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Aristopanes grandsons : the poetics of comedy and satire in the age of JonsonSteggle, Matthew January 1996 (has links)
No description available.
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Marsile Ficin et le Parménide de Platon. Édition critique, traduction et perspective de l’In ParmenidemVanhaelen, Maude 24 February 2005 (has links)
édition critique du commentaire au Parménide de l'humaniste Marsile Ficin, avec traduction française annotée et introduction
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Shakespeare and the ethics of honourArcher, M. G. January 1986 (has links)
No description available.
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The government faction in the Florentine state, 1380-1512Milner, Stephen John January 1997 (has links)
No description available.
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Private collectors in Mantua, 1500-1630Rebecchini, Guido January 2000 (has links)
No description available.
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The concept of the hidden God in the works of Montaigne and CharronRigge, Emily Kate January 1999 (has links)
No description available.
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The concept of discovery in witchcraft and the theatre in early modern EnglandFrampton, Saul January 1995 (has links)
No description available.
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Callimachus' book of IambiKerkhecker, Arnd January 1997 (has links)
No description available.
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Artistic Interest in the Life of Alexander the Great During the Italian RenaissanceFisher, ALLISON 17 April 2013 (has links)
Alexander the Great (356-323 BCE) was the king of Macedon and one of the greatest military commanders in the ancient world. Before his death at the age of thirty-three, Alexander had conquered Greece, the Persian Empire, and northern India. Alexander provided a model of a secular ruler for leaders in medieval and Renaissance Europe. Furthermore, with the revival of antique culture during the Renaissance, the life of Alexander became a favourite classical subject in art and literature. My thesis seeks to examine the artistic interest in the life of Alexander during the Italian Renaissance. During the late Middle Ages and the Renaissance, artists portrayed episodes from the life of Alexander for elite patrons, who commissioned monumental frescoes and panel-paintings, along with pieces of maiolica pottery, tapestry and sculpture for use in the rituals of court life. While Alexander represented a model of secular authority for the patron, he was also intrinsically linked with art. Alexander's court artists, particularly Apelles, had a legacy that was eagerly emulated by modern artists.
This thesis begins by tracing the long literary tradition of Alexander. Accounts by ancient authors, medieval romances, and new humanist texts all informed the production of images of the ancient king. I will explore the earliest representations of Alexander influenced by the humanist themes of uomini famosi and Petrarch's I Trionfi, followed by the reception and the appeal of portraits of Alexander created by Andrea del Verrocchio, Valerio Belli, and Giulio Romano. I will argue that, based on evidence in the form of drawings, Raphael had life-long artistic interest in Alexander, and many of his designs were adapted by other artists, including a fresco by Sodoma at the Villa Farnesina, and finely decorated maiolica pottery. Finally, I will consider the monumental cycles of frescoes executed by artists for patrons, who had a profound personal connection to the ancient monarch. While the artistic interest in the life of Alexander seems to derive from the fact that he was an all'antica subject, as I will demonstrate throughout this thesis, this interest took many forms for patrons, artists, and viewers. / Thesis (Ph.D, Art History) -- Queen's University, 2013-04-17 11:47:31.549
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A systematic investigation of the variation technique as it appears in the secular song variation of the English Virginal School from 1590-1621McCarthy, Sister Margaret William January 1965 (has links)
Thesis (D.M.A.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-01
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