The novel especially the realist novel has been generally understood as a secular, disenchanted form, but the history of the Indian novel complicates this view. A seminal trajectory of realist novels situated in India, by native and non-resident writers alike, presents a perception of God in the daily that is rooted in Indian religious traditions in contradistinction to the deus absconditus European realist novel which has generally restricted itself to the secular sphere. Despite the conspicuous and consequential enchantment of the Indian novel, even postcolonial literary critics have followed in the critical tradition that takes secularism to be the precondition of the novel and dismisses instantiations of religion as mere anomaly, symptom, or overlay. I contend that the powerful realism brought to India by the British novel was immediately injected with a strong dose of enchantment drawn from the popular religious and mythopoetic imagination. The novel invited God to come down to earth to become more real and more compatible with a self-consciously secularizing India unwilling to dispense with its spiritualism; reciprocally, God's presence in the naturalist novel engendered a radically new sense of both the genre and reality. Of all the existing art forms in India, it was only the realist novel with its worldly orientation that could give shape to the profane illumination in everyday life and provide a forum for the praxis of enchantment. The Indian novel was part of a larger phenomenon in which the enchanted worldview became the grounds for independence from England whose disenchanted ethos was understood as the underpinning and justification for its imperialism. Not surprisingly, the place namely, Bengal and that birthed the novel also sparked India's anti-colonial struggle and its religious revival and reform movements. The novel in particular was seen as a privileged form for preserving a spiritualized cosmology, renovating it in some ways, and using it to enable Indian sovereignty. Straddling both the British and the Indian, the worldly and the spiritual, the novel offered a unique opportunity for cultivating a modern religious sensibility. By analyzing the various literary techniques my novelists deploy to enchant a putatively disenchanted form in a (post)colonial context, I rediscover overlooked possibilities for the novel-writ-large. The trajectory I analyze teaches us that mimetic realism can offer a more congenial home to religious enchantment than the non-mimetic experimental modes, such as magical realism, usually considered more apt. My project charts the course of what I call the enchanted realist novel tradition via five seminal novels set in India and published between 1866 and 1980. In this arc, divinity is first made immanent in the phenomenal world, then it becomes internalized, only to meet with a birfurcated fate in the mid-twentieth century. The indigenous writers continue with realist first-order rendering of the divine in the daily, whereas the more international novelists formally distance themselves from the felt enchantment of the first order they struggle to represent. Another way to view that bifurcation: as the disenchanted, statist worldview comes to prevail in the national imaginary at Independence, the enchanted novel must henceforth either restrict itself to tiny local pockets of extant enchantment; or, if the novel still has ambitions to be a national allegory, it must register disenchantment as the nearly thorough-going a priori to what now can only be called a deliberate re-enchantment.

Habilitationsschrift--Universität Erlangen-Nürnberg, Erlangen, 1974. / Includes bibliographical references (p. [417]-427) and index.

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<p> This dissertation looks at an attempt in Buddhist history to theorize the role and status of the body as the prime focus of soteriological discourse. It studies a text titled <i>Explanation of the Hidden Vajra Body</i> (<i>Rdo rje lus kyi sbas bshad</i>), composed by Yang dgon pa Rgyal mtshan dpal (1213-1258). This work, drawing on a wide range of canonical tantric Buddhist scriptures and Indic and Tibetan commentaries, lays out in detail a Buddhist theory of embodiment that brings together the worldly realities of the body with their enlightened transformation. This dissertation analyzes the ways Yang dgon pa theorizes the body as the essential ground of the salvific path, and endeavors to provide a thematic guide to his rich and complex discussion of what the body is and does, from a tantric perspective. The thesis parses a key term, <i>dngos po'i gnas lugs</i>, that Yang dgon pa uses as an organizing principle in <i>Explanation of the Hidden.</i> If taken literally, the term means something like "the nature of things" or "the nature of material substance," but Yang dgon pa deployed the term specifically to refer to the nature of the human psychophysical organism, in its ordinary state. By way of this term, Yang dgon pa argues that the body itself makes enlightenment possible. In the course of this thesis, I consider the prior history of this category as it was gradually developed by a series of Bka' brgyud writers until it reached Yang dgon pa. Then, in light of this category, I explore Yang dgon pa's own vision of embodiment. This vision, I argue, reflects an attempt to refocus soteriological attention on the power of the body, over and above the mind, as the salient basis for non-dual knowing. Finally, I reflect upon the lasting contributions of Yang dgon pa's conception of the body to the ongoing exploration of such topics in the history of Indo-Tibetan Buddhist soteriology, as well as upon why some of the more radical elements of his thinking seem to have been eliminated in subsequent generations of his lineage.</p>

