This research examined a single bulb-bearing edible plant species, yellow glacier lily (Erythronium grandiflorum ). Three main approaches to the research were taken: 1) an ecological study, to determine the general habitat requirements of the species in western Canada, and to investigate the nature of vegetative reproduction in the species; 2) an ethnobotanical study, consisting of an extensive literature search for all recorded First Nations' uses of the species (in Canada and elsewhere), in addition to interviews with contemporary Interior Salish elders; 3) a nutritional study, examining in detail the nutritional characteristics of the bulbs, and particularly changes in the carbohydrate content over the course of the growing season and with different types of treatments. The ecological data indicate that E. grandiflorum is more abundant in meadow environments or sites with deciduous cover than in sites with coniferous forest cover. Flowering plants tended to be more abundant and robust at low elevation meadows, while seedlings and juveniles were disproportionately represented at high elevation meadows. Decreased juvenile success in the low-elevation meadows may be related to relatively high litter from shrubs and grasses. Experimental data indicate that appendages on the bulbs, which persist as remnants of previous years' bulbs, can act as vegetative propagules if mechanically separated. In addition, both bulbs and appendages were successfully transplanted over a two-year period from a subalpine meadow to a very different habitat type, 1500 m lower in elevation. The ethnobotanical review confirms that the species was traditionally a highly significant root resource for northern plateau peoples, particularly the Secwepemc and Nlaka'pamux peoples, for probably thou.sands of years. These peoples collected, stored, and traded large quantities of the bulbs, and the traditional processing strategies generally included drying and pit-cooking. People developed a detailed ecological understanding of the species, and practiced active resource management strategies. Nutritional results indicated a carbohydrate-rich food resource, with the main storage carbohydrate consisting of starch (not inulin or other fructan) through most of the growing season. There are significant quantities of sugars (including fructo-oligosaccharides) present at the beginning of the growing season, but starch increases rapidly and peaks (along with overall food value) in the early (green) fruit stage of growth. For bulbs at the fruiting stage, drying markedly increases sugars in the bulbs relative to starch, while pit-cooking the dried bulbs does not have significant effects on relative amounts of carbohydrates. However, pit-cooking has important qualitative effects on the appearance, taste, and possibly storage properties of the bulbs, as well as representing an efficient processing strategy. I argue that traditional harvesting and management strategies practiced by First Nations people (including tilling, thinning, replanting of appendages, and landscape burning) mean that the ecology and ethnobotany of the species cannot be considered in isolation. Based on previous ecological and ethnoecological work on this and similar species, it seems likely that yellow glacier lily is adapted to a periodic, moderate disturbance regime, which traditional practices may have mimicked or enhanced. / Graduate

In 2001, Cowichan Tribes successfully negotiated the protection of an important cultural landscape, preventing imminent logging and development through a treaty-related measures (TRM) agreement with British Columbia (BC), Canada and the Hul’qumi’num Treaty Group (HTG). This was the first land protection TRM in BC which protected 1700 hectares at Hw’teshutsun, located in the Cowichan Valley on southeast Vancouver Island, BC. The TRM followed the declaration of a “tribal preserve” by Cowichan Tribes (Cowichan Tribes, 2000a) and a ceremony between five Hul’q’umi’num’-speaking communities to share, “protect, preserve and maintain Hw’te shutsun for the use and benefit of present and future generations” (Cowichan Tribes, Stz’uminus First Nation, Halalt First Nation, Lyackson First Nation and Penelakut Tribe 2000). This protection TRM is notable as it is an exercise of provincial jurisdiction which attends to the cultural, rather than ecological, value of Hw’teshutsun: legislative actions undertaken through the TRM protect Hw’teshutsun in accordance with Hul’q’umi’num’ teachings. In effect, the TRM is an entanglement of Hul’q’umi’num’ and Canadian law which has resulted in the protection of an off-reserve Hul’q’umi’num’ cultural landscape – a green, forested area observable in satellite imagery amidst a territory that is over 85% privately owned and devastated by logging and urban development. In such a context, the work done by Cowichan Tribes leadership is a significant achievement, a successful assertion of their jurisdiction to protect a Hul’q’umi’num’ cultural landscape in accordance with their teachings. This thesis documents the work done by Cowichan Tribes in asserting their authority and jurisdiction at Hw’teshutsun through both their own legal pathways and in relation to municipal, provincial and federal governments to prevent logging and the construction of a dump and a race car track. Teachings shared by Cowichan Elders and knowledge keepers about Hw’teshutsun stem from an intimate knowledge of “place” (for examples of intimate relationships with place, see Basso 1996; Mohs 1994; Thom 2017; Charlton 2018; Thornton 2008), which is reflected in Hul’q’umi’num’ law (Morales 2014; McLay et al. 2008; Morales and Thom 2020). Through extensive work by Cowichan Tribes leadership, teachings about the integrity of the landscape – particularly quiet and seclusion around places within Hw’teshutsun – shaped exercises of provincial jurisdiction, protecting a large area through rather than typical mitigation strategies that seek to shrink Indigenous peoples’ relationships with the land to tiny, isolated sites. Understanding these legal entanglements opens possibilities for innovative governance that attends to Indigenous peoples’ teachings of places and their enactments of their own laws shaping the governance of shared landscapes. / Graduate

