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The way of the cross in James Joyce's UlyssesShanahan, Dennis Michael, January 1983 (has links)
Thesis (Ph. D.)--Ohio State University, 1983. / Includes bibliographical references (leaves 190-194). Available online via OhioLINK's ETD Center
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Das Andachtsbild des kreuztragenden Christus in der deutschen Kunst von den Anfängen bis zum Beginn des 16. Jahrhunderts eine ikonographische Untersuchung.Ulbert-Schede, Ute, January 1961 (has links)
Inaug.-Diss.--Munich. / Imprint date corrected in manuscript. Vita. Includes bibliographical references.
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The way of the cross in James Joyce's Ulysses /Shanahan, Dennis Michael January 1983 (has links)
No description available.
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Spiritual exercise experienceFeathers, Jonathan Wayne, January 2005 (has links)
Thesis (M. Div.)--Emmanuel School of Religion, 2005. / Vita. Includes bibliographical references (leaves 36-37).
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Spiritual exercise experienceFeathers, Jonathan Wayne, January 2005 (has links)
Thesis (M. Div.)--Emmanuel School of Religion, 2005. / Vita. Includes bibliographical references (leaves 36-37).
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The Stations of the Cross a worship course for the disciples class of Vinton Baptist Church, Vinton, Virginia for experiencing the Stations of the Cross as found in the New Testament /Monroe, Roger Christopher. January 2005 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 173-176).
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The Stations of the Cross a worship course for the disciples class of Vinton Baptist Church, Vinton, Virginia for experiencing the Stations of the Cross as found in the New Testament /Monroe, Roger Christopher. January 1900 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 173-176).
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Salvation through Suffering: Imaginative Pilgrimage in Schongauer's <i> Christ Carrying the Cross</i>Lamm, Debra Z. 25 August 2015 (has links)
No description available.
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Oteiza-Newman-Mies van der Rohe: espacios compartidos. Una hermenéutica de la desocupación del espacio en escultura, pintura y arquitecturaMena Palacín, Raúl 06 July 2012 (has links)
El propósito de este estudio es abordar el concepto de espacio y, en particular, su desocupación, a través de tres obras: Caja Vacía/Metafísica de Jorge Oteiza, Who´s afraid of red, yellow and blue de Barnett Newman y el Pabellón de Alemania de Ludwig Mies van der Rohe. El discurso se construye a través de un transitar sobre la banda de Moebius y en su vaivén y en su doblez aparecen y desparecen imágenes, ideas y textos sobre los que fluye la voluntad de construir una interpretación nueva sobre el objeto descrito. Martin Heidegger, Gilles Deleuze y Gaston Bachelard son los tres sostenes teóricos de esta estructura. Y más cerca y más lejos de este texto siempre se mantiene la difícil tarea de entender cuál es la forma de habitar y de ser (Ich bin) del hombre en la tierra. / The purpose of this study is to address the concept of space and, in particular, its disoccupation through three different pieces of work: Empty/Metaphysical Box by Jorge Oteiza, Who´s afraid of red, yellow and blue by Barnett Newman and German Pavilion by Ludwig Mies van der Rohe. The discourse is constructed through a move on the Moebius band, its swing and double apparition and disappearance of images, ideas and texts which build a new interpretation of the subject matter. Martin Heidegger, Gilles Deleuze and Gaston Bachelard are the three theorists of this structure. The difficult task of understanding what is the way of living and being of man (Ich bin) on earth always remains what is closer and further away from this text.
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