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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Hong Sang-soo, un cinéma de la croyance : continuités, discontinuités, conflits d’images et mutation des personnages / Hong Sang-soo, a cinema of belief : continuities, discontinuities, conflict of images and characters’mutation

Lefebvre, Romain 24 November 2017 (has links)
Notre thèse propose une vision d’ensemble de l’oeuvre d’Hong Sang-soo, à partir du postulat qu’ilexiste une affinité particulière entre les images de cinéma et la pensée. Ce postulat s’accorde au projet d’Hong Sang-sooqui cherche par ses films à modifier les habitudes de penser et à lutter contre les illusions.Nous organisons notre parcours autour du problème de la « croyance », qui renvoie chez Gilles Deleuze à lapossibilité pour l’homme de se relier au monde après une rupture de l’unité, et nous permet d’articuler l’analyse desimages, une approche philosophique et l’existence des personnages. En étudiant la construction des récits et à l’usage decertains procédés formels comme la répétition ou des effets de dédoublement, notre travail met en évidence la façondont l’oeuvre produit l’image d’un monde discontinu et des conceptions de la mort, du temps, de l’identité, du possibleet de la réalité propres à Hong Sang-soo. Une dramaturgie souterraine émerge de nos analyses : un conflit d’ « imagesde pensée », une tension entre continuité et discontinuité qui se joue à la fois à l’intérieur des films, dans l’existence despersonnages, et entre les films et un spectateur.En construisant une lecture cohérente du cinéma d’Hong Sang-soo, nous voulons souligner sa dimension critique. Alors que la critique le réduit trop souvent au thème des relations sentimentales, nous montrons que tout ce qui se jouesur le terrain sentimental implique un enjeu mental. Nous voulons également souligner le fait que le cinéma d’HongSang-soo, à partir d’une perte des croyances traditionnelles, porte en lui une issue positive, la mise en jeu de nouvellescapacités et l’affirmation de nouvelles valeurs (la différence contre la ressemblance, l’instant contre le prolongement, lanouveauté contre la reproduction, etc.), et fait lui-même appel à une perspective évaluatrice. / Our thesis proposes a comprehensive view of Hong Sang-soo’s work, from the assumption that thereis a special affinity between cinema images and thought. This assumption agrees with Hong Sang-soo’s project, whichis to modify habits of thoughts and to struggle against illusions through movies.We build our run around the problem of « belief », which refer according to Gilles Deleuze to the possibility forman to connect himself again to the world after a breaking of unity, and allows us to articulate image analysis,philosophical approach and the characters existences. By studying narrative structures and the use of some formalprocesses such as repetition or undoubling effects, we highlight the production of a discontinuous world by the imagesand conceptions of death, time, identity, possible and reality that are specific to Hong Sang-soo. An hidden plot emergesfrom our analysis : a conflict between « images of thought », a tension between continuity and discontinuity that takesplace both inside movies, within the characters existences, and between movies and a spectator.By building a coherent lecture of Hong Sang-soo’s cinema, we want to emphasize his critical implications. Whencritical reception too often confines him to the topic of sentimental relationships, we show that everything that takesplace on the sentimental field involves a mental stake. We also mean to underline that Hong Sang-soo’s cinema, fromthe loss of traditional beliefs, bears within himself a positive outcome, bringing into play new capacities and anaffirmation of new values (difference againt resemblance, instant against prolongation, novelty against reproduction,etc.), and appeals to an evaluative perspective.
2

Combining Legacy Modernization Approaches For OO and SOA

Tahlawi, Lubna 10 January 2012 (has links)
Organizations with older legacy systems face a number of challenges, including obsolescent technologies, brittle software, integrating with modern applications, and rarity of properly skilled human resources. An increasingly common strategy for addressing such challenges is application modernization, which transforms legacy applications into (a) newer object-oriented programming languages, and (b) modern Service-Oriented Architecture (SOA). Published approaches to legacy application modernization focus either on technology transformation or SOA transformation, but not both. Given that both types of transformation are desirable, it is valuable to explore how to combine existing approaches to perform both transformations types within a single project. This thesis proposes principles for combining such approaches, and demonstrates how these principles can be applied through an example of a combined approach along with a simulated application of this example. The results of this simulated application leave us with considerable confidence that both transformations can be successfully incorporated into a combined project.
3

Korean border-crossing artists in the New York artworld an examination of the artistic, personal, and social identities of Do-Ho Suh, Kimsooja, and Ik-Joong Kang /

Kho, Esther Eunsil. Anderson, Tom, January 2006 (has links)
Thesis (Ph. D.)--Florida State University, 2006. / Advisor: Tom Anderson, Florida State University, College of Visual Arts, Theatre and Dance, Dept. of Art Education. Title and description from dissertation home page (viewed June 9, 2006). Document formatted into pages; contains xii, 252 pages. Includes bibliographical references.

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