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Ovid und die antike KunstBartholomé, Heinrich, January 1935 (has links)
Thesis--Münster.
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De Tibulli, Propertii, Ovidii distichis quaestionum elegiacarum specimenGebhardi, Walther, January 1870 (has links)
Dissertation--Academia Albertina, 1870.
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De Fastis Verrii Flacci ab Ovidio adhibitis Dissertatio inauguralis philologica, quam consensu et auctoritate amplissimi philosophorum ordinis in alma litterarum Universitate Friderica Guilelma Berolinensi ... /Winther, Hermann. January 1885 (has links)
Dissertation (Summos in Philosophia)--Friedrich-Wilhelms-Universität Berlin, 1885. / Includes bibliographical references (p. 2).
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Varronianae doctrinae quaenam in Ovidii fastis vestigia extent ...Hülsen, Christian, January 1880 (has links)
Inaug.-Diss.--Berlin. / Vita.
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Der verbannte Dichter und der Kaisergott : Studien zu Ovids späten Elegien /Drucker, Michael, January 1977 (has links)
Thesis--Heidelberg. / Includes bibliographical references (p. 192-200).
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Der verbannte Dichter und der Kaisergott Studien zu Ovids späten Elegien /Drucker, Michael, January 1977 (has links)
Thesis--Heidelberg. / Includes bibliographical references (p. 192-200).
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Quaestiones ad P. Ovidii Nasonis Epistulas Heroidum et praecipue horum carminum artem pertinentes ...Piéri, Marius, January 1895 (has links)
Thèse - Faculté des lettres de Paris.
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Rhetoric and epistolary exchange in Ovid's Heroides 16-21 /Nesholm, Erika J. January 2005 (has links)
Thesis (Ph. D.)--University of Washington, 2005. / Vita. Includes bibliographical references (p. 211-216).
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Fighting the good fight : challenge scenes in Ovidian poetry ;Flachs, Katherine B. January 2006 (has links) (PDF)
Undergraduate honors paper--Mount Holyoke College, 2006. Dept. of Classics. / Includes bibliographical references (leaves 93-98).
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Ovid's Tristia: Rethinking Memory and Immortality in ExileLandry, Desiree 18 August 2015 (has links)
In my research, I take up the questions of Ovid’s relationship to his poetry and the rethinking of exilic motifs and poetic motifs through the lens of exile. Throughout the Tristia, in particular, Ovid illustrates a complex series of questions on why he writes in exile. He writes, “What have I to do with you, little books, my unlucky obsession, I, wretched, who was destroyed by my talent?” Ovid provides two direct answers to his own question: first, writing brings him comfort in exile, and second, it keeps his name alive in Rome. I explore how Ovid adapts the motif of poetic immortality to the exilic motif of exile as death and employs the act of writing as a resistance to Augustus.
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