Elizabeth Stoddard (1823-1902) has been overlooked by most modern literary critics and scholars. She needs to be incorporated into the canon of the American novel in order to establish a deserved critical visibility and to retain it for many years to come. Her groundbreaking fiction, unconventional by any nineteenth-century standard, especially as evidenced by The Morsesons and by some of her short stories, is characterized by penetrating psychology, individuality, and enduring literary qualities.

The language of flowers was a popular phenomenon in the United States in the nineteenth century. This dissertation on American literature looks at several American women authors’ use of the language of flowers in their novels. I examine the use of the language of flowers in Margaret Fuller’s “Magnolia of Lake Pontchartrain,” “Yuca Filamentosa,” and poetry such as “To Sarah,” Elizabeth Stoddard’s The Morgesons, Edith Wharton’s Summer, Mary Austin’s Santa Lucia: A Common Story and Cactus Thorn, and Susan Glaspell’s The Verge. Through analysis of language of flowers dictionaries, historical studies of the language of flowers, feminist history and theory, and close readings of the sketches, poems, novels, and plays themselves, I will show that American women continued to use and be influenced by the language of f lowers for close to a decade. I will also show that these women writers’ use of the language of flowers shows evolving social attitudes toward women and standards of femininity in American society during the nineteenth and early-twentieth century.

Thesis (Ph.D.)--Syracuse University, 2008. / "Publication number: AAT 3323081."

The Best Medicine is an animated documentary that explores the true stories behind the live performances of stand-up comedians. The film juxtaposes live stand-up performances with candid interview footage combined with animation and illustration. Three subjects– Michael Burd, Casey Stoddard, and Jacob Kubon– discuss alcoholism, childhood abuse, and sexual anxiety, respectively. Their candid, intimate interviews reveal personal information, creating a new context with which to understand live stand-up comedy performance. This illustrates themes of finding humor in dark or painful circumstances and the cathartic nature writing and performance.

The Great Depression elucidated the shortcomings of the banking system and its control by Wall Street. The creation of the Federal Reserve System in 1913 was insufficient to correct flaws in the banking system until the Banking Acts of 1933 and 1935. A.P. Giannini, the American-Italian founder of the Bank of America and Mormon Marriner S. Eccles, chairman of Federal Reserve Board (1935-1949), from California and Utah respectively, successfully worked to restrain the power of the eastern banking establishment. The Banking Act of 1935 was the capstone of their cooperation, a bill that placed open market operations in the hands of the Federal Reserve, thus diminishing the power of the New York Reserve. The creation of the Federal Housing Act, as orchestrated by Eccles, became a source of enormous revenue for Giannini. Giannini's wide use of branch banking and mass advertising was his contribution to American banking. Eccles's promotion of compensatory spending and eventual placement of monetary control in the hands of the Federal Reserve Board with Banking Act of 1935 and the Accord of 1951 and Giannini's branch banking diminished the likelihood of another sustained depression. As the Bank of America grew, and as Eccles became more aggressive in his fight for control of monetary policy, Secretary of State Henry Morgenthau, Jr., became a common enemy to both bankers. Morgenthau caused the Securities and Exchange Commission to launch an investigation of the Bank of America. Later, when Eccles and Giannini were no longer friends, the Board of Governors filed suit under the Clayton Act against Transamerica, a Giannini bank holding company. By 1945, Giannini's bank was the largest in the world. When John W. Snyder replaced Morgenthau, the "freeze" against Giannini's expansion stopped. Eccles was demoted by Truman but served on the Board of Governors until the Accord of 1951 making the Reserve no longer responsible for supporting the pegged interest rates of government bonds.

Women authors in mid to late nineteenth century American society were unafraid to shed the old domestic ideology and set new examples for women outside of racial and gender spheres. This essay focuses on the ways in which Elizabeth Stoddard's The Morgesons, Louisa May Alcott's Behind a Mask, and Elizabeth Keckley's Behind the Scenes, or, Thirty Years a Slave, and Four Years in the White House represent the function of fashion and attire in literature. Each author encourages readers to examine dress in a way that defies the typical domestic ideology of nineteenth century America. I want my readers to understand the role of fashion in literature as I progress through each work and ultimately show how each female author and protagonist set a new example for womanhood through their fashion choices.