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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 31 to 40 of 80 (0.036 seconds)Spelling suggestions: "subject:"spain - distory"" "subject:"spain - ahistory""
| 31 |
Disputed state, contested nation : republic and nation in interwar CataloniaHarty, Siobhán. January 1998 (has links)
No description available.
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| 32 |
An examination of the integration of serial procedures and folkloric elements in the music of Roberto Gerhard (1896-1970)Mitchell, Rachel Elice, 1976- 17 October 2012 (has links)
Roberto Gerhard was a twentieth-century Spanish composer known for his unique treatment of the twelve-tone system. A student of the Spanish nationalist composer, Felipe Pedrell in Barcelona and also a pupil of Arnold Schoenberg in both Vienna and in Berlin, Gerhard's musical trajectory led to a synthesis of these disparate compositional traditions. In this dissertation I will explore the development of Gerhard's compositional procedures. Here, his first string quartet, composed between 1950 and 1955, becomes a useful tool to illustrate how he made the transition from one musical style to another. Gerhard's first string quartet, composed between 1950 and 1955 exhibits various experimental formal procedures but is governed by a single twelve-tone row. The work is composed in the twelve-tone idiom, but nationalist elements decorate the musical surface. The first movement follows the classical model of sonata-allegro form, while mathematical proportions govern durations and formal elements in later movements. I will first investigate Gerhard's musical language and pitch material and then consider the challenges raised by implementing sonata form outside of a tonal idiom. I will then examine his unique mathematical approach to formal design in the third movement. In addition to the string quartet, I will explore Gerhard's treatment of form in such works as his Wind Quintet (1928) and Metamorphoses--Symphony no. 2 (1957-59). / text
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| 33 |
"Noble" Tlaxcalans: race and ethnicity in northeastern New Spain, 1770-1810Martinez, Patricia 28 August 2008 (has links)
Not available / text
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| 34 |
Monastery and monarchy: the foundation and patronage of Santa María la Real de Las Huelgas and Santa María la Real de SigenaMcKiernan González, Eileen Patricia 28 August 2008 (has links)
Not available / text
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| 35 |
From Islamic Ishbiliya to Christian Sevilla: transformation and continuity in a multicultural cityKaluzny, Margaret Ann 28 August 2008 (has links)
Not available / text
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| 36 |
STATIC AND DYNAMIC ELEMENTS IN SELECTED THIRTEENTH AND FOURTEENTH CENTURYSPANISH DIDACTIC WORKSO'Mara, Joan Hintlian, 1941- January 1971 (has links)
No description available.
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| 37 |
Political aspects of the loss of Minorca and the subsequent public disgrace, trial, and execution of Admiral John Byng, 1755-1757Von den Steinen, Karl, 1942- January 1964 (has links)
No description available.
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| 38 |
The code of honor in seventeenth century Spain as seen in the plays of Guillén de CastroWuerschmidt, Elaine, 1925- January 1948 (has links)
No description available.
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| 39 |
Evans and the British Legion, 1835-1838Burgess, Drummond January 1966 (has links)
Time has not been kind to Great Britain's intervention in the Spanish civil war of 1834 to 1840. An examination of histories, biographies and memoirs published since about 1840 yields surprisingly little in the way of information or comment. Although there are a few important works which deal with this problem, they do so incompletely. [...]
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| 40 |
Dos polos de la realidad en la obra de Ana María MatuteLefebvre, Marie Marthe Jeanne Céline. January 1976 (has links)
No description available.
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