La presente tesis describe el Proyecto de Diseño de una Red Over Ethernet sobre una red física DE 10 Gigabit Ethernet utilizando categoría 6A, demostrando la convergencia de estas dos tecnologías logrando el mayor rendimiento y cumpliendo con todas las normas internacionales y nacionales aplicados en un Data Center.

What has become known to the world as the Baby Veronica case (2009-2013) involves several parties including the biological father, Dusten Brown, who is a Cherokee citizen, the Non-Native adoptive parents, the Capobiancos, the Cherokee Nation, and most importantly the baby who is now a child getting ready to start school, Veronica. It is a complex child custody case, but one that is well supported in Federal Indian Law and Policy with the Indian Child Welfare Act (ICWA) of 1978 and Mississippi Band of Choctaw Indians v. Holyfields (1989). In the beginning of the Adoptive Couple v. Baby Girl et al case (or famously known simply as the Baby Veronica case), the South Carolina Family Court and Supreme Court used the legalese of the ICWA to uphold the biological father's parental right to stop the adoption of his child. However, in an interesting turn of events the case was then taken up by the United States (U.S.) Supreme Court where it was ruled that the biological father was not an Indian parent as defined by ICWA (before the child was placed with the prospective adoptive couple there was no preexisting custody of the newborn child by the father) and stating that state law applied and not ICWA in this case and since the father was not married to the birth mother and had not paid child support he was not deemed a parent by South Carolina’s definition of the word. The most recent decision came from the South Carolina court stating that Baby Veronica, after two years of living with her father, must be returned to the prospective adoptive parents. Most everyone out there felt sadness for the prospective adoptive couple who had loved and provided for this child for two years, but all adoptive/foster parents know there is always a chance for the natural parents to object to the placement (it is called legal risk in child welfare). Each state sets their own laws on how long the natural parents have to change their mind, but in this case the biological father was not even aware that the biological mother was planning on giving the child up for adoption. Once he discovered the adoption, four months after the child was born and had been living with the Capobiancos since birth, he filed a petition to stop it and regain custody. This action would lead to a four year long custody battle. While it is important to look at all the facts and the history of the ICWA (and now the future of the ICWA) this dissertation focuses mostly on the public perception of the case. This case has received a fair amount of media coverage throughout the United States including a one-hour episode on Dr. Phil which aired on CBS. It is not often that something happening in Indian County makes it to mainstream media/attention, but when it does there is usually a great deal of misunderstanding on the issue. This is also true for most of the coverage and public responses from the media. This time around it was also true of the U.S. Supreme Court who focused too much attention on Dusten Brown’s blood quantum and not his cultural upbringing. Further the majority of the Supreme Court Justices held that the problems that existed pre-ICWA are not really a problem anymore which is reverberated through the public's perception. It is the intention of this dissertation to follow and analyze the media and the public of this particular case and the ICWA in general through the theories of framing and Red Power. In the social sciences framing is the social construction of a social phenomenon (the Baby Veronica case) by mass media sources (newspapers and television shows), political or social movements, political leaders (Chief John Baker of the Cherokee Nation), or other actors and organizations (National Indian Child Welfare Association). The individual's perception of the facts and meaning attributed to words or phrases will be influenced by some or all of these entities. A frame creates rhetoric in a way that can either encourage or discourage certain interpretations. Stereotypes are one example of framing and are seen in the Baby Veronica case especially as people try to define what it means to be Cherokee. Red Power can be seen as a frame, but is also an American Indian theory that links ethnic pride and political activism to a resurgence of Indian identity. There was a lot of ethnic pride and political activism that took place in favor of Dusten Brown retaining custody of his daughter which no doubt heightened the Cherokee Indian identity, but unfortunately in this case this resurgence would not be enough to keep Veronica, now at the age of four, living with her biological father. However, this dissertation will conclude with some possible recommendations for the Indian Child Welfare Act and the future of American Indian child custody cases.

