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<p>The aim of this essay is to examine whether language is iconic or arbitrary in the issue of onomatopoeia, i.e. whether animal sounds are represented in the same way in different languages. In addition, I will also look at onomatopoeical words which have been conventionalised, when the meaning broadened and they finally became part of ordinary language.</p><p>It can be stated that arbitrary signs have slowly taken over as different languages have developed, but the reason why is a topic for discussion – is there a scientific cause, based on the theory of evolution, or an explanation found in religious myths? Whatever the reason is, it is not likely that iconicity will vanish totally. It is connected to human neurophysiology and an ancient part of language, a natural resemblance between an object and a sign which can exist in different forms. Onomatopoeia is one example of iconic signs, an object named after the sound it produces, and according to one theory conventionalised imitations is actually the origin of language. Nevertheless, there are two main categories – language being either iconic or arbitrary. Regarding onomatopoeia, my results suggest that language is only iconic to a limited extent. English and Swedish have some common representations of animal sounds, but the languages also differ in many ways. Conventionalising seems common in both languages and many of the words in my survey have been incorporated in dictionaries, representing more than only the sound of a certain animal.</p>

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Saurssure argues that the relationship between form and meaning in language is arbitrary, but sound symbolism theory argues that there are forms in language that can develop non-arbitrary association with meanings. This thesis proposes that there is a sound symbolic association between consonants and action words. To be more specific, a stop sound is likely to be associated with the action of percussion and a continuant sound with continuing movements. Evidence for such an association was found through three empirical studies. The findings of two experiments revealed that such an association is motivated by the gestures when pronouncing the consonants and by their phonetic features. A study of the verbs in Teochew dialect also revealed a similar sound symbolic association existing in the colloquial language. This thesis was conducted to direct attention to the use of empirical methods to investigate sound symbolism in real language. / 2015-10-03

For the majority of the 20th century, one of the central dogmas of linguistics was that, at the level of the lexicon, the relationship between words and meanings is arbitrary: there is nothing about the word ‘dog’ for example that makes it a particularly good label for a dog. However, in recent years it has become increasingly recognized that non-arbitrary associations between words and meanings make up a small, but potentially important portion of the lexicon. This thesis focuses on exploring the effect that non-arbitrary associations between words and meanings have on language learning and the structure of the lexicon. Based on a critical analysis of the existing literature, and the results of a number of experiments presented here, I suggest that the overall prevalence and developmental timing of two forms of non-arbitrariness in the lexicon– systematicity and motivatedness – is shaped by the pressure for languages to be learnable while remaining expressive. The effect of pressures for learnability and expressivity have been recognized to have important implications for the structure of language generally, but have so far not been applied to explain structure at the level of the lexicon. The central claim presented in this dissertation is that features of the perceptual and cognitive organization of humans results in specific types of associations between words and meanings being easier for naïve learners to acquire than others, and that the pressure for languages to be learnable results in lexica that leverage these human biases. Taking advantage of these biases, however, induces constraints on the structure of the lexicon that, left unchecked, might limit its expressivity or penalize subsequent learning. Thus, lexica are structured such that early-acquired words are able to leverage these biases while avoiding the limitations imposed by those biases when they are extended past a certain point.

This mixed-method study investigated the correlation of sound symbolic associations with age and gender by analyzing data from a national survey of 292 American English speakers. Subjects used 10 semantic differential scales to rate six artificial brand names that targeted five phonemes. Subjects also described the potential products they imagined these artificial brand names to represent. Quantitative analysis alone provided insufficient evidence to conclude that age or gender affect sound symbolism in American English. While 26 out of 60 scales showed a monotonic shift among the means of the three age groups, only three were statistically significant. The evidence of differences between genders was similarly weak; only five scales out of 60 showed a statistically significant difference when comparing genders. Analysis of the qualitative data, however, suggested both monotonic generational shifts as well as generational blips in sound-symbolic associations. Of particular interest is the possible influence of pop culture, fashions, and fads, and society's shifting focus from broadcast to narrowcast media. The implications of this research are relevant for both theory (empirical evidence for iconicity in language) and application (e.g., devising brand names that communicate particular attributes to specific demographics).

The relationship between word form and word meaning has been debated since early Greek philosophy. Conventionally, the relationship is held to be arbitrary: that there is no natural connection between a word and what it represents (de Saussure 1959). In contrast, examples of sound symbolism undermine this linguistic tenet by demonstrating non-arbitrary word meanings conveyed in details of the acoustic signal of the words themselves. The Affect Induction model of animal communication offers a natural explanation for some forms of sound symbolism in language. According to the Affect Induction model, the physical properties of signals influence receiver affect and behavior in specific ways through relatively direct effects on core sensory, psychological and affective processes. To investigate the possible implications of this model for sound symbolism in human language, a set of studies was conducted on the classic “bouba-kiki” phenomenon. An analysis was subsequently undertaken to extend the results of experiments to several corpuses of real words classically associated with divergent affective themes. Results suggest that the Affect Induction model might account for some forms of sound symbolism, as instantiated in real word usage. / viii, 89 leaves : ill. ; 28 cm

Thesis (M.A.)--University of Hong Kong, 1989.

Thesis (M.A.)--University of Hong Kong, 1989. / Also available in print.

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