This collection of poetry has been drawn upon to make up the programs for three readings of poetry before different types of audiences. The question settled in part by this project was whether poetry today should be written to utilize the sound of it read aloud or to conform to the modern standards of the poem as a printed and not an oral medium.In attempting to develop a type of poetry that could be read aloud, it became apparent as the project developed that the more traditional forms of poetry suited the purposes best. Communication was enhanced and therefore the poetry was enhanced. The tradition gave the poet and his audience a common ground that was lacking in the less formal, more modern poems.

No description available.

Thesis (doctoral)--University of Queensland, 1994.

Thesis (Ph. D.)--Harvard, 1955. / Includes bibliographical references (p. 280-282).

Thesis (M.A.)--Acadia University, 1997. / Includes bibliographical references (leaves 84-87). Also available on the Internet via the World Wide Web.

Thesis (M.A.)--Acadia University, 1997. / Includes bibliographical references (leaves 84-87). Also available on the Internet via the World Wide Web.

Inaug.-Diss.--Westfälische Wilhelms-Universität zu Münster. / Bibliography ("Texts"): p. iv-viii.

Thesis (Ph. D.)--University of California, Santa Cruz, 1990. / Typescript. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin, 1967. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Fang Hui ¡§Ying Kui Lu Sui¡¨ is one of widely discussed literary productions among Tang and Song poems of eight lines collections, which could be viewed in ¡§Ying Kui Lu Sui Literary Criticism¡¨ edited by Li, Qing-Jia; among the most important criticisms are Ping Ban, Ping Hao, Zha Shen-Xing, Ji Yun, and Xu Ying Fang. Xu Ying Fang is one of the most important poets and poetry critics in Yun Na. ¡§Lu Sui Ji Yao¡¨ is edited in the purpose of teaching students during Xu¡¦s late years of being the chairman in Jing Zheng college. This literary production has twelve chapters; the first six chapters are about the poems, which are worthy to be followed, and the later six ones are vice versa. However, Xu passes away before finishing this work. The reason why Xu Ying Fang edits this production bases on the criticism of ¡§Ying Kui Lu Sui¡¨ (written by Fang Hui), and ¡§Ying Kui Lu Sui Kan Wu¡¨ (written by Ji Yun), yet the literary figure of ¡§Lu Sui Ji Yao¡¨ is different from that of Fang Hui. Comparing to the late Qing dynasty, which is prevalent to the movement of Song poetry with Tong-Guang style, Xu Ying Fang¡¦s reflections toward Tang and Song poetry reversely present the most important feature of poetics in Qing Dynasty- neutrality. Xu partially accepts Fang Hui¡¦s proposition of ¡§one ancestor and three predecessors¡¨; and he further advances the idea of lists Li Shang-Yin, and Wang An Shi into the followers of Du Fu. Moreover, he even raises poetics status of Chen Yu Yi above Chen Shih Dao. Therefore, in ¡§Lu Sui Ji Yao¡¨, Du Fu is the most listed poet among Tang Dynasty poets, and Chen Yu Yi is the poet among Song Dynasty poets; the above arrangement is the most vivid poetic feature, which Xu Ying Fong breaks through Fang Hui¡¦s previous propositions. The advantages and weaknesses about poetry appeared among Xu Ying Fong¡¦s literary production are not judaged by times nor poets themselves. His literary criticism is deeply affected by neutral concept and textual research in Qing Dynasty poetics. As a result, ¡§Lu Sui Ji Yao¡¨has been accounted as an important status among the relative works of ¡§Ying Kui Lu Sui¡¨.