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Social change and alienation in KuwaitAl-najadah, A. F. Al-fozan January 1989 (has links)
This thesis considers the nature and impact of social change on Kuwaiti Society. It begins by giving a detailed account of the origins of Kuwait Society and its economic, political and social structure before the exploitation of the country's enormous oil resources. This is followed by an equally detailed discussion of the changes in the economic, political and social structure that followed the development of the oil resources. Finally, in the first section, the major changes are outlined and the question is posed as to what effect these changes are likely to have on the values and attitudes of the population of the country. The second section begins with a consideration of some of the problems of measuring potential alienation in a society such as Kuwait and reviews some of the major problems of isolating and defining the relevant concepts. The general conclusion is that the micro-social psychological approach to the problem adopted by American social psychologists in the 1960's is the more fruitful way forward. Using the scales of Struening and Richardson levels of alienation in Kuwait are then measured and the results given. Finally, by the application of new scales specifically developed for this study the major dimensions of alienation are related to the particularities of the social structure of modern Kuwait. The conclusion considers the problems of mounting such an investigation in Kuwait, the substantive findings of the study and it indicates future research possibilities.
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SATOR / AREPO / TENET / OPERA / ROTASGiesa, Aaron 11 July 2016 (has links)
This collection represents work produced between September of 2014 and April of 2016. These are poems about structure. Or about difference. Or about love. Or they are an attempt to decipher what it can feel like in 2016, in the lonelinesses and in the solidarities that emerge in the apparent collapse of utopian possibility, in the efforts at its reconstruction, and in the search for the next rupture.
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Islamism between accommodation and insurgency : a political process explanation of Islamist strategies in Algeria and EgyptHafez, Mohammed M. January 2000 (has links)
No description available.
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From Gàidhealtachd community to shared spaceBuchanan, Joni January 2015 (has links)
This thesis explores the nature and impacts of social change in a remote rural, island area within the Scottish Gaidhealtachd. It seeks to contribute to an in depth understanding of how the social and economic system of crofting, as well as the Gaelic culture which has related closely to it in such areas, has evolved over the past 40 years. The case study area of South Uig in the Isle of Lewis has low population numbers and offers an opportunity to study these processes of change in microcosm. Where appropriate, inferences can be drawn from the study which may contribute to the formulation of policy for similarly remote rural places and the fragile cultures which are integral to them.
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Social change and BredasdorpMeyer, Salomé Jeanette January 1988 (has links)
Bibliography: leaves 113-120. / The purpose of this study is to ascertain the effects of the Overberg Test and Evaluation Facility on a rural town. Bredasdorp, the town in question, up until the announcement of the proposed Overberg Test and Evaluation Facility had developed historically on the basis of the natural needs and requirements of a rural community. Bredasdorp thus, provided services and facilities for its and the surrounding population as a natural growth point and service-centre for complimentary economic activities - mainly of an agricultural nature. The introduction of the Overberg Test and Evaluation Facility impacted on the functioning of this local farming community. This study traces this social change on the various systems operating in the community. Specifically, this study looks on the areas of economic and social change as a result of demographic change in a community. It was hoped that the introduction of the Overberg Test and Evaluation Facility would have long-term influences on the character, make-up and functioning of Bredasdorp as a rural town. In-depth interviews were held with 30 old and new inhabitants of Bredasdorp to determine their attitudes with regard to the project as primary data. Documents such as census reports, Municipal and town planning reports, education related statistics, the Hey Committe report as well as official documents from Armscor were utilized for secondary data. Findings indicate that Bredasdorp experienced a demographic growth as a result of the introduction of the Overberg Test and Evaluation Facility. This demographic growth had a trickle-down effect on the infrastructure such as water reticulation, sewerage, housing, schools, business and community facilities. Adjustments were made by the various systems involved in the change process in order to accommodate the demographic change positively. The economic/militaristic development project at Bredasdorp can be seen as a positive influence on Bredasdorp and environs.
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The Yippies.: an inquiry into the concept of cultural revolution.Porcari, Joseph R. 01 January 1976 (has links) (PDF)
No description available.
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Conflict and consensus in American communities: agenda-setting as prelude to social change /Bolland, John Michael January 1979 (has links)
No description available.
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Transmigrants weaving a new American landscape /Copley, Alexandra, January 2008 (has links)
Thesis (M.F.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 64-65).