Landscape is a medium of expression and a reflection of the beliefs of the people who inhabit it. It carries symbolic meanings that emerge from the values by which people define themselves; values grounded in culture. These symbols stem from elements of the natural environment, stories passed on through generations, or from experiences interacting with others. The indigenous peoples of Canada have a culture rich in traditional art, ceremony, and sustainable development and holistic integration of landscape. Contemporary First Nation culture draws from this past to inform the future. This phenomenon exemplifies the necessity for cultural expression in First Nation landscapes of today. The Semiahmoo First Nation in Lower Mainland British Columbia is a Coast Salish group occupying approximately 380 acres of land on the Pacific coastline. River and estuarine habitats, significant species richness and dense vegetation characterize the area and identify the primary motive for Semiahmoo traditional encampment on its shores. Changes in the past century have included colonial settlement to the region, periods of industrial and resource economies, a decrease in band population and subsequent decline in cultural practices. Current increasing recreation and development interests have created urgency for the reawakening of cultural expression in the landscape. Initial literature research about First Nations in Northwest Canada and a biophysical analysis provided introductory information, followed by community discussions which provided a deeper understanding of the people and of the place. A design vocabulary of traditional and contemporary elements was composed to guide and unify the program and spatial components of the design. The resulting design focuses on the public realm of the Reserve clearly defining Semiahmoo identity and sense of place. Land use issues were addressed and delineated public and private areas, ecological enhancements and displayed potential for growth on the site. The design respects the bicultural interface of the Reserve while providing cultural and environmental education. The First Nation value system possesses a tangible and spiritual quality; rooted in the creatures and elements of their surroundings. Expression of the Semiahmoo peoples' beliefs and values in the landscape enriches the experiential qualities of the place and reverence for its past and future.

Landscape is a medium of expression and a reflection of the beliefs of the people who inhabit it. It carries symbolic meanings that emerge from the values by which people define themselves; values grounded in culture. These symbols stem from elements of the natural environment, stories passed on through generations, or from experiences interacting with others. The indigenous peoples of Canada have a culture rich in traditional art, ceremony, and sustainable development and holistic integration of landscape. Contemporary First Nation culture draws from this past to inform the future. This phenomenon exemplifies the necessity for cultural expression in First Nation landscapes of today. The Semiahmoo First Nation in Lower Mainland British Columbia is a Coast Salish group occupying approximately 380 acres of land on the Pacific coastline. River and estuarine habitats, significant species richness and dense vegetation characterize the area and identify the primary motive for Semiahmoo traditional encampment on its shores. Changes in the past century have included colonial settlement to the region, periods of industrial and resource economies, a decrease in band population and subsequent decline in cultural practices. Current increasing recreation and development interests have created urgency for the reawakening of cultural expression in the landscape. Initial literature research about First Nations in Northwest Canada and a biophysical analysis provided introductory information, followed by community discussions which provided a deeper understanding of the people and of the place. A design vocabulary of traditional and contemporary elements was composed to guide and unify the program and spatial components of the design. The resulting design focuses on the public realm of the Reserve clearly defining Semiahmoo identity and sense of place. Land use issues were addressed and delineated public and private areas, ecological enhancements and displayed potential for growth on the site. The design respects the bicultural interface of the Reserve while providing cultural and environmental education. The First Nation value system possesses a tangible and spiritual quality; rooted in the creatures and elements of their surroundings. Expression of the Semiahmoo peoples' beliefs and values in the landscape enriches the experiential qualities of the place and reverence for its past and future. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

