The topic of computer/video games and their translation has only recently attracted attention of translation scholars. The thesis aims at introducing the phenomenon as a legitimate topic of translation studies, presenting it as a specific and influential medium with an extensive user subculture. A description of the overall process of game localization, and specifically its practice in the Czech Republic are included. Lexical analysis of selected computer game reviews and online discussions is complemented with a questionnaire survey to reveal if and how computer games and game- focused articles influence the constitution of a characteristic sociolect and its usage outside the gamer subculture. Concepts used in intercultural and interlingual transfer of computer games are defined and compared with established terms in translation studies. A comparative analysis of original and Czech versions of two computer games is carried out to identify translation methods used in the transfer of culture- and language-specific elements in order to determine whether the process of computer game translation exhibits any specific features that may justify the introduction of new terms into translation studies. Specific features of computer games in translation are described and an analysis of several games...

Cette recherche aborde le dialogue du cinéma. Elle propose une description de quelques interactions verbales couramment présentes dans les échanges quotidiens à travers une analyse d’un corpus cinématographique composé de comédies récentes (Amélie Poulain, Quatre étoiles, la Doublure, Ah ! si j’étais riche, Moi, César…). Les résultats de cette étude fondamentalement descriptive, intéressent [a] le domaine de la relation entre la description des interactions et la didactique du français et de l’arabe langues étrangères ou langues secondes, et [b] la problématique de la traduction des sous-titres cinématographiques, qui constitue la partie la plus importante de son apport. Cette étude cherche, [a] d’un point de vue de didactique des langues, à dégager des interactions pouvant contribuer à enrichir les fonctions du niveau B2 du Cadre européen commun de référence pour les langues. Le travail se fonde sur l’analyse de certains actes de langage rituels et fonctionnels : salutations, remerciements, excuses, demande, offre et proposition. Les différentes réalisations linguistiques de ces actes forment un inventaire susceptible d’enrichir le référentiel du français langue étrangère ainsi que celui de l’arabe langue étrangère à travers la traduction du dialogue français (les sous-titres). [b] Concernant la problématique traductionnelle, l’analyse des interactions observées (dialogues français transcrits par nous et sous-titres en arabe) font apparaître des liens entre la traduction et la culture, ainsi que des problèmes spécifiques liés aux contraintes de la traduction audiovisuelle et particulièrement au sous-titrage. Les extraits analysés dans la thèse sont repris dans les annexes, avec traduction, rétro-traduction et, au besoin, des notes explicatives, afin d’offrir la possibilité d’une lecture libre d’une partie du corpus. / This research is based on cinema dialogs. It offers a description of aspects of verbal interactions currently found in everyday life situations through a cinematograph corpus (recent French comedies : Amélie Poulain, Quatre étoiles, la Doublure, Ah ! si j’étais riche, Moi, César…). The results of this essentially descriptive study should be of interest for: [a] relations between the description of verbal interactions and the teaching/learning of French and Arabic as foreign or second languages, and [b] issues related to the translation of cinema subtitles, which are in fact the essential part of this study. The latter seeks to identify [a] in the context of the teaching/learning of foreign languages, interactions that help enrich the French B2 level (with reference to the Common European Reference Framework for Languages). The approach illustrates some pragmatic functions in the B2 level, and is based on the analysis of some speech acts (ritual and functional) including greetings, thanks, apologies, requests, offers and proposals. The different linguistic realisations of these acts propose an inventory aiming at enriching the Referential Framework for French and Arabic as foreign or second languages. Arabic is seen through the translation of subtitles. [b] With regards to translation issues, the analysis of the verbal interaction observed in the above mentioned cinema corpus (French dialogs transcribed by us and Arabic subtitles) bring forth some relations between translation and culture, in addition to problems which are specific to the constraints of audiovisual translation, with special reference to subtitling. Excerpts analysed in the dissertation are reproduced in the Annexes, with their translation, a retro-translation, and, when needed, explanatory notes, in order to offer a free reading of parts of our corpus.

This thesis focuses on teaching Czech language to deaf Czech-signing children in the first five grades of elementary school. It analyses the use of videos with subtitles in language teaching. In the introductory chapters, the legislation regarding the education of deaf children is outlined, together with the terminology delimiting the target group for the thesis. The following part looks at the reasons why subtitles are added to audiovisual works, considering the language learning and the development of communication competence in Czech as a second/foreign language. Here, it is especially the reading competence that is stressed, and the process of reading is therefore also discussed here. Based on these, the thesis then lists the various components of an audiovisual work with subtitles and also the benefits that come from watching such a work. The condition for effective learning from the subtitles is the relevancy of the subtitles for their addressees. The subtitles have to fulfill certain requirements, both on the technical level and the appropriate language demands. Supported by relevant research literature, this thesis explains the time limitations of subtitles (speed of the subtitles aimed at children, minimal and maximal duration of the projection, breaks between the subtitles, etc.) and...

This report surveys existing literature in order to determine how best to implement target language captioned video in a classroom of a particular context: a Korean church in the U.S. whose members desire to improve their English language ability for the purpose of sharing the gospel of resurrection in English. In order to gain insight into the benefits and limitations of target language captioned video on second language listening comprehension and vocabulary acquisition and thus how to use the learning tool optimally, literature is reviewed regarding word knowledge, processing strategies, and reported gains or effects of the use of captioned video. Then, incorporating the information gleaned from the literature, two sample lesson plans are presented utilizing the C-Channel English testimony videos as the primary tool for instruction. / text

Music videos have been published on YouTube since the site’s creation in 2005. However, on-demand subtitles for music videos are a relatively recent phenomenon. As fans can now understand lyrics in a language that is not their own, by using translated subtitles, artists have the possibility of reaching a wider international audience than ever. This qualitative study aims to fill a gap in translation studies by examining the translation of French song lyrics into English in the subtitles of music videos on YouTube. The study poses the following questions: how are specific linguistic features that are characteristic of song lyrics translated in the subtitles of music videos? What is the overall effect of these translations – is there a loss of meaning or of style once the lyrics have been translated? What are the particularities of this medium of translation?  The corpus consists of 14 music videos published on YouTube within the last decade. All 14 pop/hip-hop songs examined are performed in French and subtitled in English. The study gives an overview of the translation techniques used in the English subtitles on French music videos, by examining both the methods used to translate songs as well as the strategies used by subtitlers to translate specific linguistic features. The linguistic features examined through comparative text analysis are phonetic (assonance, alliteration, rhyme, and language play), socio-cultural (linguistic register, cultural references, and idiomatic expressions including slang), and grammatical.  This thesis begins with an interrogation of previous research on audiovisual and song translation, including an examination of taxonomies of subtitling strategies. These taxonomies are applied to the under-examined context of YouTube music videos, following the paradigm of Descriptive Translation Studies.  Through a descriptive analysis of the pairs of source-language and target-language linguistic features, the study found that translation strategies were varied, and could result in a tension between the prioritisation of stylistic elements over the original meaning of the lyrics. The results confirmed a lack of standardised conventions for subtitled translations on YouTube, and certain markers of this digital, community-oriented medium were present, where they might not be found in more conventional arenas of audiovisual translation.