Thesis (M. A. (Sociology)) -- University of Limpopo, 2017 / South Africa as a nation has been battling with the problem of recurring xenophobic attacks since the attainment of democratic rule in 1994. This comes against the background of a well-defined vision of South Africa stipulated by the former president Mr. Nelson Rolihlahla Mandela. Mr. Mandela said ‘South Africa is a Rainbow Nation’ meaning it will accommodate people of different backgrounds. However, the world witnessed with disbelief the occurrence of xenophobic attacks in 2008 which left 62 people dead and thousands displaced and injured. These incidences were followed by the April 2015 violent xenophobic attacks. The attacks resulted in seven (7) people dead, destruction of property, looting of goods and the displacement of hundreds of people. Given this account, this study examined the efficiency of strategies for the prevention of xenophobia in post-apartheid South Africa. This was achieved through the following objectives: determining the extent of xenophobic attacks in South Africa, secondly, describing the current strategies adopted by South African Government to prevent xenophobic attacks and lastly, the limitations of the strategies in addressing xenophobia. The researcher conducted a secondary research to get the relevant information. The results of this study reveal eight strategies implemented by the South African government to address xenophobia. The research described the strength of all the strategies implemented to stem out violence. The strategies implemented include the following: Policy strategies, intergovernmental strategies, citizenship empowerment and educational strategies, State-civil society engagement, technical and media related strategies, legal and constitutional strategies and humanitarian strategies. Moreover, this study reveals the three important limitations of the strategies namely lack of sustainability; failure to address the root cause and denialism of the existence of xenophobia. In conclusion, the study reveals that there is need to set long term and sustainable strategies as the means to prevent future xenophobic attacks in South Africa. Key words: Xenophobia, Prevention, Strategies, Xenophobic attacks, Post-Apartheid

Recent writing in the anthropology of affect and cognate fields has positioned hope as a useful category with which to examine socio-political life and formulate a political and theoretical response adequate to its form. This dissertation extends this endeavour by exploring the ‘hopeful projects' mothers and families undertake in order to secure their children's futures in contemporary Cape Town. Based on ethnographic research conducted with Black mothers between March and October 2018, I argue that the supposedly private maternal hopes my interlocutors hold are in fact indexical of the ways in which social inequality functions and becomes manifest in everyday life and care. Situated at the interface of embodied experience and political histories, their hopes are indicative of how liberal logics of selfextension, self-mastery, and self-maximisation are inhabited to produce alternative futures. At the same time, however, such hopes are continually undone by contexts of intractable structural violence and deprivation, reinvested into normative notions of kinship, domesticity, sexuality, and the body, or marshalled to perform reparative work that should properly fall under the purview of the state. In detailing the ways in which my interlocutors attempt to craft more capacious, more just, and more materially abundant futures for their children, I illustrate the affective entailments of life-building in post-Apartheid South Africa

Philosophiae Doctor - PhD / In this study I investigate what performance as a medium can contribute to our understanding of shame's affect. Given the difficulty of defining and concretising affect according to set parameters and outcomes, critical and dynamic debates about its nature continue. Most recently, New Affect theorists such as Brian Massumi have explored the role of the body in affective meaning-making. Our current social context requires a critical engagement with the forms of affect in order to achieve a deeper understanding of the intangible structures of power and oppression, as well as of desire, interest and pleasure. My aim is to determine the ways in which performance – as a medium through which to navigate an often difficult, evasive and deeply subjective experience – can facilitate a knowledge of how bodies experience, relate to and process shame.

Philosophiae Doctor - PhD / The demise of apartheid presented South Africa with an opportunity to rebuild itself from its painful racist past to become a home to all those who live in it. This was done through a process of nation-building, which took the form of a multicultural civic nation, affectionately known as the Rainbow Nation, that embraces diverse cultures while affirming that individual citizens have equal rights. This thesis argues that the building of the Rainbow Nation has been somewhat successful, but more on a symbolic than institutional level, and that enduring forms of racial exclusion from socio-economic well-being pose the greatest threat to constructing a united, multicultural nation of civic equals.

