• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 2
  • Tagged with
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Rastros e vozes de Sylvia Plath: reminiscências e memória. / Traces and voices of Sylvia Plath: reminiscences and memories

Carvalho, Taísa 11 December 2013 (has links)
Made available in DSpace on 2017-07-10T18:55:35Z (GMT). No. of bitstreams: 1 Taisa.pdf: 2439047 bytes, checksum: e5f452a27a34181c2d9a5260370e9295 (MD5) Previous issue date: 2013-12-11 / The purpose of this paper is to analyze, in a comparative way, the theme of melancholy, suicide, and death in eight Ariel poems the work of Sylvia Plath - "Lady Lazarus", "Daddy", "The moon and the yew tree "," Death & Co ", "Ariel," Tulips "," The detective "and" Purdah "- in five poems from other works of the same writer -" Pursuit "," the tree of life "," Mirror "," Edge "and" Words "- in four paintings entitled Vita e Morte , Allegoria la vita unama , La morte del peccatore and Melancolia I and the movie Sylvia , passion beyond words by Christine Jeffs. Based on the established thematic intertextuality between artistic forms - film, painting and poem - which constitute the corpus of this research and the conception of poetry as a place of culture, studies the poetry of Sylvia Plath, which is constructed by the plots of the imaginary, process and reminiscent of forgetfulness, so that art and suffering may converge and the shadow of suicide author protrudes over the text. It is, above all, a poetic which refers to the human condition of transience and permanence: the permanence of writing and transience of life. Therefore, this study is based mainly on the theoretical principles of Paz (1982, 1991 and 1993), Gagnebin (2005, 2006, 2009), Schopenhauer (2001), Yates (2007), Almeida (1999), Weinrich (2001), Bosi (2000), Adorno (1975), Benjamin (2000), Seligmann-Silva (2010) and Chevalier (2003). / A proposta deste trabalho é analisar, de modo comparativo, a temática da melancolia, do suicídio e da morte em oito poemas da obra Ariel, de Sylvia Plath Lady Lazarus , Daddy , The moon and the yew tree , Death & Co , Arie l, Tulips , The detective e Purdah , em cinco poemas de outras obras da mesma escritora Pursuit , The tree of life , Mirror , Edge e Words , em quatro pinturas intituladas Vita e Morte, Allegoria de la vita unama, La morte del peccatore e Melancolia I e na obra fílmica Sylvia, paixão além das palavras, de Christine Jeffs. Partindo da intertextualidade temática estabelecida entre as linguagens artísticas cinema, pintura e poema que constituem o corpus desta pesquisa e da concepção de poesia enquanto local de cultura, estuda-se a poética de Sylvia Plath, que se constrói pelas tramas do imaginário, do processo rememorativo e do esquecimento, de modo que arte e sofrimento se confluem e a sombra do suicídio da autora se projeta sobre o texto. Trata-se, sobretudo, de um fazer poético que remete à condição humana de transitoriedade e permanência: a permanência da escrita e a transitoriedade da vida. Para tanto, este estudo baseia-se, sobretudo, nos pressupostos teóricos de Paz (1982, 1991 e 1993), Gagnebin (2005, 2006, 2009), Schopenhauer (2001), Yates (2007), de Almeida (1999), Weinrich (2001), Bosi (2000), Adorno (1975), Benjamin (2000), Seligmann-Silva (2010) e Chevalier (2003).
2

Rastros e vozes de Sylvia Plath: reminiscências e memória / Traces and voices of Sylvia Plath: reminiscences and memories

Carvalho, Taísa 11 December 2013 (has links)
Made available in DSpace on 2017-07-10T18:55:37Z (GMT). No. of bitstreams: 1 Taisa Carvalho.pdf: 2439101 bytes, checksum: e86996f389ed7d98124c513aadc9081a (MD5) Previous issue date: 2013-12-11 / The purpose of this paper is to analyze, in a comparative way, the theme of melancholy, suicide, and death in eight Ariel poems the work of Sylvia Plath - "Lady Lazarus", "Daddy", "The moon and the yew tree "," Death & Co ", "Ariel," Tulips "," The detective "and" Purdah "- in five poems from other works of the same writer -" Pursuit "," the tree of life "," Mirror "," Edge "and" Words "- in four paintings entitled Vita e Morte , Allegoria la vita unama , La morte del peccatore and Melancolia I and the movie Sylvia , passion beyond words by Christine Jeffs. Based on the established thematic intertextuality between artistic forms - film, painting and poem - which constitute the corpus of this research and the conception of poetry as a place of culture, studies the poetry of Sylvia Plath, which is constructed by the plots of the imaginary, process and reminiscent of forgetfulness, so that art and suffering may converge and the shadow of suicide author protrudes over the text. It is, above all, a poetic which refers to the human condition of transience and permanence: the permanence of writing and transience of life. Therefore, this study is based mainly on the theoretical principles of Paz (1982, 1991 and 1993), Gagnebin (2005, 2006, 2009), Schopenhauer (2001), Yates (2007), Almeida (1999), Weinrich (2001), Bosi (2000), Adorno (1975), Benjamin (2000), Seligmann-Silva (2010) and Chevalier (2003) / A proposta deste trabalho é analisar, de modo comparativo, a temática da melancolia, do suicídio e da morte em oito poemas da obra Ariel, de Sylvia Plath Lady Lazarus , Daddy , The moon and the yew tree , Death & Co , Arie l, Tulips , The detective e Purdah , em cinco poemas de outras obras da mesma escritora Pursuit , The tree of life , Mirror , Edge e Words , em quatro pinturas intituladas Vita e Morte, Allegoria de la vita unama, La morte del peccatore e Melancolia I e na obra fílmica Sylvia, paixão além das palavras, de Christine Jeffs. Partindo da intertextualidade temática estabelecida entre as linguagens artísticas cinema, pintura e poema que constituem o corpus desta pesquisa e da concepção de poesia enquanto local de cultura, estuda-se a poética de Sylvia Plath, que se constrói pelas tramas do imaginário, do processo rememorativo e do esquecimento, de modo que arte e sofrimento se confluem e a sombra do suicídio da autora se projeta sobre o texto. Trata-se, sobretudo, de um fazer poético que remete à condição humana de transitoriedade e permanência: a permanência da escrita e a transitoriedade da vida. Para tanto, este estudo baseia-se, sobretudo, nos pressupostos teóricos de Paz (1982, 1991 e 1993), Gagnebin (2005, 2006, 2009), Schopenhauer (2001), Yates (2007), de Almeida (1999), Weinrich (2001), Bosi (2000), Adorno (1975), Benjamin (2000), Seligmann-Silva (2010) e Chevalier (2003)

Page generated in 0.0724 seconds