abstract: This dissertation explores how American Indian literature and the legacy of the Red Power movement are linked in the literary representations of what I call "Indigenous Cosmopolitics." This occurs by way of oral tradition's role in the movement's Pan-Indigenous consciousness and rhetoric. By appealing to communal values and ideals such as solidarity and resistance, homeland, and land-based sovereignty, Red Power activist-writers of 1960s and 1970s mobilized oral tradition to challenge the US-Indigenous colonial relationship, speak for Native communities, and decolonize Native consciousness. The introductory chapter points to Pan-Indigenous practices that constructed a positive identity for the alienated and disempowered experience of Native Americans since Relocation. Chapter one examines the Red Power newspapers and newsletters ABC: Americans Before Columbus, The Warpath, and Alcatraz Newsletter among others. These periodicals served as venues for many Natives to publish their poems in collaborating with the politics of the Red Power movement. Among the poems considered is Miguel Hernandez's "ALCATRAZ," which supports the Native resistance and journey towards sovereignty during the Island's occupation. Chapters two and three explore the use of oral tradition in the journalism of Simon Ortiz (Acoma Pueblo), who was then working within the collaborative contexts of the National Indian Youth Council (NIYC) and ABC: Americans Before Columbus, which represents the Indigenous cosmos and appeal to Indigenous peoples' cosmopolitical alliance and resistance throughout the hemisphere and across the world. The final chapter turns to the work of two poets, Joy Harjo (Muskogee Creek), Wendy Rose (Hopi/Miwok), and a singer-songwriter Buffy Sainte-Marie (Cree), showing their appropriation of storytelling modes and topics from within the inclusive functions of oral tradition - storyweaving, employing persona, and performing folk music. Harjo, Rose and Sainte-Marie push on the boundaries of the movement's rhetoric as they promote solidarity between colonized women in and beyond the US. The Red Power movement's cosmopolitics remains persistent and influential in Native nationalism, which stands as the master expression of the decolonizing process. The flexibility of oral tradition operates as a common ground for reciprocal, transformational, and inclusive interactions between tribal/national identity and Pan-Indigenous identity, developing Native nationhood's interactions with the world. / Dissertation/Thesis / Ph.D. English 2014

The reorientation of federal state policy on Canada's relation to Indigenous peoples that occurred in the years 1969-1974, although heralded as progressive, inaugurated not so much an age of liberation, restititution, and reconciliation as a bureaucratic and institutional framework for perpetuating settler-colonial processes of dispossession and assimilation. This was a period of intense struggle both within and without Indigenous politics, as activist dissidents to the increasing institutionalization of negotiation with the colonial state were branded as pathological and dangerous "Red Power" militants and phased out from mainstream political discourse. As they lived through the contradictions of these processes, three such militants turned to writing autobiographies that would become foundational influences upon the development of Indigenous literature in Canada: Maria Campbell's Halfbreed, Howard Adams's Prison of Grass, and Lee Maracle's Bobbi Lee: Indian Rebel. These autobiographies, which explicitly spoke to the writers' political and activist experiences and positions, occupy a complicated position in Indigenous literary history. Often relegated to a bygone moment of polemic, bitterness, and resentment, they have been more or less systematically misread or dismissed as works of literature by literary critics. This thesis proposes that considering these works in their formal and narrative specificity, as well as constituting a literary-critical and literary-historical end in itself given the dearth of scholarly attention paid to this period of Indigenous/Canadian history in general and these works in particular, can open up productive theoretical and critical insights into two ongoing disciplinary concerns: dismantling ongoing scholarly investments in colonial premises about and usages of narrative, subjectivity, and history; and envisaging possible relations between Indigenous literature(s) and literary study and anti-colonial political processes, especially processes of activism and movement-building toward decolonization.

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In my thesis, I argue that the Native American activism of the 1960s and 1970s does not fall into the category of Civil Rights Movement because of its significantly different goals, and that the fundamentally different character of sovereignty rights also keeps the Indian struggle invisible in American understandings of U.S. political and social history. According to my analysis, the terms tribal sovereignty, self-determination, and treaty rights describe the ultimate goals of the Native American activists in the 1960s and 1970s the best. The decade between 1964 and 1974 witnessed the rise of radical Indian activism, which succeeded in reminding the general public and politicians that Indians are still present in the United States. Furthermore, it influenced a whole generation of Native Americans who found new pride in being Indian. However, this current of American activism is not known so well by the general U.S. public. This thesis will describe this state as "selective visibility" deriving from U.S. selective historical memory, only noticing and remembering those events and images concerning Native Americans that can be simply understood, somehow relate to the U.S. set of values, and fit in the national historical narrative.