published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese Language and Literature / Master / Master of Arts

This dissertation is a study of the rhetorical uses of evaluative language in Greek lyric and elegiac poetry and inscribed epigram of the period from the seventh to the fifth century B.C.E. The discussion focuses on the poets' evaluations of human worth in three areas, each of which forms a separate chapter: martial valour, the relationship between physical appearance and inner virtue, and political or social values. Within each chapter, particular aspects of the subject under discussion are treated under separate headings. Although the literary material has been treated in various ways in the past, the inclusion of inscribed epigram alongside the other literature in this case offers evidence from a related but distinct branch of poetic tradition for the development and expression of these values; divergences between the literary and the inscriptional tradition can be quite marked, as can the different approaches taken by poets of various genres within the literary material. The attempts of previous scholarship to define clear and consistent systems or codes of value represented in the poetry and to trace their development over this period have been generally unconvincing, but the poets' deployment of evaluative language does show some discernible patterns which appear to be related more to genre and poetic tradition than to the purely chronological processes of development that have been proposed by other scholars.

In this work, superficial to the extreme, it is my purpose to offer a review of the development of lyric poetry ("poesía lírica") in Colombia throughout its history. It is logical that because of the extent of the subject it is not possible to give a complete treatment of our political history, though I have tried not to leave out points of significance. The classification of authors and of poems, as well as the division of periods I have made arbitrarily, guided by my own criteria. Thus, I have the Romantic period divided into romanticism and post-romanticism, according to the dates generally regarded as the beginning and end of these two literary movements. In reality, romanticism only ended with the beginning of modernism, and one cannot therefore distinguish romantic poets from post-romantic poets. Due to the nature of this thesis, many poets--some of them well known--will not be mentioned. However, my intention is not to write a lyric anthology, but to reveal the spirit of Columbia through her poets and her poetry.

M.A. (Bible Studies) / Please refer to full text to view abstract

No description available.

本論文題為「天子腳下:初唐詩人筆下的長安」，以三個方面展開論述。初唐由於詩歌存留較少，且多被視為酒宴歌席的應制詩。然而筆者嘗試從幾個前人從未剖析的角度切入，嘗試理解初唐詩歌中蘊涵的幾層意涵。 / 第一個方面將觀察初唐君臣在建國之際，初盛唐交界處，君主與臣子在詩文中展現的憂患，面對過去的歷史抑或當下的建設充滿不安。筆者進而發現，從漢魏六朝開始，揚雄的歷史形象不斷出現，作為讀書人在不得志的時代的精神典範，其閉門讀書而著述有成的態度為後世所推崇，並在詩文中展現。過往我們對於讀書人與長安相互關係的討論較為單一化，多從追名逐利或建功立業的角度看待他們奔往長安的意圖，較少關注他們對於長安在轉變過程中的批評。 / 筆者將從公共風景區與建築思想探討詩人足跡下的筆墨之跡。此處主要論述集中在筆者採集所得最多、最有意義的地點昆明池、樂遊原、曲江為考察對象，試圖找出記憶與地方之間的關係。昆明池，集合了詩人們對於神話的集體記憶。樂遊原上的酒宴歌席，成了中晚唐詩人懷念大唐繁盛的記憶。而曲江，更成了詩人們遊賞之地，為後來者一再詠懷。 / 筆者嘗試從廟宇與宮殿觀察初唐人蘊含在詩歌中的建築思想。一棟又一棟的建築，是天子腳下的宮殿又或神聖的神殿，詩人們透過自身對於建築的吟詠，描寫了建築的細緻雕刻，隱約間也透露集體對於建築的想像及寄託。筆者將從大量的詩歌中歸納其中特質。 / 本論文試圖從前人豐碩的唐代長安研究中，尋找一些被忽略的思想特質，並以此補充一般觀念上缺失忽略的，讀書人與長安的關係。 / The paper entitled "Under emperor’s feet: Chang An as Described by Poets of Early Tang Dynasty" will discuss the topic from three aspects. There are only very few early Tang poetry remained and they are mostly considered as banquet poetry. I will try to analyze them from several unprecedented angles and try to understand multiple implied meanings in the early Tang Poetry. / The first aspect is from the sense of urgency as the starting point. By observing how the founding members of the Early Tang Dynasty expressing their worries, especially during the transition to the great era, we can see their anxieties when dealing with the past and also the development at that point of time. It then found that, from the beginning of the Six Dynasties, Yang Xiong’s historical image kept emerging as the scholars’ spiritual model during unsuccessful times. His focusing on reading and writing successfully won the respect of the future generations, and is demonstrated in poems. In the past, we tend to view the relationship between scholars and Chang An towards chasing the fame and making contributions, and less focus on their critics towards Chang An in the process of transition. / In addition, I will discuss the poets’ writings as influenced by the public sceneries and architectural ideas. The third chapter discusses my most concentrated collection and significant place in Kunming pool, Le Youyuan, Qujiang as the studies subject, trying to figure out the relationship between memory and place. Kunming pool, a collection of poets to the myth of collective memory. Le Youyuan banquet song on the late Tang became nostalgic memories of prosperous Tang. The Qujiang, became poets touring place and was remembered by future generations. / Finally, I try to observe from the architectural perspective of the temples and palaces, and see the architectural thinking embedded in poets’ writings. Buildings after buildings are under the emperor’s foot and these buildings consist of palaces and temples. Poets described the buildings in their own chants, and describing the meticulous carving of the buildings. This vaguely revealed the collective imagination and sustenance towards the buildings. I will summarized the characteristics from the huge amounts of poems. / This dissertation attempts to find out some missing overlooked ideological character, about the relation between Tang’s poets and the Chang’an. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 高坤翠. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2016. / Includes bibliographical references (leaves 159-172). / Abstracts also in Chinese. / Gao Kuncui.

