Abstract The aim of this research paper is to investigate the allegorical and national qualities present within South African post-apartheid cinema. Through the production of a satirical short film, an analysis of key texts by Frederic Jameson and Aijaz Ahmad, as well as a comparative breakdown of French and Australian national cinema, these topics will be explored and unpacked. The South African film environment establishes itself as one dominated by internationally produced films and one that utilises indigenous cultural aspects in order to compete against this dominance. This study identifies the specific techniques employed by South African filmmakers and highlights the successes and pitfalls of doing so. By examining the film careers of Darrell Roodt and producer Anant Singh, this paper identifies South African cinema as one with a focus on international goals, aspirations and audiences, while it neglects its own local audience and development. This research then proposes ways in which to resolve this problem by drawing on examples from other national cinemas.

The post apartheid South African government inherited a racially designed social protection system. This system was discriminatory, mainly served the white population and excluded the majority of black South Africans. Recognising this discrepancy, the ANC government embarked on the transformation of the existing social welfare programs which aimed at ensuring that basic welfare rights are provided to all citizens, priotising those who had historically been disadvantaged. Many years have passed since the democratic government came to power and started to carry out reforms that were aimed at increasing coverage of both occupational and social pensions. While great slides have been made in extending coverage of social pensions, ironically, only slightly more than half (52%) of South Africa’s 12.6 million workers are covered. This study aimed at investigating the extent to which trade unions have been able to influence policy formulation related to social protection, especially those aimed at increasing coverage of social and occupational pensions. The study focused on the roles played by CONSAWU and COSATU and it used in-depth interviews as the main tool for collecting data. Interviewees were identified using purposive sampling from both trade unions and government departments that closely deal with social protection issues. The study has revealed that trade unions’ influence in policy formulation for social protection has not been effective enough. This could be attributed in part to the paternalistic approach by government departments towards labour in policy issues and inadequate vigilance from trade unions to claim their rightful position.

This study is based on in-depth, semi-structured interviews conducted with six former combatants residing in the Kathorus area, East of Gauteng. The main aim of this study was to explore the challenges facing former combatants after twelve years of democracy. The key findings in the study indicate that many former combatants have not defined their identities beyond the militarised masculine identity they identified with during the conflict on the East Rand and this has resulted in some negative social and psychological consequences for these former combatants. Challenges including stigmatisation from the communities in which they reside, unemployment, trauma, and betrayal also emerge from the findings. In conclusion, the many challenges that former combatants face twelve years into democracy highlight the faults and flaws in the demobilisation, disarmament and reintegration process that occurred post apartheid. Some key recommendations that can be made based from this study relate to processes of future demobilisation and social and economic reintegration.

This study explores the perceptions of the causes of poverty of South Africa’s post apartheid generation at the North-West University’s Vaal Triangle Campus. The study uses a sample of 203 respondents aged 20 years or younger, from the campus two faculties (Economic Sciences and Information Technology, and Humanities). The main objective of the study is determining whether the post-apartheid generation perceives poverty as the result of fatalistic, individualistic or structural factors, as indicated by the Feagin scale. The secondary objective of the study was to determine whether demographic variables such as age, gender, home area and the faculty of study, along with socio-economic variables such as the employment status of the respondents’ parents, monthly expenses and the respondents’ lived poverty index influence perceptions of the causes of poverty. / MCom (Economics), North-West University, Vaal Triangle Campus, 2014

Thesis (M.A. (Political & International Studies)) - Rhodes University, 2009. / Thesis submitted in partial fulfilment of the requirements for the Master of Arts degree in Political Studies.

Thesis (Ph. D. (Political and International Studies))--Rhodes University, 2006.

This thesis explores the ability of poetry to articulate political critique in Post-Apartheid South Africa. The aim of the project is to evaluate the extent to which poetry provides criticism of a contemporary political climate marked by government corruption, rising social inequality and widespread immiseration. I argue that both ‘poetry’ and ‘post-Apartheid’ are developing and contested concepts that acquire meaning in concrete circumstances and continue to take on fresh resonance in South Africa today. I contend that poetry does not passively reflect historical circumstances nor docilely take its place in a post-Apartheid political climate. Instead, it actively engages with the milieu within which it finds itself and contributes in a meaningful way to our understanding of what the post-Apartheid era actually means. My study focuses on six poets who represent the innovative and politically charged character of post-Apartheid poetry. The writers I choose to examine are Ari Sitas, Seitlhamo Motsapi, Lesego Rampolokeng, Mxolisi Nyezwa, Vonani Bila, and Angifi Dladla. All of these poets lived through Apartheid and were young, or of middle age, at the dawn of liberation. Eager and able citizens willing to build a new democracy, these artists have been bitterly disappointed by the African National Congress’s abandonment of South Africa’s black majority. The poets in question have set about bearing witness to unrelenting social ills through drawing upon the dynamism of poetry in order to rejuvenate public language, dialogue and debate. Confronted with the over-simplification of information in an epoch of late-capitalism, the poets in this thesis seek to revitalise language, through innovative use of form, in order to fashion new perceptions of the world in which they live. All of the writers in this thesis have been involved in politics or activism and make a point of incorporating these real world experiences into their work. Thus, Sitas invokes worker chants from his time spent in Durban’s labour movement and Dladla remains fascinated by the Gauteng prisons where he has taught creative writing. The poetry I examine is moulded by the active public life of its writers and in turn seeks to participate in a wider world. In this line of thought, many of these poets have started their own literary journals and publishing initiatives, often with strong ties to social justice movements and grass-roots communities. Here, one can mention Nyezwa’s development of the English/isiXhosa multicultural arts journal Kotaz in the Eastern Cape and Bila’s Timbila publishing in the Limpopo province. Through autonomous methods of poetic production and distribution, poets are able to create spaces in which non-commercial and potentially revolutionary art can be heard. My doctorate spotlights the artistic and political victories of a pioneering group of poets, who are little known both locally and abroad. My research underscores the politically critical qualities of poetic form and thus has resonance beyond a narrowly South African context. Indeed, I believe my PhD can contribute in a valuable way to debates pertaining to the social relevance of poetry in the world today.

