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The development and testing of a program on the fundamentals of voice production in singing /Warmink, Gary Jacob January 1975 (has links)
No description available.
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Real-time visual displays for voice tuitionRossiter, David Paul January 1995 (has links)
No description available.
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A study of extended vocal techniques with particular reference to practical composition usage since 1972Jensen, Karen Marjorie January 1981 (has links)
No description available.
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Choral seating arrangements and their effects on musical and social elements.Keyne, Lori Valerie. January 1992 (has links)
Choral experts have promoted either sectional block or mixed seating formations in choirs for various reasons. Previous research by Lambson indicates that there is no clear advantage to choral sound in either mixed or sectional formations, and, according to Tocheff, mixed formation has no advantage over sectional block formation. This research attempted to relate choral seating arrangements to individual musical growth and sociological dynamics. One hypothesis suggested that a mixed formation promotes individual musical growth in ear-training/sight-singing, vocal freedom, perceived scope of a choral work and also promotes group cohesion. The second and third hypotheses considered the correlation between the percentage of time spent in mixed formation and individual and group trust. Only two relationships were statistically significant: between mixed formation and perceived scope of a choral work, and between the percentage of time spent in mixed formation and group trust. An ancillary finding suggests that individuals who sing in mixed formation, prefer to sing with individuals from different voice parts. These findings suggest that individual musical growth and individual responsibility are enhanced in mixed formation.
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An Investigation of Essential Factors Related to the Teaching of Sight Singing to Elementary ChildrenGreen, Carolyn Wilma 08 1900 (has links)
No description available.
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An Analysis of Twenty-Five Vocal Methods of the Twentieth CenturyGardner, William H., 1918- 01 1900 (has links)
The following study is designed to define the existing differences of opinion regarding the solution of vocal problems. Some twenty-five vocal methods have been examined with reference to the principles set forth on what are generally considered the most important vocal problems, viz., Breathing, Registers, Resonance, Tone and Interpretation.
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An exploration of children???s attitudes towards singingCobb, Donella, Education, Faculty of Arts & Social Sciences, UNSW January 2007 (has links)
Children???s attitudes towards school singing have been a growing concern in recent years. While negative attitudes towards school singing have been acknowledged as one of the factors contributing to the decline of singing in schools, these attitudes conflict directly with the socially acceptable, esteemed and desired status that children place on singing in the world in which they live. Given the popularity of singing outside of school, negativity towards singing is of particular concern. Identifying the factors that determine a child???s attitude towards singing in both the school and home context is crucial if positive attitudes towards singing are to be sustained through to adolescence. The purpose of this research was to explore children???s attitudes towards singing in each stage level between Kindergarten and Year 6 in the home and school context, to identify the factors which determine positive and negative attitudes towards singing and to consider the relationships between attitudes in relation to gender. Interviews were conducted with 147 children between Kindergarten and Year 6 in five New South Wales public schools and attitudes towards singing were tested using a three point attitude measurement scale. Further data were collected from 118 parents in order to gain an understanding of children???s singing experience within the home context. Results showed that children???s preference to sing at home, rather than at school, increases with age. While boys have a stronger preference to sing at home than girls, girls are more positive towards school singing. Relational reasons such as fear of criticism and singing in front of others were central reasons for children???s dislike of school singing. While children across all stage levels enjoy singing with CD???s and singing on their own, boys??? particularly enjoy having ownership over song choice and composing their own songs. Lack of song choice and singing in front of others evokes negative attitudes towards singing. Teachers have a strong influence on attitudes towards singing at ES1 and Stage 1 level, however by Year 6, there is a strong correlation between parents and children???s attitudes towards singing. These results provide new insights and implications for the teaching of singing in schools.
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Adult reflections on a high school choral music program perceptions of meaning and lifelong influence /Arasi, Melissa Tyson. January 2005 (has links)
Thesis (Ph. D.)--Georgia State University, 2006. / Title from title screen. David Myers, Mary Deming, committee co-chairs; Dana Fox, Patrick Freer, committee members. Electronic text (242 p.); digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 224-233).
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Singing in Portuguese : a study of diction for singers /Lourenço, João Miguel, January 1998 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 1998. / Vita. Includes bibliographical references (leaves 227-234).
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The effects of structured singing activities and self-evaluation practice on elementary band students' instrumental music performance, melodic tonal imagery, self-evaluation, and attitude /Davis, LaPointe Manuel, January 1900 (has links)
Thesis (Ph. D.)--Ohio State University. / Includes vita. Includes bibliographical references (leaves 171-173). Available online via OhioLINK's ETD Center.
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