姚道生. / 論文(哲學碩士)--香港中文大學硏究院中國語言及文學學部,1994. / 參考文獻: leaves 206-211 / Yao Daosheng. / Chapter 第一章 --- 緖論 --- p.1 / Chapter 第一節 --- 「六朝」一詞的界定 --- p.1 / Chapter 第二節 --- 樂府考略 --- p.2 / Chapter 第三節 --- 採桑主題 --- p.14 / Chapter 第二章 --- 採桑主題產生的文化背景 --- p.26 / Chapter 第一節 --- 說「蠶」「桑」 ´ؤ´ؤ從「蠶」「桑」二字的古文字考釋看 先秦時代的蠶桑業 --- p.27 / Chapter 第二節 --- 從出土文物看先秦時代的蠶桑業 --- p.41 / Chapter 第三節 --- 採桑親蠶 --- p.57 / Chapter 第四節 --- 小結 --- p.72 / 附錄一 / 附錄二 / Chapter 第三章 --- 採桑樂府的流變 --- p.79 / Chapter 第一節 --- 漢代之作 ´ؤ´ؤ採桑樂府的原型 --- p.80 / Chapter 第二節 --- 後世模擬之作 ´ؤ´ؤ採桑樂府的因革 --- p.93 / Chapter 第三節 --- 總述 --- p.129 / Chapter 第四章 --- 比興的言志傳統與採桑女守禮形象的確立 --- p.141 / Chapter 第一節 --- 比興的言志傳統 --- p.142 / Chapter 第二節 --- 採桑女守禮形象的確立 --- p.147 / Chapter 第五章 --- 採桑樂府的寄託 --- p.166 / Chapter 第一節 --- 「以意逆志」的讀詩方法 ´ؤ´ؤ判別詩歌是否有寄託的讀詩法 --- p.167 / Chapter 第二節 --- 「知人論世」的讀詩方法 ´ؤ´ؤ尋求詩人的寄託 --- p.177 / Chapter 第六章 --- 餘論´ؤ´ؤ解釋與創作 --- p.198 / 參考書目及論文 --- p.206

by Ho Yiu-fai. / Thesis (M.Ph.)--Chinese University of Hong Kong, 1987. / Bibliography: leaves [182]-[186].

