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1	A Study of Sonata a Quattro K. 347 and Alma Redemptoris Mater K. 186 by Johann Joseph Fux: the Historical Significance as Works for Alto Trombone and Performance Considerations, a Lecture Recital together with Three Recitals of Selected Works by J. Albrechtsberger, R. Gregson, W. Hartley, E. Bozza, Lars-Erik Larsson, A. Pryor and Others Babcock, Ronald D. (Ronald Dean) 05 1900 (has links) Johann Joseph Fux's influence on the development of eighteenth-century alto trombone literature is significant. His music, when compared with that of other composers who wrote for the alto trombone before 1730, reveals a more elaborate and frequent use of the instrument. Many of Fux's compositions call for alto, tenor, or bass trombone, but his Sonata a Quattro K. 347 and Alma Redemptoris Mater K. 186 are of particular interest in regard to the composer's treatment of the alto trombone. This study points out the technical demands placed on the trombonist in Fux's works as compared to such contemporary composers as Antonio Caldara and Marc'Antonio Ziani. The primary goal of this study is to substantiate the importance of Fux's role in the development of the alto trombone repertoire. Published and unpublished works by Fux that significantly incorporate the instrument have been studied and compared to compositions of his contemporaries. A thorough discussion of Sonata a Quattro and Alma Redemptoris Mater illustrates the technical aspects of his alto trombone writing. The secondary goal of this study is to create a performing edition of Sonata a Quattro and Alma Redemptoris Mater. The existing editions in Denkmaler der Tonkunst in Osterreich and Johann Joseph Fux, Samtliche Werke are less than complete. There are no individual parts for performers, and tempo indications for several movements are missing. Mistakes in the parts of Sonata a Quattro and discrepancies between the figured bass and continuo realization have been corrected for the creation of a new edition. Tempo, ornamentation, instruments, and articulation are also discussed to assist in the presentation of an historically informed performance of the Sonata a Quattro and Alma Redemptoris Mater. alto trombone Johann Joseph Fux Trombone -- Performance.
2	Marie : une lecture comparée de "Redemptoris Mater" (Jean-Paul II) et du "Commentaire du Magnificat" (Luther) à la lumière des dialogues œcuméniques / Mary : a comparative study of "Redemptoris Mater" (John-Paul Il) and the "Commentary on the Magnificat" (Luther) in the light of ecumenical dialogues Graber, Anne-Cathy 19 December 2015 (has links) Ce travail a pour objectif de vérifier, à partir du thème Marie (souvent compris comme un des obstacles au rapprochement des Églises), la cohérence du mouvement œcuménique contemporain et la consonance des résultats de ces dialogues avec les enseignements officiels des Églises. Le point de départ de la réflexion est une lecture comparée de Redemptoris Mater de Jean-Paul II et du Commentaire du Magnificat de Luther. Cette comparaison est vérifiée ensuite par des dialogues œcuméniques (luthéro-catholiques, mais aussi pentecôtistes-baptistes, catholiques…) dans une perspective d'interpellations réciproques à propos de la compréhension de Marie dans le mystère de l'Église et du salut. La théologie mariale s’avère être un lieu de vérification œcuménique fécond : elle met en exergue les consensus et clarifie les questions encore ouvertes de la recherche œcuménique, en particulier celle de l’instrumentalité de l’Église. / The role of Mary is often understood as an obstacle to reconciliation between Churches. Using this theme, the dissertation has as its objective the verification of the coherence of the contemporary ecumenical movement aswell as to how the results of the various dialogues correspond to the official teaching of the Churches. The starting point is a comparative study of John-Paul II’s Redemptoris Mater and Luther’s Commentary on theMagnificat. This comparison is then examined in the light of results from various ecumenical dialogues (between Lutherans and Catholics as well as Evangelicals, Pentecostals and Catholics…). Out of the dialogues come reciprocal questions concerning how Mary is understood in the mystery of the Church and of salvation. Marian theology shows itself to be a very fertile method of ecumenical verification, revealing both new consensuses and clarifying issues that remain open for ecumenical research, especially in relation to the instrumentality of the Church. Commentaire du Magnificat Consensus différencié Ecclésiologie Écriture et Tradition Hiérarchie des vérités Immaculée Conception Instrumentalité Jean-Paul II Luther Mariologie Médiation Œuménisme Plénitude de grâce Foi Redemptoris Mater Commentary on the Magnificat Differentiated Consensus Ecclesiology Ecumenism Fullness of Grace Faith Joint declaration on Justification Hierarchy of Truths Immaculate Conception Instrumentality John-Paul II Luther Mariology Mediation Redemptoris Mater Scripture and Tradition 232.91 262.001

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