Texte remanié de: Th. Ph. D.--History--University of London, 1993. / Bibliogr. p. 207-230. Index.

Texte remanié de: Diss.--Berlin--Technische Universität, 1991. / Bibliogr. p. 147-151.

This paper is an examination of how much of a military and diplomatic threat Mithridates VI Eupator of Pontus truly posed to the Roman Republic during the Mithridatic Wars from 88-63 BC. This question was posed due to the seeming disconnect between how Mithridates is portrayed in primary sources compared to the results of his military encounters with the Romans. This examination was performed with the use of numerous primary sources from the time period as well as secondary, scholarly sources pertaining to the motivations and actions of both Mithridates and contemporary Roman personages. The conclusion arrived at was that Mithridates was portrayed by Roman historians as being far more imposing than he truly was, which is supported by his lack of military success against the armies of Rome in their encounters. The reasons for his are Mithridates being used as a means for political ascension within the Roman social sphere by characters such as Sulla, Lucullus, and Pompey. Thus this paper examines how propaganda and political ambition can result in exaggerations and incomplete information being presented in historical accounts.

This thesis examines the development of the cult of the Dioscuri in Rome from the mid-Republic to the end of the Julio-Claudian dynasty. This was a period of great political and social upheaval and of religious change. Through a detailed examination of the cult of the Dioscuri, I trace how the cult developed and adapted in conjunction with religious, political and cultural changes within Roman society. I furthermore examine how the cult changed and explore the reasons why those changes occurred at that time and in that place. Chapter One surveys the two temples of Castor and Pollux in Rome, focusing in particular on their temple in the Roman Forum. Using archaeological and literary evidence, I argue that this temple was a central stage for many of the pivotal events and speeches of the late Republic. Chapter Two examines the epiphanies of the Dioscuri, most commonly associated with battles and their aftermath, although later appearing to commemorate the deaths of prominent individuals such as Julius Caesar and Drusus the Elder. I examine how the epiphanic tradition of the Dioscuri changed over time and ask why it was these gods in particular who rode to aid Rome. Chapter Three turns to exploring the relationships Castor and Pollux were said to possess with groups in Roman society, in particular horsemen, boxers and sailors. I examine how these relationships were formed and publicised and how they benefitted both the mortals and the gods. Chapter Four explores how a different aspect of the Dioscuri became prominent in the imperial period: their fraternal harmony. Castor and Pollux were linked to and compared with pairs of potential imperial successors. I explore the purposes of this comparison and how apt it was for the different pairings. Throughout this thesis, I examine some of the most prominent aspects of the cult of the Dioscuri in Rome within the wider context of history, culture and politics, arguing that the cult was a fully integrated part of Roman society as a whole.

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Despite their many successes, Roman leaders continually struggled with indiscipline in their own ranks as they battled Rome's opponents. Desertion and defection were steps that soldiers often undertook to avoid their obligated service. Previous scholarship has largely overlooked this aspect of Roman warfare. This dissertation analyzes why Roman soldiers began turning to desertion and defection throughout the Republican period. Such cases were generally rare in early Rome, but the expanding responsibilities and hardships of warfare in the Middle Republic caused them to rise, as did the sizeable growth of the Roman community. The civil wars of the Late Republic saw especially high cases of such acts, as generals incentivized defections in their opponents ranks. Roman desertion was not unique, but a common occurrence in ancient warfare. This dissertation also addresses how Romans capitalized on desertion and defection in warfare. The Second Punic War offers an example of how Rome achieved victory by encouraging defection in its enemy's alliances. Romans also relied heavily on defectors as a source of intelligence and as a tool in siege warfare. The moral forces of commitment, discipline, dissatisfaction, and desertion were often as important as the tactics and technologies of the participants in Rome's wars.

Venus is one of the most famous goddesses of the Roman pantheon, known for her grace and beauty. Her likeness was recreated countless times in a variety of different media. She was depicted in many ways on coinage, and was called several different names by the inscriptions: Venus Genetrix, Venus Felix, and Venus Victrix. By studying the whole collection of coins of Venus from the late Republican period through AD 192, it is possible to gain an understanding of how depiction of the goddess corresponded to the title she was given on that coin. Using that information, one can then determine which aspect of Venus is represented in unlabelled images of her. Similarly, the data can be used to critique scholarly opinions on the original appearances of the lost cult statues of Venus Genetrix, Felix, and Victrix. There is a fair bit of overlap between the attributes of Venus Genetrix and Felix, as they share the common image of the goddess holding an apple. However, depictions of the deity holding an infant or unveiling herself are unique to Venus Genetrix, and images of birds are not seen on coins with epithets other than Venus Felix. Venus Victrix is the only aspect of the goddess to be shown with Mars on coinage, although this happens only rarely. Otherwise, she can be difficult to differentiate from other aspects of Venus. With observations such as these and others in mind, scholarly suggestions about the appearances of the lost cult statues seem less credible, and more open for debate. / Thesis / Master of Arts (MA)

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