 (has links)
Inaug.-Diss.--Münster. / Vita. "Verzeichnis benutzter Werke": p. [v]-xii.
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Ariadne and the poetics of abandonment: echoes of loss and death in 'Heroides' 10Hirsch, Rachel January 2009 (has links)
The Ovidian Ariadne of Heroides 10 self-consciously constructs her persona into the archetype of erotic abandonment. The heroine attempts to re-write her destiny and reverse the loss of Theseus and her unfulfilled desire. But Ariadne cannot change her depiction as abandoned by Theseus. The language employed in her epistle only succeeds in emphasising the erotic loss. The more Ariadne tries to change the master narrative, the more she accentuates the literary echoes of her abandonment. This thesis argues that the intertextual echoes of the heroine should not exclusively be read from Catullus 64, but that Ovid‟s Ariadne writes her epistle in the context of many genres - elegy, epic, tragedy, exilic elegy - which all emphasise loss, death, and erotic disillusionment. My reading of Heroides 10 avoids the interpretations of parody previously read of this particular heroine to argue instead the way Ariadne constructs the governing persona in accordance with the genres of both elegy and epistolography. Ariadne‟s self-representation as an elegiac puella ultimately reflects her traditional literary and artistic image. / This disrupts her self-depiction as an erotic object and subsequently her construction of masculine desire. The heroine‟s epistolary gaze and voice self-consciously re-affirm her position as the quintessential abandoned woman, while her poetics continually assert the irreversible end of her relationship and the failure of her words to change her fate. Death is the primary concern of the epistle, in which the request for proper burial replaces the desire for erotic union. Memorialisation and writing become the prime motivation for Ariadne‟s poetics whereby she attempts to reverse Theseus‟ forgetful mind with a concrete monument to the self. The dislocation of Ariadne‟s erotics alongside the failure of epistolarity attests to the failure of her voice in constructing change to her traditional narrative.
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Heinrich von Morungen und Ovid ...Drygalski, Erich von, January 1928 (has links)
Inaug.-Diss.--Göttingen. / Lebenslauf. "Verzeichnis der benutzten Literatur," p. 50-52.
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Ovids Werke in ihrem Verhl̃tnis zur antiken KunstWunderer, Wilhelm. January 1889 (has links)
Inaug.-diss.--Erlangen. / Includes bibliographical references.
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Some Elizabethan opinions of the poetry and character of OvidCooper, Clyde Barnes. January 1970 (has links)
Thesis (Ph. D.)--University of Chicago, 1914.
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