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1	Prins Eugen som monumentalmålare : A study of mural painting as an artform / Prince Eugen as muralpainter Persson, Allan January 2006 (has links) <p>The aim of this essay is to examine the relationship between picture and room, between wallpainting and architecture. The basis for such exploration is the mural painting in Sweden at the turn of the 20th century, and the artist in focus is Prince Eugen (1865-1947).</p><p>His works "Sommar"(1904), "Rimfrosr"(1909) & "Staden vid vattnet"(1922) and the rooms in which they are in make for an anlysis concerning how the totality of the space is experienced by the viewer.</p><p>The main issue in mentioned expeience is how the mural is perceived with regard to the other elements in the room. And here, the walls' "flatness" enhancing its decorative qualities plays in. The problem with a mural built on the principles of perspective becomes evident when a wall is seen to vanish through the painting of an illusion on it.</p> Mural Painting Architecture Prince Eugen Georg Pauli Perspective Flatness Room Väggmåleri Monumentalmåleri Arkitektur Prins Eugen Georg Pauli Perspektiv Ytmässighet Rum Art Konstvetenskap
2	"System i anordningarna" : Folkbildningsmötet och folkbildningsarbetet 1904-1920 Nauclér, Nils-Erik January 2012 (has links) I uppsatsen undersöks fem "allmänna svenska" folkbildningsmöten hållna, huvudsakligen i Folkbildningsförbundets regi, mellan 1904 och 1920. Trots att de är väldokumenterade och gavs betydelse för folkbildningens utveckling av sin samtid, har de inte tidigare varit föremål för en egen studie. På grund av forskningsläget strävar undersökningen efter att tematisera mötena som en helhet, den iscensatta aktören Folkbildningsmötet. Undersökningens huvudsakliga källmaterial har varit de mötesberättelser som gavs ut i anslutning till mötena. Undersökningen visar att Folkbildningsmötet huvudsakligen ägnade sig åt administrativa frågor och agerade för en allsidig, "liberal" antiklassbildning. historia folkbildning folkbildningsmöte offentliga möten 1900-tal sekelskifte bildning media föreläsningsrörelse Oscar Olsson Knut Kjellberg Prins Eugen folkbibliotek folkbildningsarbete Folkbildningsförbundet socialpascifism G.H. von Koch arbetarbildning
3	Prins Eugen som monumentalmålare : A study of mural painting as an artform / Prince Eugen as muralpainter Persson, Allan January 2006 (has links) The aim of this essay is to examine the relationship between picture and room, between wallpainting and architecture. The basis for such exploration is the mural painting in Sweden at the turn of the 20th century, and the artist in focus is Prince Eugen (1865-1947). His works "Sommar"(1904), "Rimfrosr"(1909) & "Staden vid vattnet"(1922) and the rooms in which they are in make for an anlysis concerning how the totality of the space is experienced by the viewer. The main issue in mentioned expeience is how the mural is perceived with regard to the other elements in the room. And here, the walls' "flatness" enhancing its decorative qualities plays in. The problem with a mural built on the principles of perspective becomes evident when a wall is seen to vanish through the painting of an illusion on it. Mural Painting Architecture Prince Eugen Georg Pauli Perspective Flatness Room Väggmåleri Monumentalmåleri Arkitektur Prins Eugen Georg Pauli Perspektiv Ytmässighet Rum Art Konstvetenskap

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