Roman PAZDERSKÝ, The Goll's style. A study to the historical thinking of Jaroslav Goll, diploma thesis, FF UK, Prague 2013 This thesis seeks to expose the theme style of famous Czech historian Jaroslav Goll (1846- 1929). The methodological basis of this work is the concept of style analysis as one of the possible ways to understanding the Goll's historical thinking. Style, understood as the outward projection or reflection of deep contents of historian's historical thinking, leads the author this work to the detailed reflections of real nature of Goll's thought about the history and historiography, which often finds itself in evident collision with the stereotypical image of the Goll's rigid historiographical "positivism". The author wants, on the basis of precise analysis of the Goll's texts (including the surviving notes of his university lectures), to offer a qualified statement especially about non-positivist moments of the Goll's historical thinking, which are in his work represented firstly by the way of Goll's approach to historical themes and secondly by the so-called "symptomatic features of the Goll's historiographical style". All these problems open also a much broader issue on the adequacy of the concept "positivism" as a general designation for the intellectual orientation of the...

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research part of this reflection: in which dimension consolidate the mystical of the Inner Land in the works of Ronaldo Correia de Brito? Noting at the outset that this issue is not mystical of The Inner Land, but the mystical of the Inner Land of Ronaldo Correia de Brito, and then founded on the question: could we find a mystical of the Inner Land in the works of the author on the study? Thus, we seek an investigation of this contemporary Inner Land, (re)interpreted here as the periphery of the globalized world. Emphasizing that the purpose of such movements is to investigate the Inner Land of Ronaldo Correia de Brito, mainly through metaphors found throughout the works of the author in focus, but obviously while evaluating the shades of tensions between traditional and globalized in view of the conflicts and confrontations that are present in the Inner Land to be explored. / Esta pesquisa parte da seguinte reflexão: em que dimensão se consolida a mística sertaneja nas artes de Ronaldo Correia de Brito? Salientando, desde já, que esta mística em questão não é a mística d O Sertão, mas sim a mística do sertão de Ronaldo Correia de Brito, e, então, funda-se a pergunta: seria possível encontrarmos uma mística sertaneja nas obras do autor em estudo? Assim, busca-se uma investigação acerca da contemporaneidade deste sertão, (re)interpretado, aqui, como periferia do mundo globalizado. Ressaltando que o objetivo de tais movimentos é investigar o sertão de Ronaldo Correia de Brito, sobretudo por meio de metáforas materializadas a partir de narrativas encontradas ao longo das obras do autor em foco; mas, obviamente, sem deixar de avaliar as tonalidades das tensões que se fazem notar, por exemplo, entre o tradicional e o globalizado; tendo em vista os conflitos e os confrontos que estão presentes para além deste sertão que também há de ser desbravado. / Mestre em História