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Race Talk in Neoliberal Higher Ed: “Diversity” Curriculum at a Large Urban University in the U.S. Mid-AtlanticPryor, Olivia D 01 January 2016 (has links)
The contemporary United States is at a crossroads with race: some believe achieving political equality rests in the ability to wilfully ignore race, while others assess colorblindness is a racial frame that only serves to prolong and irritate inequalities. Higher ed institutions have become involved in this conversation due to critiques of higher ed devaluing racial minorities both in the curriculum and in hiring practices. As a response, higher ed has promised to restructure their institution with diversity and PoC in mind. This research study seeks to understand if higher ed has maintained this promise. Twelve participants were qualitatively interviewed to assess their satisfaction with higher ed and the curriculum as it pertains to race. It was found that students were generally heavily critical of their education, particularly in the “diversity” claims made by the school. Their narratives additionally highlight the importance of sociological spaces within a neoliberal university.
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Framing the presidency : presidential depictions on Fox's fictional drama 24Oliveira Campoy, Juliana de January 2014 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / Framing theory is one of the most used theories in the discussion of media effects on how people make sense of issues, especially in the political environment. Although it is majorly used for the discussion of news media, framing theory can also be applied in other areas surrounding media production. This thesis uses this theory to discuss how presidents are framed in fiction and implications of race and gender in the assessment of presidential characters by analyzing Fox’s fictional drama 24. Although at first the show seems to bring new options for the presidency, the analysis points Presidents Palmer and Taylor as unfit for office and President Logan as unethical and power-hungry. Following Entman’s (1993) process for analyzing frames in media, embedded white male hegemony was identified in the show. As the show presented a postfeminist and postracial world, it continued to frame femininity and blackness as the opposite to effective executive leadership. Further, white masculinity was associated with power, ambition and ultimately corruption. As other races and gender were pointed as unfit, the status quo was questioned as being corrupt. The show both increases the cynicism that people may develop against politics and damages a more proper consideration of women and people of color to be elected president.
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