Submitted by PPG Letras (letraspg@pucrs.br) on 2018-05-07T12:27:20Z No. of bitstreams: 1 Disserta??o_Matheus Menezes Mar?al.pdf: 1116329 bytes, checksum: 4c18bd23289cfc5dd3bbed56c08b10d1 (MD5) / Approved for entry into archive by Caroline Xavier (caroline.xavier@pucrs.br) on 2018-05-15T16:39:09Z (GMT) No. of bitstreams: 1 Disserta??o_Matheus Menezes Mar?al.pdf: 1116329 bytes, checksum: 4c18bd23289cfc5dd3bbed56c08b10d1 (MD5) / Made available in DSpace on 2018-05-15T16:42:12Z (GMT). No. of bitstreams: 1 Disserta??o_Matheus Menezes Mar?al.pdf: 1116329 bytes, checksum: 4c18bd23289cfc5dd3bbed56c08b10d1 (MD5) Previous issue date: 2018-01-10 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / All kinds of knowledge are constructed from a locality and a culture, it is impossible to build a text outside a culture as it is impossible for a theory to exist above it?s object/subject of analysis and to reflect impartially on it. The concept of poetry, like all art concepts, is also connected with a specific space-time. In the present work, we analyze the poems of the authors Cristiane Sobral, Jennyfer Nascimento and L?via Nat?lia, writers who assume and do not disguise, through their statements, the space-time from where their games with the poetic words are from. The task of highligtning these authors as producers of afro-brazilian literature (ALVES, 2010; CUTI, 2010; PEREIRA, 2010), in counterpoint to hegemonically white brazilian literature (CUTI, 2011; ROMERO, 1886; ROMERO, 1953; DELCASTAGN?, 2005;), will allow the understanding of two processes. The first one confirms that the existence of afro-brazilian literature denounces the theoretical problems established by literary historiography and by social theory about the black population, which have always reinforced anti-black institutional racism; the second process confirms that it is possible, and necessary, to theorize about afro-brazilian literature from the knowledge of black men and black women from diaspora and from Africa (FREITAS, 2016; GOMES, 2008; LUZ, 2000; THEODORO, 1996). Through the analysis of the poems of these three poets, using as foundation the theories of black feminism (BAIRROS, 2014, hooks, 1995, KILOMBA, 2016; THEODORO, 2008), of the literary reflections of black authorship and of the african matrix, it is possible to demonstrate how poetics play with these knowledges and transform it into poetry. / Todo tipo de conhecimento se constr?i a partir de uma localidade e de uma cultura, n?o existem textos fora da cultura assim como n?o existe uma teoria que sobrevoa o seu objeto/sujeito de an?lise e reflete imparcialmente sobre ele. O conceito de poesia, como todos os conceitos de arte, est? conectado, tamb?m, com um espa?o-tempo espec?fico. No presente trabalho, ser?o analisados poemas das autoras Cristiane Sobral, Jennyfer Nascimento e L?via Nat?lia, tr?s escritoras negras que assumem e n?o disfar?am, por meio de seus enunciados, o espa?o-tempo do qual seus jogos com a palavra po?tica prov?m. Destacar as autoras como produtoras de literatura negra (ALVES, 2010; CUTI, 2010; PEREIRA, 2010) em contraponto ? literatura brasileira hegemonicamente branca (CUTI, 2011; ROMERO, 1886; ROMERO, 1953; DELCASTAGN?, 2005;) permitir? que sejam compreendidos dois processos. O primeiro confirma que a exist?ncia da literatura negra denuncia os problemas te?ricos estabelecidos pela historiografia liter?ria e pela teoria social sobre a popula??o negra, que sempre refor?aram o racismo institucional anti-negros; o segundo processo confirma que ? poss?vel, e necess?rio, teorizar sobre a literatura negra a partir dos conhecimentos produzidos por negras e negros da di?spora e de ?frica (FREITAS, 2016; GOMES, 2008; LUZ, 2000; THEODORO, 1996;. Atrav?s da an?lise dos poemas das tr?s poetas, utilizando como aporte o feminismo negro (BAIRROS, 2014; hooks, 1995; KILOMBA, 2016; THEODORO, 2008), as reflex?es liter?rias de autoria negra e os saberes de matriz-africana, demonstrar-se-? de que forma as po?ticas jogam com esses saberes e os transformam em poesia.