Magister Artium - MA / In this dissertation, I consider how South African crime fiction, which draws on a long international literary history, engages with the conventions and boundaries of the genre, and how it has adapted to the specific geographical, social, political and historical settings of South Africa. A key aspect of this research is the work’s temporal setting. I will focus on local crime fiction which is set in contemporary South Africa as this enables me to engage with current perceptions of South Africa, depicted by contemporary local writers. My concern is to explore how contemporary South African crime fiction narrates post-apartheid South Africa. Discussing Margie Orford’s Daddy’s Girl and the possibilities of South African feminist crime fiction, my argument shoes how Orford narrates post-apartheid through the lens of the oppression and abuse of women. The next chapter looks at Roger Smith’s thriller Mixed Blood. Smith presents the bleakest outlook for South Africa and I show how, even though much of his approach may appear to be ‘radical’, the nihilism in his novel shows a deep conservatism. The third South African crime novel I examine is Diale Thlolwe’s Ancient Rites and I discuss it in the light of his use of the conventions of ‘hardboiled’ crime fiction as well as rural/urban collocations. In this case, the author’s representation of postapartheid South Africa appears to reveal more about the author’s personal views than the country he attempts to describe. The fourth and final novel I discuss is Devil’s Peak by Deon Meyer. My discussion here focuses on the notion of justice in post-apartheid South Africa and Meyer’s ambiguous treatment of the subject. This discussion of contemporary South African crime fiction reveals what the genre might offer readers in the way they understand post-apartheid South Africa, and how it might be seen as more than simple ‘entertainment’.

Philosophiae Doctor - PhD / This study explores the different ways that South African novels have represented fatherhood across historical periods, from the dawn of apartheid to the post-transitional moment. It is argued that there is a link between narrative power and the father, especially in the way that the father figure is given authority and is central to dominant narratives which support pervasive ideologies. The study introduces the concept of paternal narratives, which are narratives that support the power of the father within patriarchal systems and societies, and which the father is usually given control of. This lens will be applied to prominent South African literature in English, including early texts such as Alan Paton’s Cry, the Beloved Country, Nadine Gordimer’s Burger’s Daughter and J. M. Coetzee’s In the Heart of the Country, where the father’s authority is strongly emphasised, and where resisting the paternal narratives often leads to identity struggles for sons and daughters. Later texts, published during the transition from apartheid, often deconstruct the narrative power of fathers more overtly, namely Mark Behr’s The Smell of Apples, Zakes Mda’s Ways of Dying and K. Sello Duiker’s The Quiet Violence of Dreams. More recent novels, published in “post-transitional” South Africa, are radical in their approach to father figures: fathers are often shown to be spectral and dying, and their control of narratives is almost completely lost, such as in Lisa Fugard’s Skinner’s Drift, Mark Behr’s Kings of the Water, Zoë Wicomb’s Playing in the Light and Zukiswa Wanner’s Men of the South. Exploring these shifting representations is a useful way to unearth how ideological and social shifts in South Africa affect the types of representations produced, and how fatherhoods are being reimagined.

Within post-Apartheid research there is little to no research into poor historically White areas which are experiencing rapid rates of desegregation. It is in these cases a researcher could pose a question to whether or not Apartheid’s race-class divisions are still prevalent. A further gap in South African literature is a lack of a model on which to base socio-economic changes in a situation of post-Apartheid and post-industrial trends. This study addresses both of these short fallings of current academic literature. This paper explores Socio Economic Transformation within a lower income urban area of Pretoria, South Africa. The area, which was previously White only under Apartheid legislation, has been experiencing changes due to factors including post-Apartheid legislation and post-industrialism. Desegregation and a decline in industry have created complicated racial and social patterns within a merging community. Two major trends within the study area include an influx of an upwardly mobile Black population and secondly a downward economic movement of White individuals. The trends identified within the study area contradict many mainstream South African beliefs as the more traditional White-racist-empowered vs. Black-marginalized-oppressed binary is not absolutely valid. These newly emerging racial geographies are identified and explained with the use of personal interviews. The resulting classifications of local individuals are then utilized in a conceptual model to help explain the various socio-economic trends within the area. The study is structured in three main components. Firstly, structural and contextual issues relating directly to the study site are addressed to provide a backdrop on which social issues can be analysed. Socio-economic changes with focus on racial and economic situation are identified and explained. Once the social, economic and spatial are well discussed a theoretical model is developed. The theoretical model is then utilized to plot the individual changes within the study area. The individual trends, which were identified during field studies, are modelled and analysed within a South African context. The model developed from the study has the potential to base further community research upon, both within South Africa and international arenas. The model identifies and explains both the status of individuals which is an individuals socio-economic standing. Secondly trends are defined as an individuals change in socio-economic status through time. Results from the study have shown that labelling the economic situation of varying racial groups on the historic Apartheid framework is no longer valid in all situations. Post-Apartheid racial hiring policies as well as a national de-industrialization trend has created a situation of an upwardly mobile Black middle class as well as a declining poor White economic classification. / Dissertation (MSc)--University of Pretoria, 2008. / Geography, Geoinformatics and Meteorology / MSc / Unrestricted