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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 31 to 36 of 36 (0.063 seconds)Spelling suggestions: "subject:"penderecki, krzysztof,"" "subject:"penderecki, kryzysztof,""
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Krzysztof Penderecki's St. Luke Passion, Polish Requiem and Credo in the Context of Polish HistoryChłopicka, Regina 30 April 2020 (has links)
No description available.
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| 32 |
Elements of Russian Orthodox Culture in the oeuvre of Krzysztof Penderecki as exemplified in Utrenya I and IIMalecka, Teresa 30 April 2020 (has links)
No description available.
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| 33 |
Internationale musikwissenschaftliche Konferenz ”Krzysztof Penderecki - Musik im Kontext“: Leipzig, 17. bis 19. Oktober 2003Keym, Stefan 29 June 2017 (has links)
Bericht einer Konferenz zu Krzysztof Penderecki, Leipzig 2003
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| 34 |
Internationales Symposium ”Krzysztof Penderecki - Muzyka ery intertekstualnej / Music of the Intertextual Era“: Krakau, 12. bis 14. Dezember 2003Dissinger, Bettina 29 June 2017 (has links)
Bericht über ein Symposium zum 70. Geburtstag von Krzysztof Penderecki, Krakau 2003
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| 35 |
Pitch structures in K. Penderecki's "St. Luke's Passion"Oosterbaan, André. January 1980 (has links) (PDF)
Bibliography: leaf 162.
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| 36 |
An Investigation of Textural Activity and Its Hierarchical Structures in Selected Works by Krzysztof PendereckiDaley, Paul B. (Paul Byron) 05 1900 (has links)
This study focuses on temporal aspects of the music of Krzysztof Penderecki and deals with these on the level of textural activity. The analyses are based on a referential idea called a "discrete sound event," defined as an occurrence of a sound or collection of sounds which, as a unit, is distinct from the surrounding texture. These sound events are then used to appraise textural activity from layer fluctuation and composite density. The pieces selected for applying these techniques are the Threnody to the Victims of Hiroshima, from 1960, the Fluorescences, from 1961, and the 1965 Capriccio for oboe and strings.
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