Made available in DSpace on 2014-12-17T14:20:02Z (GMT). No. of bitstreams: 1 ThalitaCS_DISSERT.pdf: 2041725 bytes, checksum: fed75b5a12491da0a82a40fabe724138 (MD5) Previous issue date: 2011-04-01 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This dissertaion reflects about life's trajectory of a specific clown: Roger Avanzi, who gives animus to the clown Picolino II. The main objective is to promove reflections about the insertion of the clowns in the universe of the circus, to make us comprehend the process of formation of a clown formed in a traditional circus family. In this research, we begin of the conjecture that, through the individual memory we can think about rebuild the process of a professional's integral formation.Then, we trace the itinerary of Roger Avanzi, the clown Picolino II, think that it has possibilities, in this case, to discuss about what is a clown's formation when it come from a traditional circus family. To walk on this universe, a huge numer of authors that deeply studyed about the circus ans the clowns, like: Avanzi; Tamaoki (2004), Bolognesi (2003), Castro (2005), Pantano (2007), Ruiz (1987), Silva (1997) e Torres (1998). We bring then, a theoric base that certainly, fortifies and corroborates our thoughts and reflections about the universe of circus and the trajectory of clown's formation, with special atention to Roger Avanzi, fundamentals i studies about it and with memories like Halbwachs's (2004) and Bosi's (1994). The reflections enabled to conclude that a clown doesn't born done; it becomes in the cultural trajectory, in which all the human are inserted / Reflete-se, nesta disserta??o, sobre a trajet?ria de vida de um determinado palha?o: Roger Avanzi, que d? animus ao palha?o Picolino II. O objetivo principal ? promover reflex?es sobre a inser??o do palha?o no universo circense para compreendermos o processo de forma??o de um palha?o formado em uma fam?lia tradicional circense. Nesta pesquisa, partimos do pressuposto de que, atrav?s da utiliza??o da mem?ria individual podemos pensar em reconstruir o processo de forma??o integral de um profissional. Assim, tra?amos o itiner?rio de Roger Avanzi, o palha?o Picolino II, pensando que h? possibilidades, neste, de discutirmos o que ? a forma??o de um palha?o vindo de fam?lia tradicional circense. Para caminhar nesse universo, a uma gama de autores que estudaram profundamente sobre o circo e os palha?os, entre esses: Avanzi; Tamaoki (2004), Bolognesi (2003), Castro (2005), Pantano (2007), Ruiz (1987), Silva (1997) e Torres (1998). Trazemos assim, uma base te?rica que certamente, fortalece e corrobora nossos pensamentos e reflex?es acerca do universo circense e da trajet?ria de forma??o dos palha?os, com especial aten??o a de Roger Avanzi, fundamentados em estudos sobre e com mem?rias como os de Halbwachs (2004) e Bosi (1994). As reflex?es possibilitaram concluir que um palha?o n?o nasce feito; ele se faz na trajet?ria cultural, na qual est?o inseridos todos os seres humanos