Thesis (Ph. D.)--University of Oregon, 2007. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 258-272). Also available for download via the World Wide Web; free to University of Oregon users.

Zugl.: Bonn, Univ., Diss., 2007

Diss. : Philosophische Fakultät : Münster : 1980. - Bibliogr. p. 268-278. -

Thesis (doctoral)--Universität, Heidelberg, 2004. / Includes bibliographical references.

Thesis (Ph. D.)--Rheinische Friedrich Wilhelms-Universität Bonn, 1924. / Includes bibliographical references (p. 6-12).

Thesis (MPhil(R)) - University of Glasgow, 2007. / MPhil(R) thesis submitted to the Department of German, Faculty of Arts, University of Glasgow, 2007. Includes bibliographical references. Print version also available.

Zugl.: Hochschule für Musik und Theater Hannover, Diss., 2008.

Thesis--Copenhagen. / "Bogfortegnelse": p. [216] 219. "Henvisninger"; p. [250] 261.

This master's thesis deals with the play Don Carlos by Friedrich Schiller. It tries to capture all the inspirational sources that preceded the forming of the resulting concept. These are not only historical sources, offering a different view on characters and events, but also other sources that have gradually led to an understanding of the overall atmosphere. There’s also an analysis of plays that offer different views on the subject. The second half of the thesis is devoted solely to my own concept and inspirations to individual characters. It includes an analysis of the key moments of selected situations, and characters contained in five acts. The final part deals with the analysis of all the characters and the presentation of a concrete solution for their costumes. In the pictorial annex, these solutions are presented in the form of the sketches.

The topic of this thesis is the theater play „Mary Stuart“ written by F. Schiller. Theoretical part is divided into four chapters. First chapter briefly describes the life of author and his body of work. The second chapter analyzes his play “Mary Stuart”. The third chapter describes three contemporary theater productions of plays dating to the Renaissance period with focus on costume design. The fourth chapter deals with Renaissance in Europe and clothing of that period. The practical part presents the costume design itself for the play Mary Stuart. An analysis of scenes and figures of the play is carried out and the process and artistic decisions made during the design of costumes is described. The practical part closes off with sketches and pictures of the final costume design.