A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in Creative Writing, 2013 / Towards the end of the very last chapter, I visited Yitzhak in his room behind the shop in Hunter Street, Yeoville. He was shrouded in the smell of Old Man farts, listening to the sound of the labouring Dora Lipschitz, painfully nurdling down the pavement supported by her aluminium walking frame. [No abstract provided. Information taken from the first page]. / XL2018

Thesis (M.A. (English Studies)) -- University of Limpopo, 2015 / This dissertation discusses the significance of the concept of mourning in post-apartheid South Africa as presented in the following selected post-apartheid South African literary texts: Ways of dying, a novel by Zakes Mda; Nothing but the truth, a play by John Kani and Freedom lament and song, a poem by Mongane Wally Serote. The dissertation interrogates the legitimacy of the prefix ‘post’ in ‘post-apartheid’ as a point of departure. It discusses the theories of key thinkers on the concept mourning and then applies their theories to the analysis of the selected literary texts thereby interpreting the selected literary texts as symbolic codes communicating messages about the state of politics in post-apartheid South Africa. 5

The condition of women in African societies has always been object of intense discussion The present research takes its move from an analysis of four main literary works in Zulu, and a number of supporting texts, to monitor, as it were, the development of attitudes towards women during the second half of the 20th century. Literature is considered, in fact, a mirror of society. Traditional Southern African society is strongly patriarchal and conservative. A woman's role is generally viewed as the life-giver and the nurturer of the new generation of her husband's offspring. She is in charge of the gardens, where she grows the family food, while her husband is busy with his wars, cattle raiding ventures and politics. Patriarchy may reach severe forms of women oppression through the systems of ilobolo (bride-wealth) and of polygamy, but is also expressed by the exclusion of women from the economic, artistic and legal fields. Forms of freedom - of movement, or sexual or economic - allotted to men are never considered for women. Each of the four chosen texts emphasises one or more aspect of women oppression by the male dominated society, as reflected in popular life at the time of writing. So Uvalo Lwezinhlonzi, written in 1956, is a manifesto for freedom in the choice of a life partner, which is generally obstructed by the father's greed for ilobolo cattle and his ambition to be recognized among the notables of the district. Inkinsela YaseMgungundlovu (1961) fights for women's equal rights in the financial field. NguMbuthuma-ke Lowo (1982) is a desperate cry in the face of abuses in polygamous families. And Ikhiwane Elihle (1985) fights aspects of the new morality that accepts sexual freedom for women, since men also claim such freedom. The thesis is topical, and, to render it even more so, it often avails itself of ideas of feminist writers and critics, although such theories have not touched the nerve of the Zulu public as yet. / Thesis (M.A.)-University of Durban-Westville, 2002.

