Submitted by Cleide Dantas (cleidedantas@ufpa.br) on 2014-03-12T14:36:59Z No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_SapurahaiKaruaraMitos.pdf: 12262556 bytes, checksum: d2d01c1da347099566f55747c00f990f (MD5) / Approved for entry into archive by Ana Rosa Silva (arosa@ufpa.br) on 2014-07-10T12:09:07Z (GMT) No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_SapurahaiKaruaraMitos.pdf: 12262556 bytes, checksum: d2d01c1da347099566f55747c00f990f (MD5) / Made available in DSpace on 2014-07-10T12:09:07Z (GMT). No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_SapurahaiKaruaraMitos.pdf: 12262556 bytes, checksum: d2d01c1da347099566f55747c00f990f (MD5) Previous issue date: 2007 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Os conhecimentos tradicionais se ligam a processos de aprendizagem baseados na interação dos grupos humanos com o meio ambiente, envolvendo experimentação, especulação e experiência de seus membros que sistematizam um conjunto de concepções e práticas de socialização intergeracional. O estudo desenvolvido entre os Suruí Aikewára, no estado do Pará, aborda a constituição desses conhecimentos e práticas relativas ao canto ligando-o aos mitos e aos processos de construção dos instrumentos musicais, como via de entrada para o entendimento do universo cultural indígena, acionados na dança do Sapurahái e no rito Karuára. / The traditional knowledge are connected through processes of learning based on the interaction between the human groups and the environment, involving experimentation, speculation and experience of its members that systemize a set of practical conceptions and in relation of intergenerational. The study was developed between the Suruí Aikewára, in the State of Pará, it approaches the constitution of these relative practical knowledge and song connecting to the myths and the processes of construction of the musical instruments, form the starting point of entrance for the agreement of the indigenous cultural universe, defendants in the dance of Sapurahái and the rite Karuára.