Magister Artium - MA / The purpose of this study is to explore how “queerness” is both represented and suppressed in select South African fiction. The study will investigate to what extent a post-colonial form of education reinforces the colonial and apartheid traditions of South African normative masculinities in same-sex, educational environments. These aspects will be explored and investigated in John Van de Ruit‟s Spud: A wickedly funny novel (2005), Spud: The madness continues… (2007), Spud: Learning to Fly (2010), and will be complemented with an investigation of the recent South African film, Inxeba (2017). The series of novels and films demonstrate how the contestation between queerness and traditional masculinity threatens heteronormativity and how various forms of violence try to enforce a dominant South African masculinity.

Philosophiae Doctor - PhD / This dissertation is an exploration of everyday social interactions among and between migrants from the Great Lakes Region and South Africans, who live together as neighbours in a post-apartheid South African community. It focuses on the ways through which migrants who are diverse among themselves forge social relations with one another and with the South Africans in an urban township of lower middle class setting. It is an ethnography that interrogates the understandings of belonging and difference in concrete arenas of interaction in these two groups, and how they both mediate their diversity encounters in everyday life.

Magister Psychologiae - MPsych / The history of South Africa is embedded in violence. This can be traced to the arrival of the Dutch settlers in 1652, to the Afrikaner–nationalist ideology of apartheid, and finally into the current dispensation of democracy. Historically, violence with its various forms and negative sequelae, has been narrated from an adult-centred perspective. Thus, due to the paucity of literature from the perspective of youth and adolescents, this study aims to review and synthesise the findings of existing empirical studies focusing on youth and adolescents’ perceptions of violence in post-apartheid South Africa. The study employed a systematic review methodology, which is a rigorous approach to reviewing the breadth and depth of literature on a particular topic, with specific criteria. After a systematic search of the literature, 34 articles were included in the review, with study samples including youth and adolescents aged 8 to 27-years. Three overarching themes were identified from the included studies, using thematic analysis, namely: exposure to violence; gender and sexual-based violence; and interpersonal and school violence. Findings demonstrate that the concept of violence is broad and nuanced, and that violence is experienced and enacted in multiple social settings. The key findings of the review are that several contributing factors result in violence, which includes but is not limited to the consequences of apartheid, low socioeconomic conditions, hegemonic masculinity, and male entitlement over women. At a grassroots level, more research is needed to gain deeper knowledge about how youth and adolescents understand, conceptualise, and contextualise the differing constructs of violence through various frameworks. Violence prevention and intervention requires a collaborative approach to exact meaningful change that will be beneficial for all stakeholders.

This study is aimed at identifying ways in which architecture can facilitate social cohesion and desegregation. The preindustrial vernacular, which has failed to adapt from apartheid ideologies, has been proposed to include social integration as opposed to the creation of segregated environments. This is achieved through the design of an urban waiting room and gateway at the threshold between Pretoria Station and the inner city of Pretoria. The investigation can be summarised as creating entopia, which translates to achievable space, focus on architecture of the every day, cater to real world needs of city users and address problems unique to place and setting - which in the context of Pretoria, includes the promotion of social integration. Copyright 2011, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. Please cite as follows: Heinrich, O 2011, Entopia : creating an urban transition space, MArch(Prof) dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://upetd.up.ac.za/thesis/available/etd-11292011-162950 / > C12/4/38/gm / Dissertation (MArch(Prof))--University of Pretoria, 2011. / Architecture / unrestricted

Magister Philosophiae - MPhil / Post-apartheid South Africa has strived for change through the implementation of preferential procurement policy legislations such as the Black Economic Empowerment Act, Employment Equality Act, as well as the right to education for all has opened opportunities for many who were previously disadvantage. Being black in apartheid South Africa meant being middle class came with many constant difficulties of negotiating boundaries with community members that were not middle class and spaces that were middle class but white, thus raising several racial dynamics not experienced at ‘home.’ Being black in post-apartheid South Africa has also come with difficulties of constantly evolving social identity changes and categorisation.

Masters of Art / This Creative Writing project is an album of South African songs written specifically in the context of American blues music. Although blues is an intrinsically American genre of Western popular music, it has its roots (along with other African-American forms of musical expression such as ragtime and jazz) in African culture, and as a South African musician and writer, I am intrigued by the possibilities of exploring African-American blues in the context of South Africa. This project therefore attempts some hybridity between these two cultural expressions, and to ascertain what kinds of lyric might be possible in modern South Africa in terms of the formation and perpetuation of a South African identity. Blues songs traditionally have a rather narrow focus as far as lyrics are concerned, but the genre’s melodic structure, its instrumentation and its very specific vocal qualities have over the last century formed the bedrock of the whole of modern Western popular music.