Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-01-20T20:33:22Z No. of bitstreams: 1 RomualdoDosSantosCorreia_TESE.pdf: 1899919 bytes, checksum: a954f9ac77a59414ac249caec0c0be51 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-01-21T17:36:39Z (GMT) No. of bitstreams: 1 RomualdoDosSantosCorreia_TESE.pdf: 1899919 bytes, checksum: a954f9ac77a59414ac249caec0c0be51 (MD5) / Made available in DSpace on 2016-01-21T17:36:39Z (GMT). No. of bitstreams: 1 RomualdoDosSantosCorreia_TESE.pdf: 1899919 bytes, checksum: a954f9ac77a59414ac249caec0c0be51 (MD5) Previous issue date: 2014-12-17 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / A partir da investiga??o e percep??o do trabalho liter?rio, esta tese discute aspectos relacionados aos estudos sobre o homoerotismo e estilos de vida nas obras Dancer from the dance (2001) de Andrew Holleran e Pela noite (2010) do autor brasileiro Caio Fernando Abreu. Considerando que as quest?es sobre beleza, desejo e estilo de vida configuram recortes importantes para as narrativas, propomos uma discuss?o atrav?s da an?lise das obras que marcam desde os primeiros momentos de libera??o sexual nas festas de Nova Iorque com as peculiaridades de estilos pr?prios que caracterizaram as personagens de Andrew Holleran rostificadas por um ethos que comp?s durante aquele momento a abertura para a liberdade sexual de sexualidades desviantes. Em Pela noite, reiteramos uma continua??o do momento de abertura no Brasil para as personagens gays de Caio, levando em considera??o que o in?cio da d?cada de 1980 constitui para aquelas personagens as primeiras ?sombras" da aids e o conhecimento de si, no qual suas personagens convivem com o medo, anonimato e reminisc?ncias da homofobia como pano de fundo para as discuss?es pontuais que s?o desencadeadas pelo autor. Para compor um recorte te?rico que subsidie este trabalho, elencamos os trabalhos de Michel Foucault (2007, 2010a, 2010b), Eve Kosofsky Sedgwick (2008), Didier Eribon (2008), David Cartier (2004), David Eisenbach (2006) e outras contribui??es que foram, sem d?vida, imprescind?veis a este empreendimento / From the research and awareness of literary work, this thesis discusses aspects related to the study of homoeroticism and lifestyles in the works Dancer from the Dance (2001) by Andrew Holleran and Pela noite (2010) by Brazilian author Caio Fernando Abreu. Whereas issues about beauty, desire and lifestyle shape cutouts important to the narrative, I propose a discussion by examining the works that mark from the first moments of sexual release party in New York with the peculiarities of their own styles that characterized the Andrew Holleran characters rostificadas by an ethos that he composed during this time opening for freedom of sexual deviant sexualities. In Pela noite, we reiterate a continuation of opening moment in Brazil for gay characters Caio , assuming the early 1980s for those characters is the first " shadows " of AIDS and knowledge of self , in which his characters living with fear, anonymity and reminiscences of homophobia as a backdrop to the discussions that are triggered off by the author . To compose a theoretical framework to subsidize this work , we selected the works of Michel Foucault (2007 , 2010a , 2010b ) , Eve Kosofsky Sedgwick (2008 ) , Didier Eribon (2008 ) , David Cartier (2004 ) , David Eisenbach (2006 ) and other contributions that were undoubtedly essential to this endeavor