Spelling suggestions: "subject:"chiller, friedrich"" "subject:"chiller, riedrich""
151 |
Thinking through the imagination : the centrality of aesthetic creativity in human cognition /Kaag, John Jacob, January 2007 (has links)
Thesis (Ph. D.)--University of Oregon, 2007. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 258-272). Also available for download via the World Wide Web; free to University of Oregon users.
|
152 |
Vom Schönen Schönheitskonzeptionen bei Lessing, Goethe und SchillerBonn, Kristina January 2007 (has links)
Zugl.: Bonn, Univ., Diss., 2007
|
153 |
Das Demetrius-Thema in der russischen und deutschen Literatur : dargestellt an A. P. Sumarokovs " Dimitrij Samozvanec ", A. S. Puškins " Boris Godunov " und F. Schillers " Demetrius /Osterwald, Birgit. January 1900 (has links)
Diss. : Philosophische Fakultät : Münster : 1980. - Bibliogr. p. 268-278. -
|
154 |
Selbsthelfer in Zeiten des Umbruchs Goethes Götz von Berlichingen, Schillers Wilhelm Tell und Kleists Hermannsschlacht /Estarami, Ebrahim. January 1900 (has links)
Thesis (doctoral)--Universität, Heidelberg, 2004. / Includes bibliographical references.
|
155 |
Schiller und die französische KlassikCunningham, Kathleen. January 1930 (has links)
Thesis (Ph. D.)--Rheinische Friedrich Wilhelms-Universität Bonn, 1924. / Includes bibliographical references (p. 6-12).
|
156 |
The concept of typology in Schiller, Nietzsche and Jung an historical and comparative study /Hyslop, Rachel Ann. January 2007 (has links)
Thesis (MPhil(R)) - University of Glasgow, 2007. / MPhil(R) thesis submitted to the Department of German, Faculty of Arts, University of Glasgow, 2007. Includes bibliographical references. Print version also available.
|
157 |
Ästhetische Erfahrung und die Bestimmung des Menschen : über Kants, Schillers und Humboldts Theorien ästhetischer Bildung und ihre Relevanz für die Musikpädagogik /Martin, Kai. January 2008 (has links)
Zugl.: Hochschule für Musik und Theater Hannover, Diss., 2008.
|
158 |
Lillands, Schillers og Goethes indtlydelse paa skuespilkunsten i slutningen af 18 de og i begyndelsen af 19de aarhundrede, af I.C. NormannNormann, Jacob Christian, January 1914 (has links)
Thesis--Copenhagen. / "Bogfortegnelse": p. [216] 219. "Henvisninger"; p. [250] 261.
|
159 |
Friedrich Schiller: "Don Carlos" - komplexní kostýmní řešení / Friedrich Schiller: “Don Carlos“ - Complex costume solutionStieglerová, Martina January 2017 (has links)
This master's thesis deals with the play Don Carlos by Friedrich Schiller. It tries to capture all the inspirational sources that preceded the forming of the resulting concept. These are not only historical sources, offering a different view on characters and events, but also other sources that have gradually led to an understanding of the overall atmosphere. There’s also an analysis of plays that offer different views on the subject. The second half of the thesis is devoted solely to my own concept and inspirations to individual characters. It includes an analysis of the key moments of selected situations, and characters contained in five acts. The final part deals with the analysis of all the characters and the presentation of a concrete solution for their costumes. In the pictorial annex, these solutions are presented in the form of the sketches.
|
160 |
Friedrich Schiller: "Marie Stuartovna" - komplexní kostýmní řešení / FRIEDRICH SCHILLER: „MARY STUART“ – COMPLEX COSTUME RESOLUTIONFehérová, Barbara January 2017 (has links)
The topic of this thesis is the theater play „Mary Stuart“ written by F. Schiller. Theoretical part is divided into four chapters. First chapter briefly describes the life of author and his body of work. The second chapter analyzes his play “Mary Stuart”. The third chapter describes three contemporary theater productions of plays dating to the Renaissance period with focus on costume design. The fourth chapter deals with Renaissance in Europe and clothing of that period. The practical part presents the costume design itself for the play Mary Stuart. An analysis of scenes and figures of the play is carried out and the process and artistic decisions made during the design of costumes is described. The practical part closes off with sketches and pictures of the final costume design.
|
Page generated in 0.897 seconds