王晉江. / 據稿本複印. / Thesis (Ph. D.)--香港中文大學硏究院中國語文學部. / Ju gao ben fu yin. / Includes bibliographical references (v.1. leaves 586-599). / Wang Jinjiang. / Thesis (Ph. D.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu. / Chapter 第一编 --- 導論 / Chapter 第一章 --- 研究目標與途徑 --- p.1 / Chapter 第一節 --- 研究目標 --- p.1 / Chapter 第二節 --- 研究途徑 --- p.4 / Chapter 第二章 --- 背景 / Chapter 第一節 --- 王安石生平簡述 --- p.7 / Chapter 第二節 --- 王安石家族表解 --- p.18 / Chapter 第三節 --- 王安石的時代 --- p.22 / Chapter 第四節 --- 王安石個性、抱負的一些特點 --- p.28 / Chapter 第五節 --- 王安石的創作思想 --- p.35 / Chapter 第二編 --- 詩歌的主要內容 / Chapter 第一章 --- 譏議政治的詩 --- p.50 / Chapter 第一節 --- 從民生疾苦批評時政 --- p.50 / Chapter 第二節 --- 議論軍事政策和對外關係 --- p.56 / Chapter 第三節 --- 評論選舉制 --- p.65 / Chapter 第四節 --- 對吏治的意見 --- p.70 / Chapter 第二章 --- 鄉情、親情、友情 --- p.77 / Chapter 第一節 --- 親情 --- p.77 / Chapter 第二節 --- 鄉情 --- p.81 / Chapter 第三節 --- 友情 --- p.95 / Chapter 第三章 --- 隱居、禪理和山水詩 --- p.108 / Chapter 第一節 --- 隱居生活和禪理 --- p.108 / Chapter 第二節 --- 描繪山水和題畫 --- p.118 / Chapter 第三編 --- 創作技巧及其獨詣 / Chapter 第一章 --- 議政手法〔一〕 --- p.135 / Chapter 第一節 --- 直抒胸臆 --- p.136 / Chapter 第二節 --- 以古諷今 --- p.144 / Chapter 第三節 --- 借事發揮和暗示 --- p.159 / Chapter 第二章 --- 議政手法〔二〕´أ´أ托物詠志 --- p.166 / Chapter 第一節 --- 比喻 --- p.168 / Chapter 第二節 --- 象徵 --- p.188 / Chapter 第三節 --- 寓言 --- p.210 / Chapter 第四節 --- 本章小結 --- p.228 / Chapter 第三章 --- 疊字考察 --- p.230 / Chapter 第一節 --- 安石使用疊字的情況 --- p.230 / Chapter 第二節 --- 疊字與《詩義》 --- p.234 / Chapter 第三節 --- 聯綿對´أ´أ句中聯珠 --- p.251 / Chapter 第四節 --- 本章結語 --- p.254 / Chapter 第四章 --- 力求工巧 --- p.265 / Chapter 第一節 --- 用典 --- p.265 / Chapter 第二節 --- 對偶 --- p.281 / Chapter 第三節 --- 改詩 --- p.296 / Chapter 第四節 --- 文字遊戲 --- p.305 / Chapter 第五章 --- 用字和組織 --- p.313 / Chapter 第一節 --- 顏色字 --- p.313 / Chapter 第二節 --- 數字入詩 --- p.320 / Chapter 第三節 --- 重複 --- p.327 / Chapter 第四節 --- 組織 --- p.336 / Chapter 第六章 --- 本編結語´أ´أ王安石詩的獨詣 --- p.346 / Chapter 第一節 --- 新奇 --- p.346 / Chapter 第二節 --- 工巧 --- p.349 / Chapter 第四編 --- 淵源、評價、影響 / Chapter 第一章 --- 淵源 --- p.351 / Chapter 第一節 --- 陶淵明 --- p.351 / Chapter 第二節 --- 李白 --- p.358 / Chapter 第三節 --- 杜甫 --- p.364 / Chapter 第四節 --- 韓愈 --- p.403 / Chapter 第五節 --- 白居易 --- p.416 / Chapter 第六節 --- 李義山和杜牧 --- p.424 / Chapter 第七節 --- 小結´أ´أ以故為新 --- p.434 / Chapter 第二章 --- 評會 --- p.447 / Chapter 第一節 --- 整體評價 --- p.447 / Chapter 第二節 --- 分類評說 --- p.453 / Chapter 第三章 --- 影響〔一〕 --- p.475 / Chapter 第一節 --- 對江西派主要成員的影響〔一〕´أ´أ黃庭堅 --- p.476 / Chapter 第二節 --- 對江西派主要成員的影響〔二〕´أ´أ陳師道 --- p.491 / Chapter 第三節 --- 略述對宋代其他詩人的影響 --- p.504 / Chapter 第四章 --- 影響〔二〕 --- p.519 / Chapter 第一節 --- 陳寶琛、袁昶 --- p.521 / Chapter 第二節 --- 陳衍、鄭孝胥 --- p.542 / Chapter 第三節 --- 胡漢民 --- p.558 / 總結̐ı‘王安石詩在詩史上之前導意義 --- p.575 / 後記̐ı‘研究王安石詩的苦樂 --- p.579 / 參考書目 --- p.585 / 附 錄 〔下卷〕 / Chapter 一 --- 王安石前期詩的創作歷程 --- p.1 / Chapter 二 --- 王安石詩探索 --- p.153 / Chapter 三 --- 王安石詩繫年初稿 --- p.296 / Chapter 四 --- 王安石瑣探 --- p.477 / Chapter 一 --- 王安石前期詩創作歷程 --- p.1 / 隨父遊宦 --- p.1 / 仕途徬徨與作品的基調 --- p.15 / 幕府少年 --- p.20 / 大理評事 --- p.35 / 作邑海濱 --- p.40 / 舒州通判 --- p.62 / 群牧判官 --- p.76 / 知常州軍事 --- p.87 / 一傳千里 --- p.97 / 晉身侍從 --- p.109 / 居喪金陵 --- p.137 / Chapter 二 --- 王安石詩探索 --- p.153 / 王安石比興詩探義 --- p.154 / 王安石酬唱挽悼詩人物考索 --- p.257 / Chapter 三 --- 王安石詩繫年初稿 --- p.296 / Chapter 四 --- 王安石瑣探 / 王安石嫁媳事辨證 --- p.477 / 王安石接待遼使及使北年代初探 --- p.493 / 從歐王沈蘇等人作品看宋代使北詩 --- p.503 / 王安石詩學觀評議 --- p.541 / Chapter 五 --- 參考書目 --- p.551