This study was aimed at investigating established electronic text and information projects and resources to inform the design and implementation of a South African electronic text resource. Literature was surveyed on a wide variety of electronic text projects and virtual libraries in the humanities, bibliographic databases, electronic encyclopaedias, literature webs, on-line learning, corcordancing and textual analysis, and computer application programs for searching and displaying electronic texts .The SALIT Web CD-ROM which is a supplementary outcome of the research - including the database, relational table structure, keyword search criteria, search screens, and hypertext linking of title entries to the electronic full-texts in the virtual library section - was based on this research. Other outcomes of the project include encoded electronic texts and an Internet web site. The research was undertaken to investigate the benefits of designing and developing an etext database (hypertext web) that could be used effectively as a learning/teaching and research resource in South African literary studies. The backbone of the resource would be an indexed ''virtual library" containing electronic texts (books and other documents in digital form), conforming to international standards for interchange and for sharing with others. Working on the assumption that hypertext is an essentially democratic and anti canonical environment where the learner/users are free to construct meaning for themselves, it seemed an ideal medium in which to conduct learning, teaching and research in South African literature. By undertaking this project I hoped to start a process, based on international standards, that would provide a framework for a virtual library of South African literature, especially those works considered "marginal" or which had gone out of print, or were difficult to access for a variety of reasons. Internationally, the TEI (Text Encoding Initiative) and other, literature based hypertext projects, promised the emergence of networked information resources that could absorb and then share texts essential for contemporary South African literary research. Investigation of the current status of on-line reference sources revealed that the digital frameworks underlying bibliographic databases, electronic encyclopaedias and literature webs are now very similar. Specially designed displays allow the SALIT Web to be used as a digital library, providing an opportunity to read books that may not be available from any other library. The on-line learning potential of the SALIT Web is extensive. Asynchronous Learning Network (ALN) programmes in use were assessed and found to offer a high degree of learner-tutor and learner-learner interaction. The Text Analysis Computing Tools (TACT) program was used to investigate the possibility of detailed text analysis of the full texts included in the SALIT library on the CDROM. Features such as Keyword-in-context and word-frequency generators, offer valuable methods to automate the more time-consuming aspects of both thematic and formal text analysis. In the light of current hypertext theory that emphasises hypertext's lack of fixity and closure, the SALIT Web can be seen to transfer authority from the author/teacher/librarian, to the user, by offering free access to information and so weakening the established power relations of education and access to education. The resource has the capacity to allow the user to examine previously unnoticed, but significant contradictions, inconsistencies and patterns and construct meaning from them. Yet the resource may still also contain interventions by the author/teacher consisting of pathways to promote the construction of meaning, but not dictate it. A hypertext web resource harnesses the cheap and powerful benefits of Information Technology for the purpose of literary research, especially in the under-resourced area of South African literary studies. By making a large amount of information readily available and easily accessible, it saves time and reduces frustration for both learners and teachers. An electronic text resource provides users with a virtual library at their fingertips. Its resources can be standardised so that others can add to it, thus compounding the benefits over time. It can place scarce works (books, articles and papers) within easy access for student use. Students may then be able to use its resources for independent discovery, or via guided sets of exercises or assignments. Electronic texts break the tyranny of inadequate library resources, restricted access to rare documents and the unavailability of comprehensive bibliographical information in the area of South African literary studies. The publication of the CD-ROM enables the launch of new, related projects, with the emphasis on building a collection of South African texts in all languages and in translation. Training in electronic text preparation, and Internet access to the resource will also be addressed to take these projects forward. / Thesis (Ph.D)-University of Durban-Westville, Durban,1999.

No abstract available. / Thesis (M.A.)-University of Durban-Westville, 2001.

No abstract available. / Thesis (M.A.)-University of Durban-Westville, 2001.

Thesis (Ph.D.)--McMaster University, 2003. / Advisor: Susie O'Brien. Includes bibliographical references (leaves 150-166). Also available via World Wide Web.