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Contextually Speaking: Tibetan Literary Discourse And Social Change In The People's Republic Of China (1980-2000)Hartley, Lauran R. January 2003 (has links)
This dissertation examines literary debates initiated by Tibetan writers and critics in the 1980s and 1990s within the context of a rapidly modernizing society. My broader project is to illustrate how intellectuals position themselves in the field of literary production regarding questions of innovation, the function of literature, periodization, linguistic idiom, and the relevance of Indic kāvya theory, which dominated Tibetan belles-lettres for nearly seven hundred years. What discursive strategies do critics use to stake their literary claims? From what conceptual structures do they draw? How do they effect or resist, and ultimately shape literary change?
This dissertation presents a cultural history centered on the concept of discursive formations, while also drawing on theoretical insights in sociology and literary criticism. After demonstrating how translation, publishing and educational activities of monastically trained scholars since the 1940s lay groundwork for the advent of a "New Tibetan Literature," I examine the subsequent development of modem Tibetan literary criticism, focusing on topics of sustained debate. While the bulk of my findings are based on a broad survey of Tibetan-medium literary criticism in the PRC, my selection of significant texts for close reading was informed by seventeen months of fieldwork in Qinghai and Gansu Provinces, and the Tibet Autonomous Region. My research illustrates how Tibetan literary and other journals provide a proxy public forum for intellectuals to negotiate Tibetan literature and culture. Key debates in the 1980s, during which kāvya principles continued to prevail, regarded the criteria for defining Tibetan literature, periodization and the emergence of free verse. By the mid-
1990s, however, free verse was commonplace and western literary theory more available A growing number of critics altogether rejected the kāvya model, suggesting instead that Tibet's literary roots lay in pre-Buddhist writings. An alternate response lay in the nascent formation of a modernist literary movement.
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Otse Mbaka, This is who we are: Cultural Loss, Change and Recuperation in OvambolandJanuary 2003 (has links)
This thesis is an investigation into the terms of cultural change in north central Namibia. I am primarily concerned with issues of agency in the processes which result in cultural change, and look at both historical and contemporary agents of change in order to determine who and what impacts cultural dynamism, and what implications this has for a newly independent country within a globalised world. These issues are presented through the lenses of Identity, Power and Politics and Globalisation. In this thesis, I posit that traditionally, Ovambo people have not been empowered in decisions regarding cultural change, which has resulted in a sense of cultural 'loss'. This sense exists within the context of culture being seen as strongly associated with the past - past practices, activities, traditions and customs, as well as early development theory which insisted that such things were indicative of a backward and primitive society at odds with the principles of modernisation. In order to progress, such practices were, with and without reticence, abandoned or changed. Contemporary Ovamboland, however, represents a dynamic cultural mélange of traditional and modern life, which co-exist whilst negotiating issues such as the impact of HIV/AIDS and neo-liberal style of post-independence democracy. Therefore, by investigating the cultural shortfall in traditional development theory, and using examples of different forms of cultural development, I suggest that when culture is seen as an important consideration of development, as well as supported as a field of development in its own right, cultural identity becomes clearer, and cultural futures are determined more democratically. In order to demonstrate these ideas, I am drawing from a number of case studies in which I was professionally involved, as well as through interviews conducted in the field. By presenting the differing agendas of international engagement in development work as well as different types of cultural development projects, I will highlight the complexities of development theory in practice, particularly when capital is involved, and how these relate to the wider issues of cultural preservation versus cultural change. / This thesis is an investigation into the terms of cultural change in north central Namibia. I am primarily concerned with issues of agency in the processes which result in cultural change, and look at both historical and contemporary agents of change in order to determine who and what impacts cultural dynamism, and what implications this has for a newly independent country within a globalised world. These issues are presented through the lenses of Identity, Power and Politics and Globalisation. In this thesis, I posit that traditionally, Ovambo people have not been empowered in decisions regarding cultural change, which has resulted in a sense of cultural 'loss'. This sense exists within the context of culture being seen as strongly associated with the past - past practices, activities, traditions and customs, as well as early development theory which insisted that such things were indicative of a backward and primitive society at odds with the principles of modernisation. In order to progress, such practices were, with and without reticence, abandoned or changed. Contemporary Ovamboland, however, represents a dynamic cultural mélange of traditional and modern life, which co-exist whilst negotiating issues such as the impact of HIV/AIDS and neo-liberal style of post-independence democracy. Therefore, by investigating the cultural shortfall in traditional development theory, and using examples of different forms of cultural development, I suggest that when culture is seen as an important consideration of development, as well as supported as a field of development in its own right, cultural identity becomes clearer, and cultural futures are determined more democratically. In order to demonstrate these ideas, I am drawing from a number of case studies in which I was professionally involved, as well as through interviews conducted in the field. By presenting the differing agendas of international engagement in development work as well as different types of cultural development projects, I will highlight the complexities of development theory in practice, particularly when capital is involved, and how these relate to the wider issues of cultural preservation versus cultural change.
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