This study examined the rhetoric of First Lady Hillary Rodham Clinton. Specifically, this analysis explored the relationship between Clinton's rhetoric and her public image. In addressing this issue, Foss' (1989) framework for feminist criticism was used to examine three key components: 1) the type of gender roles that Clinton describes and advocates in her rhetoric; 2) her gender portrayal of the first lady role; and 3) whether any alterations in her enactment of the first lady have helped or hindered the feminist cause. Clinton's rhetoric is focused on the empowerment of women, their children, and their families. Clinton's rhetorical perspective is aligned with a liberal feminist ideology and declares that women should make their own choices and should not fall victim to traditional patriarchal values and societal expectations. This analysis further reveals that Clinton combines feminine and masculine rhetorical styles to overcome the contradictory expectations that are placed upon women speakers. This analysis indicates that Clinton's image and role as first lady has fluctuated as she has grappled with societal expectations. Throughout Clinton's tenure in the White House, America has become more comfortable with her redesigned role as first lady. This analysis contributes to the lives of women by providing a model of a female rhetor who is successful despite the confines of a patriarchal society. In addition, this examination also legitimizes a woman's right to fight for equality and to use alternative ways to raise a family. Further, this analysis indicates the need to expand communication models to encompass a rhetor's blend of communication styles. / Department of Speech Communication

World War II was a time of great changes. Many aspects of American society underwent profound shifts but one predominant part of American culture did not change -- theaccepted roles of women. The government documentary films of World War II reveal attitudes, ideas, and assumptions which not only reinforced traditional roles but also reflected theresistance to gender-role alterations. Women during the war were not only shaped by such cultural messages but many subscribed to them wholeheartedly. The films emphasize twospecific images of women -- Susie Homemaker and Rosie the Riveter -- and also reflect society's image of women as homemakers first and war workers second. This double vision,reflected throughout the documentary films became the catalyst which maintained women in traditional roles and, in turn, rejected attempts to alter those roles in any significant way.This study uses the vehicle of World War II documentaryfilms, utilizing the World War II Historical Film Collection, Bracken Library, Ball State University (the largest collection outside the National Archives), the Office of War Information papers, and extensive secondary research, to investigate the images of women during the war years. / Department of History

Redefining Masculinity presents an analysis of the American government's portrayal of civilian men in World War II documentary films. The majority of the films, which serve as a primary source for this study, were created by the Office of War Information (OWI) as a means of stimulating home front support for the war. The government's portrayal of civilian men advocated a significant modification of gender roles. According to the OWI, men understood the politics of war, were aware of the national context of sacrifices, and were able to carry the government's message into American households and defense plants. As a result of their war consciousness, civilian men in government documentary films partially claimed the traditional domestic realm of women and redefined American gender roles as interactive and overlapping. The intersecting gender spheres in OWI films exemplify that men experienced manhood not in isolation from women. This propagandized image of civilian men during the Second World War supports the claims of scholars who criticize the ideology of "separate spheres" to describe socially constructed domains of the male and female gender. In contrast, the thesis findings show that the social, political, and economic definitions of male and female roles can be altered, extended, or adjusted when economically, politically, and culturally expedient. / Department of History

Indiana University-Purdue University Indianapolis (IUPUI) / This study examines the essential features of women’s experiences as members of a service association. It uses a qualitative method to understand how women make meaning from their membership in an all-female association and a mixed-gender association. The experiences were examined in comparative contexts. The study finds three common features in each association: joining, volunteering, and leading. In the mixed-gender association, women also experienced a process of assimilating into membership activities. The study provides scholars and association practitioners insights into the complex blend of members’ personal and professional interests with implications for membership recruitment and retention.