Olu phando lohlalutyo lukwaluncomo-gxeko lwemisebenzi kaJolobe, injongo yalo kukubonisa ukuba lukho uqhagamshelwano phakathi kobomi bakhe jikelele kunye noncwadi lwakhe. Ulwazi olunjalo lungathi lube luncedo kwiphulo elibalulekileyo ekuncediseni kulwazi lokubhala ibhayografi yakhe. Kubonakele kufanelekile ukuba iphulo elinjalo lenziwe ukukhumbula imisebenzi emikhulu eyenziwe ngamaqhawe abantu abaNtsundu abathe banegalelo elikhulu ekuphakanyiswni koncwadi lwemvelo kwakunye nenkuqubela phambili kwimfundo yabantu abangama-Afrika beli lizwe. Umzekelo uJolobe ulusebenzele ukuba uncwadi lwakhe ukuxwayisa abantu bakowabo abaNtsundu ngemfundo nolwazi olwakhaya. Ukwalusebenzise uncwadi lwakhe ukuvusa abantu ama-Afrika balumke kwingozi zemimoya yocinezelo lwabo ngurhulumente ocalule abantu abaNtsundu kuba bebantsundu ngebala. Nangona uncwadi lwakhe ulenze lwabasisonwabiso kodwa ikhakhulu ulusebenzise kwanokunika intuthuzelo, ithemba kwanokomelela kubantu abathe bacinezelwe zimeko zobomi ukuba bangalahli ithemba loluzuza impumelelo, kuba izinto zingatshintsha ebomini babo ngokuhamba kwamaxesha. Kwakhona ukongeza uncwadi lwakhe ulusebenzise ukuphakamisa nokuhambisela phambili ulwimi lwemveli, inkcubeko, imbali ngokusebenzisa isixhobo esiluncwadi lwakhe ukuze ezi ngongoma zikhankanyisweyo zihlale ezincwadini zakhe ezithe zazisele zolwazi, zingabi nakuze zife kuba zililifa lesizwe esiNtsundu, Uninzi loncwadi olubhalwe nguJolobe luthe lwaxoxwa kwesi sifundo, kodwa kuye kwaphonongwa ikakhulu uncwadi lwemibongo, inoveli idrama kuba kubonakele ukuba lo msebenzi ubanzi kakhulu kwaye esi sifundo kubonakele ukuba kungabanzima ukuba singagqibeka lula, kodwa ke uJolobe ubengumntu okhutheleyo. Ubhale incwadi eziliqela ngenxa yothando lwakhe lobhalo loncwadi oluqhutywe ngumbono wakhe wobuthandazwe, wokubona kubalulekile ukuba inani loncwadi olubhaliweyo esiXhoseni linyuke kwaye libe kwizinga eliphezulu, ukuze umzi wasemaXhoseni nowamanye ama-Afrika ngokubanzi ungalambathi ngoncwadi lokufunda ujongelwe phantsi ngokuba semva kwinkqubela phambili zezinye izizwe Ingokuphandle uncwadi lukaJolobe lubonakela luyinxenye yobomi bakhe. Kulunye uncwadi kwakhe kufumaniseka ukuba ukubhale endululwe zizinto ezithe azamphatha kakuhle ebomini bakhe zazaza ezo zinto zawuphazamisa umoya wakhe, nentlalo yakhe wada waqanda ukuba makabhale aphokoze okukuphuphuma kwengcinga zakhe ukuzithuthuzela kwanokuphilisa kwanabanye abantu abathe badibana neenzima ezinjalo zobomi. Umzekelo: iimeko zopolitiko zeli lizwe zithe zabuchaphazela ubomi bakhe, oko kubesisiphumo sokuba abhale incwadi yakhe yedrama apho adiza ngeemeko zokuphatheka kwabantu baseBhayi kwilokishi eyathi yabelwa bona ngurhulumnte wobandlululo, apho ebexelenga khona njengetitshala kwanoMfundisi weliZwi. Kanti noncwadi apho athe wabonisa ukuvuya khona olo luvuyo olusukela kwinto ethe yamvuyisa emalunga nobomi bakhe, izimvo zakhe kwanenkolo yakhe njengomntu, kwanendlela akhule ngayo. Umzekelo, uJolobe uye wazisa abafundi bakhe ukuba iimbalo zakhe zisukele kwizinto ezithe zamchukumisa ebomini bakhe. Ngoko ke kwabonakala ukuba olu phando luluncedo ekusungulweni kweprojekti yokubhalwa kwebhayografi kaJolobe neya kuba luncedo kwimisebenzi yophando olubalulekileyo kuncwadi kuba iincwadi ezinje zityebile ngolwazi olubalulekileyo ekungena kucingelwa ukuba lunokufunyanwa kulo.

Philosophiae Doctor - PhD / This study explores the different ways that South African novels have represented fatherhood across historical periods, from the dawn of apartheid to the post-transitional moment. It is argued that there is a link between narrative power and the father, especially in the way that the father figure is given authority and is central to dominant narratives which support pervasive ideologies. The study introduces the concept of paternal narratives, which are narratives that support the power of the father within patriarchal systems and societies, and which the father is usually given control of. This lens will be applied to prominent South African literature in English, including early texts such as Alan Paton’s Cry, the Beloved Country, Nadine Gordimer’s Burger’s Daughter and J. M. Coetzee’s In the Heart of the Country, where the father’s authority is strongly emphasised, and where resisting the paternal narratives often leads to identity struggles for sons and daughters. Later texts, published during the transition from apartheid, often deconstruct the narrative power of fathers more overtly, namely Mark Behr’s The Smell of Apples, Zakes Mda’s Ways of Dying and K. Sello Duiker’s The Quiet Violence of Dreams. More recent novels, published in “post-transitional” South Africa, are radical in their approach to father figures: fathers are often shown to be spectral and dying, and their control of narratives is almost completely lost, such as in Lisa Fugard’s Skinner’s Drift, Mark Behr’s Kings of the Water, Zoë Wicomb’s Playing in the Light and Zukiswa Wanner’s Men of the South. Exploring these shifting representations is a useful way to unearth how ideological and social shifts in South Africa affect the types of representations produced, and how fatherhoods are being reimagined.

No description available.