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Zur charakteristik John Skelton's ...Kölbing, Arthur. January 1904 (has links)
Inaug.-diss.--Freiburg i. Br.
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Zur charakteristik John Skelton's ...Kölbing, Arthur. January 1904 (has links)
Inaug.-diss.--Freiburg i. Br.
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The ancestry and character of the SkeltonicKendle, Burton Stuart, January 1961 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1961. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 218-226).
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John Skelton and poetic authority : defining the liberty to speak /Griffiths, Jane, January 2006 (has links)
Texte remanié de: Doctoral thesis--University of Oxford. Titre de soutenance : The liberty to speak : authority in John Skelton poetry. / Bibliogr. p. 192-208.
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Der einfluss John Skeltons auf die englishe LiteraturBischoffberger, Elise, January 1914 (has links)
Inaugural-Dissertation--Freiburg im Breisgau. / Vita: p. [81]. Includes bibliographical references.
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Idee und Wirklichkeit der Gesellschaft im Werk John Skeltons /Höltl, Edda. January 1991 (has links)
Diss.--Regensburg--Universität, 1990.
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Skelton's satirical poems in their relation to Lydgate's Order of fools Cock Lorell's Bote, and Barclay's Ship of fools ...Rey, Albert. January 1899 (has links)
Inaug.-diss.--Bern.
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Bibliofictions: Ovidian Heroines and the Tudor BookReid, Lindsay Ann 17 January 2012 (has links)
This dissertation explores how the mythological heroines from Ovid‘s Heroides and Metamorphoses were cataloged, conflated, reconceived, and recontextualized in vernacular literature; in so doing, it joins considerations of voice, authority, and gender with reflections on Tudor technologies of textual reproduction and ideas about the book. In the late medieval and Renaissance eras, Ovid‘s poetry stimulated the imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid‘s characteristic bookishness—his interest in textual revision and his thematization of the physicality and malleability of art in its physical environments—was not lost upon these
postclassical interpreters who engaged with his polysemous cast of female characters. His
numerous English protégés replicated and expanded Ovid‘s metatextual concerns by reading and rewriting his metamorphic poetry in light of the metaphors through which they
understood both established networks of scribal dissemination and emergent modes of printed book production. My study of Greco-Roman tradition and English bibliofictions (or fictive representations of books, their life cycles, and the communication circuits in which they
operate) melds literary analysis with the theoretical concerns of book history by focusing on intersections and interactions between physical, metaphorical, and imaginary books. I posit the Tudor book as a site of complex cultural and literary negotiations between real and inscribed,
historical and fictional readers, editors, commentators, and authors, and, as my discussion unfolds, I combine bibliographical, historical, and literary perspectives as a means to understanding both the reception of Ovidian poetry in English literature and Ovid‘s place in
the history of books. This dissertation thus contributes to a growing body of book history
criticism while also modeling a bibliographically enriched approach to the study of late medieval and Renaissance intertextuality.
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Bibliofictions: Ovidian Heroines and the Tudor BookReid, Lindsay Ann 17 January 2012 (has links)
This dissertation explores how the mythological heroines from Ovid‘s Heroides and Metamorphoses were cataloged, conflated, reconceived, and recontextualized in vernacular literature; in so doing, it joins considerations of voice, authority, and gender with reflections on Tudor technologies of textual reproduction and ideas about the book. In the late medieval and Renaissance eras, Ovid‘s poetry stimulated the imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid‘s characteristic bookishness—his interest in textual revision and his thematization of the physicality and malleability of art in its physical environments—was not lost upon these
postclassical interpreters who engaged with his polysemous cast of female characters. His
numerous English protégés replicated and expanded Ovid‘s metatextual concerns by reading and rewriting his metamorphic poetry in light of the metaphors through which they
understood both established networks of scribal dissemination and emergent modes of printed book production. My study of Greco-Roman tradition and English bibliofictions (or fictive representations of books, their life cycles, and the communication circuits in which they
operate) melds literary analysis with the theoretical concerns of book history by focusing on intersections and interactions between physical, metaphorical, and imaginary books. I posit the Tudor book as a site of complex cultural and literary negotiations between real and inscribed,
historical and fictional readers, editors, commentators, and authors, and, as my discussion unfolds, I combine bibliographical, historical, and literary perspectives as a means to understanding both the reception of Ovidian poetry in English literature and Ovid‘s place in
the history of books. This dissertation thus contributes to a growing body of book history
criticism while also modeling a bibliographically enriched approach to the study of late medieval and Renaissance intertextuality.
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