In 1997 the University of Victoria began to develop a vision for a First Peoples House with the objective of constructing a welcoming Coast Salish home on the university campus. This vision was realized in 2009 when the First Peoples House opened to the university community and public. Goals stemming from early discussions of a First Peoples House included a house that would support Indigenous culture, community events, and showcase Indigenous art. The First Peoples House represents a case study of how Indigenous artists and their material culture intersect with new Indigenous architecture. This paper is a supporting document to accompany a documentary film showcasing Indigenous artists and key players who participated in the development of the First Peoples House. The purpose of this paper and film is to document developmental stages of the First Peoples House that includes material culture—“art”—embedded within the architecture of the house. Nine interviews include the artistic vision of six artists whose work is represented in the house, and three individuals who were involved in early developmental and current phases of the First Peoples House. The research is placed in a historical context respecting the relationship between Indigenous architecture, residential schools, space and place and material culture. Film adds another dimension to the scope of this paper. Together, the paper and film form a visual and critical analysis highlighting historical shifts along with contemporary understandings of cultural narratives, material culture, Indigenous culture and architecture as integrated within the First Peoples House at the University of Victoria. / Graduate

This ethnographic research project examines the re-creation, performance and dissemination of identity through performance (storytelling, song, and dance) at a tourist site, Hiwus Feasthouse. In general, this thesis examines how the Salish negotiate meaning and significance through performance. The overall objective is to explore what Hiwus, as a site for creating and performing identity, means to the Coast Salish people who work there. This thesis demonstrates how the Salish at Hiwus have a great deal of agency in terms of the content of performances, unlike many other tourist sites where the corporation often controls the program. I suggest that the Salish employees express layers of a "meshed identity" - local, ethnic-tribal, Canadian, and pan-Indian - at different times throughout the performances. I also suggest that the First Nations people at Hiwus deconstruct the "imaginary Indian" via performance and valorize their own re-imagination of history and identity. I propose that they do this by drawing on Salish epistemology and world-views. In particular, I demonstrate how Salish understandings of "place" and the use of a "ceremonial framework" at Hiwus provide the Salish a way of sorting through multiple zones of contact. This thesis contributes to the anthropological literature on tourism in that it focuses on First Nations people's agency, views, and perspectives. I also challenge problematic terms such as authenticity, "staged authenticity," and tradition. The current literature on tourism lacks a workable theoretical framework for examining the dialogical interactions at tourist sites. I attempt to deal with this dilemma by drawing on my own ethnographic data, complemented by the existing ethnographic literature, to examine how the Salish perform identity and culture at Hiwus.

