Made available in DSpace on 2015-04-14T13:38:12Z (GMT). No. of bitstreams: 1 422274.pdf: 667354 bytes, checksum: 592530d342629a3f115fd00e3745a117 (MD5) Previous issue date: 2010-01-15 / Estudo comparativo entre a mat?ria recordada na obra As pequenas mem?rias, de Jos? Saramago e a ficcionaliza??o dessas viv?ncias no corpus de romances estabelecido pelo pr?prio autor, no livro memorial?stico, qual seja: Manual de pintura e caligrafia, Memorial do convento, O Evangelho segundo Jesus Cristo, Ensaio sobre a cegueira e Todos os nomes. O di?logo entre temas, viv?ncias e personagens recordados nas mem?rias e sua transposi??o para as obras ficcionais pretende averiguar como o vivido, recordado no texto memorial?stico, serviu de mat?ria liter?ria para os romances do escritor.

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-06-22T11:35:10Z No. of bitstreams: 1 470866 - Texto Completo.pdf: 666608 bytes, checksum: 0c9925996c08502af32c7c49c5bab464 (MD5) / Made available in DSpace on 2015-06-22T11:35:11Z (GMT). No. of bitstreams: 1 470866 - Texto Completo.pdf: 666608 bytes, checksum: 0c9925996c08502af32c7c49c5bab464 (MD5) Previous issue date: 2015-01-08 / This paper aims to analyze the Devil and its representation in the novels The gospel according to Jesus Christ, by Jos? Saramago, and Blank Gaze, by Jos? Lu?s Peixoto, and, thus, profile the Dark Lord according to the view of the Portuguese literature. In order to do so some considerations are presented about the concept of the Devil?s image in the western culture. The paper also discusses the relationship between Satan?s image created by religion and the one developed in literature, focusing mainly in the Portuguese novels. Through comparison of the devilish characters of each narrative, it is performed an analysis of the character ?devil? and Shepherd and their relation with man, God and the narrative itself, for the Devil is, more than ever, the Father of Lies. / O presente trabalho tem como objetivo analisar o Diabo em suas representa??es nos romances O Evangelho segundo Jesus Cristo, de Jos? Saramago, e Nenhum Olhar, de Jos? Lu?s Peixoto, e, assim, tra?ar um perfil do Pr?ncipe das Trevas conforme a vis?o da literatura portuguesa contempor?nea. Para a realiza??o disto, s?o apresentadas algumas considera??es a respeito da conceitua??o da figura do Diabo no imagin?rio ocidental. Tamb?m ? abordada a rela??o entre a imagem de Sat? constru?da pela religi?o e a desenvolvida pela literatura, contemplando principalmente as obras portuguesas. A partir da compara??o entre as personagens diab?licas de cada narrativa, ? feita a an?lise das personagens ?dem?nio? e Pastor e suas rela??es com o homem, com Deus e com a pr?pria fic??o, pois o Diabo ?, mais do que nunca, o Pai da Mentira.

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-05-19T12:53:08Z No. of bitstreams: 1 468838 - Texto Completo.pdf: 1065857 bytes, checksum: 3976f654668076f919d14ab1994d23b6 (MD5) / Made available in DSpace on 2015-05-19T12:53:08Z (GMT). No. of bitstreams: 1 468838 - Texto Completo.pdf: 1065857 bytes, checksum: 3976f654668076f919d14ab1994d23b6 (MD5) Previous issue date: 2015-03-21 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This study aims to define the Jos? Saramago?s autobiographical space by identifying the expression of subjectivity present in his chronicles, his memoir (confessional literature) and his novels (fictional literature) of the portuguese writer. The analysis of the texts that make up the corpus has privileged, from each one of the texts, which can be related with three themes: man/ideology, man/past and man/literature. Based on the theoretical formulations, especially the one?s by Paul Ricoeur and Javier del Prado Biezma, this study demonstrates the identification of recurrent thematic fields in the narrative and structural marks left by the Self in the texts. These aspects made it possible to trace the presence of the subject that is expressed through writing and also the definition of a Saramago?s autobiographical space. / O presente estudo buscou delimitar o espa?o autobiogr?fico de Jos? Saramago atrav?s da identifica??o da manifesta??o da subjetividade presente em suas cr?nicas, seu livro de mem?rias (literatura confessional) e seus romances (literatura ficcional). A an?lise dos textos que comp?em o corpus privilegiou passagens de cada uma das obras, relacionadas com tr?s n?cleos tem?ticos que nortearam o trabalho: homem/ideologia, homem/passado e homem/literatura. Com base, especialmente, nas formula??es te?ricas de Paul Ricoeur e Javier del Prado Biezma, o estudo identificou campos tem?ticos recorrentes nas narrativas e marcas estruturais deixadas pelo Eu nos textos. Esses aspectos possibilitaram o rastreamento da presen?a do sujeito que se expressa atrav?s da escrita e, assim, a defini??o de um espa?o autobiogr?fico saramaguiano.

Made available in DSpace on 2015-04-14T13:39:15Z (GMT). No. of bitstreams: 1 460557.pdf: 1839798 bytes, checksum: 4d9851d6ef5817f9ab62d6205b1f05c1 (MD5) Previous issue date: 2013-03-26 / This thesis aims at investigating the fictionalization of death in four contemporary Portuguese novels : Apari??o, by Verg?lio Ferreira; Louren?o ? nome de jogral, by Fernanda Botelho; O triunfo da morte, by Augusto Abelaira; and As intermit?ncias da morte de Jos? Saramago. These novels were analyzed according to the concept of death proposed by the philosophical studies of Martin Heiddeger, Jean-Paul Sartre, Edgar Morin, Georges Bataille, Jean Baudrillard and Maurice Blanchot among others, as well as mythic, iconographic and historical aspects of the representation of death according to the studies of Phillipe Ari?s and Johan Huizinga. Some theories of Narratology were also used in order to understand the complex relation and representation of death in Literature. / O presente estudo investiga a ficcionaliza??o da morte em quatro romances da literatura portuguesa contempor?nea. S?o essas obras Apari??o de Verg?lio Ferreira, Louren?o ? nome de jogral de Fernanda Botelho, O triunfo da morte de Augusto Abelaira e As intermit?ncias da morte de Jos? Saramago. Para o estudo e an?lise dessas obras desenvolveu-se pesquisa em torno do conceito de morte estabelecido pela filosofia contempor?nea, atrav?s das teorias de Martin Heiddeger, Jean-Paul Sartre, Edgar Morin, Georges Bataille, Jean Baudrillard, Maurice Blanchot entre outros; assim como aspectos m?ticos, iconogr?ficos e hist?ricos da representa??o da morte a partir dos estudos de Phillipe Ari?s e Johan Huizinga. Associamos a esse material filos?fico e hist?rico conhecimentos da narratologia que nos permitiram entender a complexa rela??o e representa??o da morte no ?mbito da literatura.