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The piano music of Rachmaninoff structure, form and performance problems /Cavanaugh, Jamil Bernadette. January 1961 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1961. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [172-173]).
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A portfolio of original compositions and an analysis of Joseph Schwantner's Distant runes and incantationsYu, Man-ching 01 January 2010 (has links)
No description available.
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Folio of compositions and critical commentary /Grant, John Ward. January 2006 (has links) (PDF)
Thesis (M. Phil.)--University of Queensland, 2006. / Compact disc comprises recorded performances of the compositions. Includes bibliographical references.
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Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16Lee, Sungyo 05 1900 (has links)
The purpose of this document is threefold. First, it demonstrates what Grieg contributes to the musical text compared with the original Peters edition, particularly, those additions that refer to expression, interpretation, and style. Second, this document focuses on presenting Grainger's changes that were approved by Grieg. Third, the document evaluates Grainger's own suggestions for pedaling, hand redistribution and fingering, addition of notes, tempo markings, and other performance guidelines.
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A Performance Guide to Cécile Chaminade's "Concertstück for Piano and Orchestra," Op. 40Zhuang, Yuan (Pianist) 08 1900 (has links)
Cécile Chaminade (1857-1944) was a remarkably successful French composer and pianist for a woman in the early part of her career, although her reputation waned rapidly after her death. Concertstück (1888), a single movement for piano and orchestra, was her only work in this medium. It requires many traditional piano skills and therefore can serve admirably as a comprehensive technical and artistic study. This dissertation includes a formal analysis of this piece, a discussion of each type of specific piano technique it requires, and practice suggestions.
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Franz Liszt as Transcriber and Editor: A Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760Kwon, Jin Ah 08 1900 (has links)
This dissertation is divided into six chapters. The first chapter explains the purpose and significance of the study. The second chapter presents an analysis about Wanderer Fantasy, D.760 composed by Schubert, employing Schenker analysis to elucidate important motives. Chapter 3 provides an analysis of Schubert-Liszt, Wanderer Fantasy for Piano and Orchestra, S. 366 and shows how Liszt transcribed the original to emphasize certain motives, and further, describes the development of the piano history. Chapter 4 delves into an analysis of Schubert-Liszt, Wanderer Fantasy for Two Pianos, S. 653a transcribed by Franz Liszt and further explains the historic development of piano, in particular Érard's grand piano. Chapter 5 explains the analysis of Schubert-Liszt, Wanderer Fantasy for Piano Solo, S.565a and expands upon Érard's grand piano. Finally, Chapter 6 leads to this paper's summary and conclusion.
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