Since the latter half of the twentieth century, the number of people with Alzheimer's disease has grown to epidemic proportions. My project investigates the cognitive devastation of Alzheimer's disease from several perspectives. I first outline some medical models of Alzheimer's disease, incorporating Richard Dawkins' selfish gene theory. Next, I explore the linguistic experience of the patient. I study Arthur W. Frank's analysis of patient narratives and Elaine Scarry's theory of torture to explore the way in which Alzheimer's disease tortures the patient, stealing the patient's ability to speak and deconstructing the world of the patient. Finally, I think about the way in which Alzheimer's disease can support and challenge themes in Martin Heidegger's philosophy. In diagnosing Alzheimer's disease, the person experiences a conflation of fear and angst. I explore Heidegger's philosophy as it relates to the experience of the patient who shows no ability to function in-the-world, yet exists corporeally.

Concerned with the state of the self in modernity, Charles Taylor engages in an act of cultural retrieval in order to allow for a meaningful struggle against the pernicious developments of the modern age. To avoid a loss of meaning, rampant instrumentality, and ultimately a loss of freedom, Taylor suggests that we must arrive at a new understanding of the self. To this end Taylor positions himself between contemporary liberals and communitarians, arriving at what he deems holistic individualism or an "ethic of authenticity". He holds that, in order for this notion of authenticity to be realized, we must be in contact with the constitutive goods which underpin western society. After prolonged consideration Taylor arrives at the conclusion that the only publicly available constitutive good in the modern age is religion. Although he is at times hesitant to admit it, Taylor contends that religion is an invaluable source for the self and the only good able to meet the challenges of modernity.

<p> Faith and culture enjoy a harmonious relationship. In the past centuries of Catholicism, evangelization did not take into cognizance the culture of a people. The translation and adaptation approaches were the dominant models missionaries often used in the context of evangelization. Sadly, these approaches failed to create adequate contact with the local cultures where the faith was transplanted. The distance between faith and culture has caused the Catholic faith to be foreign in many cultures across the globe including, North African countries and Japan. In Tiv society of central Nigeria too, Catholicism is yet to take concrete root. </p><p> Building on the worship experiences of educated emerging adult Catholics in institutions of higher education in Tivland, this dissertation uses the circle method and other related contextual approaches to contextualize Catholicism in Tiv culture. The data gathered from participant observation, one-on-one interviews, and focus groups discussions was narrowed to what most connects emerging adults with Catholic worship, and what the Catholic Church needs to know about them. The data revealed a constantly recurring notion of unappealing worship and inadequate catechesis on core doctrines. One way to connect their experiences of worship is by synthesizing cultural symbols with Catholic worship symbols. </p><p> Community formations, intensive catechesis, and service to the church are the three practical strategies that can synthesize faith and culture and ground the Catholic Church in Tiv culture. Pious organizations that bring emerging adults together as community will serve as forum to adequately catechize them by synthesizing Catholic symbols with cultural texts that are already familiar to them. This leads to a mutual enrichment of both Tiv cultural practices and Catholic worship symbols ultimately making emerging adults community theologians who can effectively articulating the faith to others including, those in rural communities.</p>

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IN THIS THESIS I ARGUE THAT DAVID HUME DEVELOPED A PHILOSOPHY OF RELIGION AS AN EMPRICIST AND A NATURALIST PHILOSOPHER, AND DEFENDED HIS PHILOSOPHY AGAINST THE RATIONALIST TRADITION.