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Adapting placeKonsmo, Michael Jonathan. January 2004 (has links) (PDF)
Thesis (M.A.)--Montana State University--Bozeman, 2004. / Typescript. Chairperson, Graduate Committee: Greg Keeler. Includes bibliographical references (leaves 58-59).
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Jiang nan xiao zhen : Zhongguo dang dai xiao shuo zhong de kong jian chang jing = Small towns in Jiangnan : geo-cultural setting in contemporary Chinese fiction /Yan, Qiting. January 2001 (has links) (PDF)
Thesis (M. Phil.)--Hong Kong Baptist University, 2001. / Thesis submitted to the Dept. of Chinese Language and Literature. Includes bibliographical references (leaves 97-101).
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Garrison temporality and geologic temporality in Canadian poetryRae, Ian 11 1900 (has links)
This essay examines the interstices between geography and history in English
Canadian poetry by analyzing the production of space through poetic imagery. It
introduces two terms, "garrison temporality" and "geologic temporality," to demonstrate
how poets created divisions in the Canadian landscape temporally, demarcating these
divisions according to their understanding of the perceived spaces' historicity. In early
Canadian poetry, poets tended to distinguish colonized spaces from uncolonized spaces
by designating them as either historical or ahistorical. This was achieved, more
specifically, by appropriating civil, or garrison, spaces into a narrative of English
expansion which traced its historical lineage back to European antiquity. The space
outside the garrison's perimeter was deemed to exist out of time, providing yet another
justification for further colonization. Later generations of Canadian poets contested the
ahistorical designations created by this narrative, as well as the division they draw
between urban and non-urban spaces, by appealing to geologic time. Geologic
temporality functions not so much as a viable explanatory model for the narration of
history as it does a poetic device for contesting the centrality of Europe and of urban
centers in assessing contemporary Canada's place in time. This essay traces the shift in
attitudes towards time and space from Charles G.D. Roberts' "Tantramar Revisited"
(1886) to Dale Zieroth's "Baptism" (1981). / Arts, Faculty of / English, Department of / Graduate
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Darkness and distance : Gothic cartography and the mapping of Great Britain 1764-1820Brabon, Benjamin A. January 2005 (has links)
The embryonic ideas for this thesis began to form in two seminars I attended in 2000 while studying for a Masters at the University of Chicago. The first of these, W. J. T. Mitchell's 'Verbal and Visual Landscapes', must be given credit for introducing me to a short essay by Martin Heidegger entitled 'Die Kunst und der Raum' ('Art and Space'), which got me thinking about the 'special character' of space (Heidegger 1973: 4). In addition, Professor Mitchell's specific approach to landscape, that it should be considered as a verb rather than a noun, made me consider the ontological implications of the relationship between space and power that is witnessed both in and through landscape when approached as 'a process by which social and subjective identities are formed' (Mitchell 1994: 1).
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Guarding the wild a placed critical inquiry into literary culture in modern nations /Ball, Eric L., January 1900 (has links)
Thesis (Ph. D.)--Ohio State University, 2003. / Document formatted into pages; contains viii, 276 p. Includes bibliographical references (p. 259-276). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Feb. 20.
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江南小鎮 : 中國當代小說中的空間場景 = Small towns in Jiangnan : geo-cultural setting in contemporary Chinese fiction嚴綺婷, 01 January 2001 (has links)
No description available.
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"Making room" for one's own : Virginia Woolf and technology of placeSriratana, Verita January 2013 (has links)
This thesis offers an analysis of selected works by Virginia Woolf through the theoretical framework of technology of place. The term “technology”, meaning both a finished product and an ongoing production process, a mode of concealment and unconcealment in Martin Heidegger's sense, is used as part of this thesis's argument that place can be understood through constant negotiations of concrete place perceived through the senses, a concept based on the Heideggerian notion of “earth”, and abstract place perceived in the imagination, a concept based on the Heideggerian notion of “world”. The term “technology of place”, coined by Irvin C. Schick in The Erotic Margin: Sexuality and Spatiality in Alteritist Discourse (1999), is appropriated and re-interpreted as part of this thesis's adoption and adaptation of Woolf's notion of ideal biographical writing as an amalgamation of “granite” biographical facts and “rainbow” internal life. Woolf's granite and rainbow dichotomy is used as a foreground to this thesis's proposed theoretical framework, through which questions of space/place can be examined. My analysis of Flush (1933) demonstrates that place is a technology which can be taken at face value and, at the same time, appropriated to challenge the ideology of its construction. My analysis of Orlando (1928) demonstrates that Woolf's idea of utopia exemplifies the technological “coming together”, in Heidegger's term, of concrete social reality and abstract artistic fantasy. My analysis of The Years (1937) demonstrates that sense of place as well as sense of identity is ambivalent and constantly changing like the weather, reflecting place's Janus-faced function as both concealment and unconcealment. Lastly, my analysis of Woolf's selected essays and marginalia illustrates that writing can serve as a revolutionary “place-making” technology through which one can mentally “make room” for (re-)imagining the lives of “the obscure”, often placed in oblivion throughout the course of history.
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Places and spaces of the writing life /Fahey, Diane. January 1999 (has links)
Thesis (Ph. D) -- University of Western Sydney, Nepean, 1999. / "An enquiry into the relationship between place and space, and the writiing life, with reference to journals and poetry written by Diane Fahey, and to works by Eavan Boland, Annie Dillard, and May Sarton" -- p. ii. Thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy, School of Communication and Media Studies, University of Western Sydney, Nepean. Bibliography : p. 259-264.
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In Between Places: Fictions of British DecolonizationFabrizio, Alexis Marie January 2019 (has links)
“In Between Places” is a study in literary geography at the end of empire. It begins from the premise that decolonization itself is a question of place and the relationship of people to places. From this premise, the dissertation explores the narrative techniques that emerge from this moment of historical transformation, in which decolonization was inevitable but not yet fully achieved. The formal elements of decolonial fiction—an emphasis on the individual transformation of place, the incorporation of narrative settings both temporary and fragile—express the ways that spatial relations were central to the political aims of late colonial and early postcolonial writers from across the globe and who express a range of complicated cultural politics. This dissertation begins with an introduction that situates British decolonial fiction in terms of theories of space and place, the transition between modernism and postcolonialism, and current critical debates surrounding forms of anticolonial critique in the twentieth century. In the subsequent four chapters, the dissertation provides case studies of the narrative fiction of Jean Rhys, V. S. Naipaul, George Lamming, and Doris Lessing. Combining formal analysis, archival research, and literary and political history, this dissertation reconstructs the ways that colonial and postcolonial subjects respond to the places they inhabit—at the level of the room, the house, and the city. To tell this story, the chapters move from the abstract space of geopolitics to different sites within urban environments and domestic households. “In Between Places” explains how place functions aesthetically and politically; how Caribbean, African, and English sites were physically marked by colonialism; and how midcentury writers of decolonization used literary setting to resist myths of imperial belonging as well as to uphold them.
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The poem as liminal place-moment : John Kinsella, Mei-mei Berssenbrugge, Christopher Dewdney and Eavan BolandReed, Marthe January 2008 (has links)
Places are deeply specific, and often richly resonant for us in terms of memory, emotion, and association, yet we nevertheless frequently move through them insensible of their constitution and diversity, or the shaping influences they have upon our lives. As such, place affords a vital window into the creation and experience of poetry where the poet is herself attuned to the presence and effect of places; the challenge for the scholar is to articulate place's nature and role with respect that poetry. In
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