This ethnographic research project examines the re-creation, performance and dissemination of identity through performance (storytelling, song, and dance) at a tourist site, Hiwus Feasthouse. In general, this thesis examines how the Salish negotiate meaning and significance through performance. The overall objective is to explore what Hiwus, as a site for creating and performing identity, means to the Coast Salish people who work there. This thesis demonstrates how the Salish at Hiwus have a great deal of agency in terms of the content of performances, unlike many other tourist sites where the corporation often controls the program. I suggest that the Salish employees express layers of a "meshed identity" - local, ethnic-tribal, Canadian, and pan-Indian - at different times throughout the performances. I also suggest that the First Nations people at Hiwus deconstruct the "imaginary Indian" via performance and valorize their own re-imagination of history and identity. I propose that they do this by drawing on Salish epistemology and world-views. In particular, I demonstrate how Salish understandings of "place" and the use of a "ceremonial framework" at Hiwus provide the Salish a way of sorting through multiple zones of contact. This thesis contributes to the anthropological literature on tourism in that it focuses on First Nations people's agency, views, and perspectives. I also challenge problematic terms such as authenticity, "staged authenticity," and tradition. The current literature on tourism lacks a workable theoretical framework for examining the dialogical interactions at tourist sites. I attempt to deal with this dilemma by drawing on my own ethnographic data, complemented by the existing ethnographic literature, to examine how the Salish perform identity and culture at Hiwus. / Arts, Faculty of / Anthropology, Department of / Graduate

The Salish Sea is a ecologically important coastal region located on the southwest part of British Columbia. Optical measurements were taken using a set of hyperspectral radiometers, the SAS Solar Tracker developed by Satlantic. This sensor is installed on the Queen of Oak Bay ferry, that runs between Nanaimo and Vancouver, as part of the Ferry Ocean Colour Observation Systems (FOCOS) project. We developed a computer program to process the raw sensor data and generate remote sensing reflectance (Rrs) values. This performs similar functions to Prosoft, Satlantic’s own software to process the data. However, we added new features such as an additional preprocessing step to filter the data based on longitude, and new meteorological flag testing and wind speed calculations. The system was tested using Pearson correlation to compare our output with the output from Satlantic Prosoft. Testing helped us identify a few issues, such as adding longitude flags to remove data at the start and end of the trip where the sensor could produce inaccurate results if aiming at land instead of water. Another issue was where the SAS Solar Tracker does not update its pointing angle fast enough when the ferry makes sharp turns and could result in inaccurate data. / Graduate

This paper is about cultural area of the Northwest Coast and especially about art of a few groups of native people who lived and still live there. The subjekt of this paper is mainly a theretical analysis of the most important artistic artifacts. Particula attention is paid to developmental transformations of traditional artifacts and their function in modern society. The goal is to capture the importance of artistic traditions of American Indians, especially the Salish group, in the kontext of the current revitalization movement. Major emphasis is placed on the role of native artistic artifacts in the commercial use of historici and cultural heritage of the area. The paper examines the influence of art on the perception of identity of indigenous peoples.

By 1836 both the Presbyterians and the Jesuits had penetrated the Pacific Northwest. The Whitmans and the Spaldings were the first Presbyterians to settle in this region. The Whitmans settled with the Cayuse at W ailaptu near Walla Walla and the Spaldings resided at Lapwaii with the Nez Perce tribe. Although two Canadian priests were working in this region, it was not until 1840, with the arrival of Father Jean-Pierre DeSmet that the Jesuits commenced their missionary work. Fr. DeSmet initially settled with the Flathead tribe in the Bitterroot Valley of Montana. This paper observes how the Jesuits in Montana and the Presbyterians in the Columbia basin related with their respective tribes. With each situation a pattern occurs of tribal acceptance and rejection. The different tribes were initially eager to learn from the missionaries but as the years pass by, the novelty of Christianity wore thin. What became more obvious to the tribal members was that slowly their numbers were diminishing due to disease brought over by white settlers and simultaneously their land was disappearing as the pioneers built their homes. This observation resulted directly in the Native American rejection of the Christian missionaries. The Jesuits and the Spaldings were fortunate to escape without physical harm. This was not the case, though for Dr. Marcus and Narcissa Whitman who lost their lives in the Whitman massacre. To understand the reasons for this rejection, this paper spends the first few chapters looking into the background of the three tribes as well as the missionaries. It then examines the three different tribes and their history with their respective missionaries, observing the reasons, both long and short term for their failures. In the final chapter the paper investigates the obvious yet undocumented competition between the Catholic and Protestant missionaries to be the sole religion in this region. Their co-existence of these two faiths was another factor which resulted in the disillusionment of the Native American tribes in this region.