Thesis (M.M.)--University of North Texas, 2001. / For piano and chamber orchestra (flute, oboe, clarinet, bassoon, trumpet, timpani and strings). Duration: ca. 9:00. Includes bibliographical references (p. xxxviii).

Thesis (Master of Music)--University of Missouri-Columbia, 2004. / Typescript. Also available on the Internet.

Thesis (M.M.)--University of Missouri--Columbia, 2004. / Typescript. Duration: ca. 32:00.

Thesis (Master of Music)--University of Missouri-Columbia, 2004. / Typescript. Also available on the Internet.

Thesis (D.M.A.)--University of Texas at Austin, 2004. / Vita. Includes bibliographical references.

Dissertation (D.Mus.(Performance))--University of Pretoria, 2007. / Includes bibliographical references. Available on the Internet via the World Wide Web.

Thesis (D.M.A.)--University of Texas at Austin, 2004. / Supervisor: Kevin Puts. Vita. Includes bibliographical references.

Rhapsody for Piano and Small Orchestra is a one-movement composition in a concerto fashion for seventeen players, and is about nine minutes in duration. The overall form of this work is A B C D E D1 C1 B1 A1. This work contains various hidden compositional devices such as the golden section principle and a palindrome structure. These devices are applied not only to the structure of the work, but also to the pitch related and rhythm-related matters. Also, certain melodic and rhythmic cells are employed for each section in the developmental procedure of that section almost exclusively. Since this work is a concerto-like piece, there are two cadenza-like passages for the piano with an accompanying solo instrument, which plays the obbligato passage. The following essay addresses the form, pitch materials, harmony, rhythm and technical difficulties, orchestration, and variant elements between the corresponding sections used in this work.

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